ÉVALUATION IMDb
7,4/10
13 k
MA NOTE
Comédie cinglée qui raconte les vicissitudes de la première d'une pièce pleine de revers délirants et amusants.Comédie cinglée qui raconte les vicissitudes de la première d'une pièce pleine de revers délirants et amusants.Comédie cinglée qui raconte les vicissitudes de la première d'une pièce pleine de revers délirants et amusants.
- Director
- Writers
- Stars
- Prix
- 1 victoire au total
Louise Stratten
- Broadway Stagehand
- (as L.B. Straten)
Cleveland O'Neal III
- Miami Electrician
- (as Cleveland O'Neal)
Avis en vedette
"Noises Off" is based on a popular play. Directed by Peter Bogdonavich, it tells the story of a bedroom farce, "Nothing On," which is, in fact, a dud of a play - and what goes on backstage and on-stage as the actors rehearse, play out of town, and open on Broadway. Thanks to break-ups, jealousies, and drunkenness, the offstage happenings spill over into the play, as the actors grow to hate one another more and more. Anyone with experience in theater will love it the most, but it's fun for everyone.
The cast is top-notch - Michael Caine is the harried director, and the stars of the "play" are Carol Burnett, John Ritter, Christopher Reeve, Marilu Henner, Nicolette Sheridan, Mark-Linn Baker, and Denholm Elliott. Julie Hagerty is the near-hysterical stage manager.
There's a lot of slapstick and much "actor talk" with the actors searching for motivations; there's a drunk actor (Elliott) who pops up from time to time asking if it's his cue yet. (Soon, the cast finds his stash of booze and start chugalugging themselves.) Caine is terrific as a Valium-popping director driven to near-madness.
The play is much better than the film, even though the film is terribly funny.
Unfortunately, for me anyway, it's just terribly sad to see handsome, robust Christopher Reeve walking around and the talented, deceased John Ritter. Boy, life sure has some same twists. So does "Noises Off" - but unlike some of life's twists, these twists are accompanied by plenty of belly laughs.
The cast is top-notch - Michael Caine is the harried director, and the stars of the "play" are Carol Burnett, John Ritter, Christopher Reeve, Marilu Henner, Nicolette Sheridan, Mark-Linn Baker, and Denholm Elliott. Julie Hagerty is the near-hysterical stage manager.
There's a lot of slapstick and much "actor talk" with the actors searching for motivations; there's a drunk actor (Elliott) who pops up from time to time asking if it's his cue yet. (Soon, the cast finds his stash of booze and start chugalugging themselves.) Caine is terrific as a Valium-popping director driven to near-madness.
The play is much better than the film, even though the film is terribly funny.
Unfortunately, for me anyway, it's just terribly sad to see handsome, robust Christopher Reeve walking around and the talented, deceased John Ritter. Boy, life sure has some same twists. So does "Noises Off" - but unlike some of life's twists, these twists are accompanied by plenty of belly laughs.
You may have to see it a few times to catch it all, as it is very fast paced, but there's not very many movies that have made me laugh so much. An amazing cast with amazing acting. Often overlooked is the ability to maintain character without busting up laughing at what your co-star is doing...especially during long takes, which this movie has many of. The late, great John Ritter's performance is the glue that holds it all together, and Michael Caine's depiction of the pained and tormented director is brilliant. It is also a great show of diversity for the late Christopher Reeve, who is much more Clark Kent than Superman in this show. Nicolette Sheridan in her undies is certainly not hard to look at either!
Highly recommended...but don't just see it once, as I wrote before. It was a bit confusing on my first one. It is also fairly family-friendly, with only a couple obscenities exclaimed by Michael Caine in hilariously funny moments of frustration.
Highly recommended...but don't just see it once, as I wrote before. It was a bit confusing on my first one. It is also fairly family-friendly, with only a couple obscenities exclaimed by Michael Caine in hilariously funny moments of frustration.
I was only twelve years old when I saw this movie in the theaters. I could not stop laughing during the entire movie! Everyone in the theater (sadly it wasn't packed) burst out laughing at what seemed like every single line. Although the play within the movie is a sex farce, other than Nicolette Sheridan running around in her underwear, this movie is still appropriate for the whole family. Parents need not worry about covering their childrens' eyes or ears.
