ÉVALUATION IMDb
4,6/10
17 k
MA NOTE
Un avocat défend une femme accusée d'avoir tué son amant plus âgé en ayant des relations sexuelles avec lui.Un avocat défend une femme accusée d'avoir tué son amant plus âgé en ayant des relations sexuelles avec lui.Un avocat défend une femme accusée d'avoir tué son amant plus âgé en ayant des relations sexuelles avec lui.
- Director
- Writer
- Stars
- Prix
- 1 victoire et 8 nominations au total
Avis en vedette
Okay, I'm pleading guilty of being a guy but Madonna's bod alone is worth 5 stars. I've never been a fan but dee-YAMN, was she physically fit. Her acting was good too. It's her best effort other than 'Dangerous Game' where she showed she could really produce a great performance, if she got her ego out of way. I was really believing and sympathizing with her. There were no cringe worthy scenes that mark most of her acting career. This is major point since the movie revolves around her character. Willem Dafoe is good, as usual, in a rather unchallenging role as her defense attorney. The rest of cast is a who's who's of A list supporting actors who are always fun to watch.
The plot itself is a rather lame, 'Basic Instinct' knockoff, which was practically a sub-genre at that time but it was engaging enough. It seems the director's main goal was to see if he could get Madonna, Julianne Moore and Anne Archer (who was a major crush of mine at the time) to take off all their clothes. It seems he succeeded though there may have been a body double for A.A. (sad face emoji)
I can see how people of a more puritanical and/or snooty mindset could hate this movie but for it's unblinking and unapologetic trashiness, good performances and serviceable plot I found it entertaining. If you accept the movie for what it is, it's a very fun watch.
The plot itself is a rather lame, 'Basic Instinct' knockoff, which was practically a sub-genre at that time but it was engaging enough. It seems the director's main goal was to see if he could get Madonna, Julianne Moore and Anne Archer (who was a major crush of mine at the time) to take off all their clothes. It seems he succeeded though there may have been a body double for A.A. (sad face emoji)
I can see how people of a more puritanical and/or snooty mindset could hate this movie but for it's unblinking and unapologetic trashiness, good performances and serviceable plot I found it entertaining. If you accept the movie for what it is, it's a very fun watch.
What a Movie! Leaves u begging for more... and in my opinion equally as good (if not better than) Basic Instinct. Madonna is at her sexiest and the movie prevails great suspense and surprises. Why was this movie so rejected? its not as bad as some i have seen that have got much more praise. and for one i don't understand why people don't like Madonna as an actress, that's the possible irritation to this movie for people... which is stupid... she is excellent and nowhere near out of place.. give this movie the benefit of a doubt. Its Erotic, Sexy, Sleak, Fun, and.... oh why was this movie put down again....?
Who cares if 'Body of Evidence' is a so-called 'Basic Instincts' rip-off, and the plot is a bit bogus? It's escapism, so I say to all the critics just chill a bit and lay off this movie. Madonna is simply stunning in it and as an enormous fan of hers [practically in anything she endeavours], I cannot believe it took me until 2001 to watch this movie. I guess I was sucked in to believe it was worst than it actually turned out to be. I can say that, whilst this movie is not Oscar-material, it was enjoyable, sexy and intriguing. Why people take it so seriously is beyond me. I firmly believe it was too harshly criticised. I was pleasently surprised. Sure, Madonna has a long way to go before she is considered a serious actress and perfects her craft, but she fit perfectly into this femme-fatal role and is very convincing. She is a better actress than people give her credit for!
Certainly not a great film, but not as bad as it has been made out to be. Madonna's acting is OK, and I suspect the "woodenness" of her performance was largely what the director wanted. Her character's passion was limited to the bedroom (and elevator, and stairs, and parking garage, etc.) and never extended to her daily life. And, by the way, I had forgotten how pretty she could be back then. Anne Archer looked awfully good as well, even while being weepy and not completely hinged. The rest of the cast put in good work, with a special commendation for Julianne Moore. Frank Langella was suitably creepy, and Joe Mantegna suitably industrious. Some of the dialog didn't completely work, but if you watch this without preconceptions, you'll find it OK.
(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon.)
Not that there is a TV version.
We could also call this 'Madonna on top' or 'Madonna in charge' or maybe 'She can show you the power you can have from the prone position.' The one thing about Madonna, other than having no shame (and I admire her for that) is that she can crawl and not feel the slightest bit reduced.
She's not especially bad in this mediocre thriller, nor especially good. The script is ridiculous and the treatment without a hint of nuance or subtlety. William Dafoe and Joe Mantegna seemed to be acting on rote and Anne Archer was a wash. The problem is the movie is so obviously fake that it's like watching bad TV. There's no point other than kinky sex. I'm not sure why Madonna agreed to do this. I can't believe she needed the money, nor can I believe she didn't care about her reputation as a performing artist. I think her appearance here exposes her weakness: simply put, she has bad taste because this could not in any way further her career.
On the plus side I saw the unrated version and she was very sexy.
Not that there is a TV version.
We could also call this 'Madonna on top' or 'Madonna in charge' or maybe 'She can show you the power you can have from the prone position.' The one thing about Madonna, other than having no shame (and I admire her for that) is that she can crawl and not feel the slightest bit reduced.
She's not especially bad in this mediocre thriller, nor especially good. The script is ridiculous and the treatment without a hint of nuance or subtlety. William Dafoe and Joe Mantegna seemed to be acting on rote and Anne Archer was a wash. The problem is the movie is so obviously fake that it's like watching bad TV. There's no point other than kinky sex. I'm not sure why Madonna agreed to do this. I can't believe she needed the money, nor can I believe she didn't care about her reputation as a performing artist. I think her appearance here exposes her weakness: simply put, she has bad taste because this could not in any way further her career.
On the plus side I saw the unrated version and she was very sexy.
Le saviez-vous
- AnecdotesIn a radio interview with Sway Calloway, Willem Dafoe confirmed that the scene in the parking garage is genuine, no body doubles were used.
- GaffesA detective states that the reason the police called the District Attorney is because the victim, Andrew Marsh, was handcuffed at the time of death. However, in the opening scene it is obvious that the dead man is not handcuffed. Moreover, if he were, it would almost conclusively prove Rebecca's guilt - if she did not kill him, she would have untied him before leaving. And despite this supposedly being the sole reason for Rebecca's arrest and prosecution, whether the deceased was or wasn't handcuffed at the time of his death is never mentioned again, by anybody.
- Citations
Rebecca Carlson: All we did was make love.
Frank Dulaney: In handcuffs.
Rebecca Carlson: It was different, but it was still making love. Have you ever seen animals make love, Frank? It's intense. It's violent. But they never really hurt each other.
Frank Dulaney: We're not animals.
Rebecca Carlson: Yes, we are.
- Autres versionsThree versions of this movie have been released: an R-rated theatrical version, a NC-17 version and an unrated video version. European release is the NC-17 cut.
- ConnexionsFeatured in Siskel & Ebert & the Movies: Memo to the Academy - 1993 (1993)
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- How long is Body of Evidence?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Body of Evidence
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 13 273 595 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 7 365 429 $ US
- 18 janv. 1993
- Brut – à l'échelle mondiale
- 13 273 595 $ US
- Durée
- 1h 39m(99 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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