Célibataires

Love. Sex. Friendship. Companionship. These are the themes obviously explored in Cameron Crowe's early movie Singles, which revolve around the love lives of singles (naturally) living in a common apartment. We follow each of the protagonist Steve (Campbell Scott), Janet (Bridget Fonda), Cliff (Matt Dillon) and Linda (Kyra Sedgwick) through their ups and downs in dealing with the weird little emotion called Love.

Well, not quite. As we know early in the film, each have problems and their own peculiar viewpoints on the dating scene. We see Linda meeting and breaking up with a Spanish student she was so into, after seeing through his lies and sweet talk. It hurts, and she doesn't want to be hurt again. Steve too have had a bad experience, and (I can identify with this) swears off relationships for the next few years, deciding instead to focus on career. As Fate would have had it, these two will meet at the unlikeliest places and get into a relationship.

Cliff, an aspiring rocker, seemed to have taken his girlfriend Janet, for granted. And I think this is something that most people can identify with. When efforts go unappreciated, or when things go mundane, the question is, do you want to bail out? And when you do, what next? Would you give the ex another chance? If you do, how would you approach it? It's fun watching a movie that was made 13 years ago, and you wonder about how the initiating and sustaining of a relationship back then happened without technology which we are so used to these days. Back then, a mobile phone was a cordless one, and there is no such thing as an instant message, but an answering machine. Where Speed Dating was unheard of, but Video Dating was the rage (check out the funny Tim Burton cameo).

You wonder too about the career of the leads. Campbell Scott was noticed by many after his pairing with Julia Roberts in the movie Dying Young, but after this, seemed to have vanished into obscurity. And so has Kyra Sedgwick. Only Matt Dillon and Bridget Fonda are still around, somewhere.

Oh, the music. Peppered throughout the movie is the wonderful musical tracks that always seem to punctuate a particular moment succinctly. I like Tarantino and Crowe movies because music plays an integral part of the entire experience, and Singles too had excellent ballads blended with grunge rock, say, Pearl Jam (before they made it huge), which also made an appearance.

It's a beautiful, quirky little movie with excellent identifiable dialogue, music, humour, and a younger cast of stars whom we know today, thrown into situations that everyone in love would have experienced.

If you lived it, you love it. If not, you try to appreciate and judge if not willing. This captures the magic of a time and a city, and mostly the magic that Nirvana brought forth.

This movie was so much more like TV sitcom "friends" than "sex and the city", i mean, it makes you approach to people in their early 20s on a different level than just sex. Boy!!! would i like to have seen more of Campbell Scott & kyra Sedgwick. i mean, they have so much chemistry that you just wish you could be part of them. Scott began his career with very big promise (with this, longtime companion, the sheltering sky and dying young) but without you even noticing, he became a indie dude that chose the worst roles in the worst indie movies (at least, until secret lives of dentist) and there's a big talent wasted. Kyra Sedgwick's on a similar position (great beginning with born on 4th of July and something to talk about and then...just dissapearing into shi**y roles).Bridget Fonda achieves yet another great performance of her early career (along with single white female and Jackie brown) and shows she can be so sexy without being the classic boob-blonde girl. Cameron crowe, well, i would do a standing ovation if i ever get to meet him. he made a great movie, and practically, a gen-x classic. good for you.

SINGLES is a charming, romantic movie and one of Cameron Crowe's best.

An oft-heard criticism of this film is that it's not an authentic portrayal of the Gen-X culture of the early 90's, but I've yet to see that done well in any film.

More importantly, the film never claims to be a Gen-X film. It's set in Seattle during the height of Seattle Sound but the cast is made up of driven professionals and slackers alike. It's more of a cross-section of 20-somethings, not a focus on Gen-X or Grunge. The characters, settings and themes are all to a certain degree idealized, which is a staple of Crowe's style.

Where this film's charm really lies is in capturing the spirit of the early-90's and the anti-classist sentiment embraced by teens and young professionals in opposition to the "status is everything" 1980s. It's nice to remember a time when being socially and environmentally conscious was actually fashionable for a time.

Sadly we all got sucked into the dot-com thing and realized we can be just as bad as our parents.

What I liked most about Singles was that many of the characters you could identify with. Its not often in a film where you can look at characters and think - I know someone like that. Its actually very accurate in the way it depicts the attitudes of twenty somethings who have been through a series of less than successful relationships. There are some great, and very funny scenes in this film, and the actors all put in great performances. Setting it in Seattle- the home of the Grunge band was a fantastic idea as well.