The entire cast was picture perfect in their comedic timing. The visual sequences backstage were stunning in their crispness, all the while making the audience have fits of laughter. I laughed so hard I cried, and this was when I was only twelve. Michael Caine is great as a hard-nosed director. Nobody does physical comedy like John Ritter. Carol Burnett's expressions in the movie are just priceless. And, this is one of the last movies Christopher Reeve made before his riding accident that left him paralyzed. I never knew he could do comedy, having grown up on the Superman movies, but seeing him as a bumbling idiot cracked me up. And kudos to the rest of the cast for a delightful comedy!
Having been involved in several productions in high school, Noises Off hits even closer to home, as the backstage shenanigans, though not as brutal, DO happen quite often, for those of you who've never done theater. I loved watching the movie again after I finished high school and had the experience of having performed on stage. Now there were experiences I could relate to, like two actors hating each other, love triangles (or even quadrilaterals!), and missing props. Backstage during a play can be one of the most hectic places in the world! And the cast superbly brings out the sheer insanity of it, to the delight of the audience.
Looking at the last 10 years, to be cliche, they just don't make movies like this anymore. Now the trend seems to be toilet humor like There's Something About Mary, South Park, and any Jim Carrey movie. Don't get me wrong, I loved the two movies mentioned above and laughed my butt off, but I laughed because of the toilet humor and the raunchiness. And this comedy made me laugh more than I ever have for any movie, bar none. It is all the more refreshing to see a comedy where toilet humor is not needed to leave the audience in stitches. A little sex humor, yes, but it is on the mild side, tame enough even for little kids. It is not about "let's see, what can we put in the movie to REALLY gross out the audience?"
So, go rent this movie today! It is worth however much it costs! If you have never done theater in your life, you will find it a nonstop comedy of errors. If you have done/are doing theater, you will love this movie on another level. Watch it by yourself; watch it with others. It really doesn't matter, but most likely you'll want to share this movie with your family, your friends, your loved ones, etc.
The entire cast was picture perfect in their comedic timing. The visual sequences backstage were stunning in their crispness, all the while making the audience have fits of laughter. I laughed so hard I cried, and this was when I was only twelve. Michael Caine is great as a hard-nosed director. Nobody does physical comedy like John Ritter. Carol Burnett's expressions in the movie are just priceless. And, this is one of the last movies Christopher Reeve made before his riding accident that left him paralyzed. I never knew he could do comedy, having grown up on the Superman movies, but seeing him as a bumbling idiot cracked me up. And kudos to the rest of the cast for a delightful comedy!
Having been involved in several productions in high school, Noises Off hits even closer to home, as the backstage shenanigans, though not as brutal, DO happen quite often, for those of you who've never done theater. I loved watching the movie again after I finished high school and had the experience of having performed on stage. Now there were experiences I could relate to, like two actors hating each other, love triangles (or even quadrilaterals!), and missing props. Backstage during a play can be one of the most hectic places in the world! And the cast superbly brings out the sheer insanity of it, to the delight of the audience.
Looking at the last 10 years, to be cliche, they just don't make movies like this anymore. Now the trend seems to be toilet humor like There's Something About Mary, South Park, and any Jim Carrey movie. Don't get me wrong, I loved the two movies mentioned above and laughed my butt off, but I laughed because of the toilet humor and the raunchiness. And this comedy made me laugh more than I ever have for any movie, bar none. It is all the more refreshing to see a comedy where toilet humor is not needed to leave the audience in stitches. A little sex humor, yes, but it is on the mild side, tame enough even for little kids. It is not about "let's see, what can we put in the movie to REALLY gross out the audience?"
So, go rent this movie today! It is worth however much it costs! If you have never done theater in your life, you will find it a nonstop comedy of errors. If you have done/are doing theater, you will love this movie on another level. Watch it by yourself; watch it with others. It really doesn't matter, but most likely you'll want to share this movie with your family, your friends, your loved ones, etc.
10maer9
The timing, the plot, the acting, the variety of people, all of this make up a movie which literally had me crying with laughter for the entire second half of the film. I wanted to watch it again immediately, and likely would have if it hadn't been 2:30 am. The idea of the film is that these actors - playing actors - pull together, fight, and put up with each other to keep a play going. This is John Ritter as his amusing self, without going overboard. This is Christopher Reeve: tall, good looking, humble, funny. Carol Burnett being just ... HER. This is Julie Haggerty meek, mild, and under control. Mostly. This is Michael Caine, sly and cranky. Typecasting? NOOOO!!*grin* The whole cast is perfect for their respective roles. Tiny TINY bit of language, but otherwise something for a variety of ages. Find it, make popcorn, sit and watch - but don't eat the popcorn around the second half, you might choke.
Maer
Maer
10AZINDN
"Noises Off" brings door-slamming hilariousness to the screen as an adaptation of the stage play. With the cast to die for: Michael Caine, Carole Burnett, Nicolette Sheridan, Julie Haggarty, Christopher Reeve, Denholm Elliott, and John Ritter, the storyline of a cast preparing for out of town run of a comedy quickly descends to back-stage antics, jealousy, lost contact lenses, and sardines at every turn. Peter Bogdonovich steers this witty production of a play, in a play, in a play with multiple staging's as dress rehearsal, opening night, and the worst night in Cleveland is turned into a Broadway triumph.
The initial opening dress rehearsal sets up the story of the play's characters, their original entrances and exits, key lines, and props if all went well. From then on, the production deteriorates with backstage gossip, romances, and fiasco mistakes that quickly become running jokes of missed timing, malfunctioning props, and erratic ego's out of control. Each character's quirks are their achilles heel and from start to finish, the play's momentum keeps the cast on their toes as they step on and over each other to curtain.
If you've ever done theatre at any level, this film is for you. It is simply the most hysterical comedy of timing and entrances. If you've wondered about theatre productions, this film is for you. And, if you just love the theater, this film is definitely for you. It is filled with trueisms that have happened, will happen, and could happen in all the disastrous and varied forms.
I caught this film originally on HBO and laughed so hard I had to buy the video. It is a wonderful film for great performances by the late actors, Reeve, Ritter, and Elliott, and their brilliance is all the more bittersweet by the excellence of their timing, physical humor, and read of the lines. For the sex is Desperate Housewife, Nicolette Sheridan in her underwear from moment one to last scene, on her knees, and blind as a bat without contacts. Michael Caine should have been acknowledged for this performance as he is so perfect as the harried director that it makes his work in drama all the better.
Each time I catch this film, it gets funnier and makes me laugh to tears. See it just to cry over what great talent has been lost too young, and just be amazed and amuzed at what great ensemble casting is all about behind and in front of the curtain.
The initial opening dress rehearsal sets up the story of the play's characters, their original entrances and exits, key lines, and props if all went well. From then on, the production deteriorates with backstage gossip, romances, and fiasco mistakes that quickly become running jokes of missed timing, malfunctioning props, and erratic ego's out of control. Each character's quirks are their achilles heel and from start to finish, the play's momentum keeps the cast on their toes as they step on and over each other to curtain.
If you've ever done theatre at any level, this film is for you. It is simply the most hysterical comedy of timing and entrances. If you've wondered about theatre productions, this film is for you. And, if you just love the theater, this film is definitely for you. It is filled with trueisms that have happened, will happen, and could happen in all the disastrous and varied forms.
I caught this film originally on HBO and laughed so hard I had to buy the video. It is a wonderful film for great performances by the late actors, Reeve, Ritter, and Elliott, and their brilliance is all the more bittersweet by the excellence of their timing, physical humor, and read of the lines. For the sex is Desperate Housewife, Nicolette Sheridan in her underwear from moment one to last scene, on her knees, and blind as a bat without contacts. Michael Caine should have been acknowledged for this performance as he is so perfect as the harried director that it makes his work in drama all the better.
Each time I catch this film, it gets funnier and makes me laugh to tears. See it just to cry over what great talent has been lost too young, and just be amazed and amuzed at what great ensemble casting is all about behind and in front of the curtain.
Le saviez-vous
- AnecdotesMichael Caine only agreed to be in the film if the director also cast Denholm Elliott. Caine had known Elliott since they appeared in Alfie Le Dragueur (1966), 26 years previously, and Elliott had confided in Caine that he had AIDS and didn't have long to live. Knowing this was likely to be Elliott's last chance of a paycheck Caine insisted on his inclusion. Elliott died just a few months after the theatrical release of the movie of complications from AIDS.
- GaffesWhen the viewer see the show from the stage, fake walls are visible behind all the doors. When the viewer sees the show from backstage, those fake walls are missing from all the upstairs doors, although present for the downstairs doors. This is not actually a mistake; this is how an actual stage production is presented, and the top floor of the set rear needs to be seen clearly or half the action would be obscured.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Bruits de coulisses
- Lieux de tournage
- Pasadena Playhouse - 39 S. El Molino Avenue, Pasadena, Californie, États-Unis(Miami Beach Playhouse)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 12 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 2 280 148 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 981 452 $ US
- 22 mars 1992
- Brut – à l'échelle mondiale
- 2 280 148 $ US
- Durée
- 1h 41m(101 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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