En 1863, à Gettysburg, les forces du Nord et du Sud combattent lors de la bataille décisive de la guerre civile américaine.En 1863, à Gettysburg, les forces du Nord et du Sud combattent lors de la bataille décisive de la guerre civile américaine.En 1863, à Gettysburg, les forces du Nord et du Sud combattent lors de la bataille décisive de la guerre civile américaine.
- Prix
- 1 victoire et 1 nomination au total
- Maj. Gen. Isaac R. Trimble
- (as Morgan Sheppard)
- …
- Col. E. Porter Alexander
- (as Patrick Stuart)
Avis en vedette
The performance of Richard Jordan as Lo Armistead must be singled out for praise - his anguish was very moving. I'd loved the actor in The Friends of Eddie Coyle and what a job he does. (It helps that he's given the best lines in the movie). Martin Sheen as Robt. E. Lee is not the first name that would come to mind - but I think he gave a fine performance - his accent was entrancing. Sam Elliott is perfectly chosen as (and wonderfully played) the western General John Buford. I also think Jeff Daniels was absolutely wonderful - conveying so well the different manner of someone who until a year before, had been a civilian professor, not a colonel. Unfortunately although I'm generally a fan of Tom Berenger, I wasn't particularly moved by any scene he was in - he kind of walks through it.
The movie is written so well - and its pace just fine. There are so many interesting scenes, touching on many different aspects of life and war - from the nature of man and race to the paradox of a general loving his army yet having to sacrifice it. Jordan brought home so well the closeness of the senior officers to those on the other side.
I loved how well they showed the varied purposes for fighting of the different armies, and the occasional reference to a perceived resentment by the Union soldiers over what they saw as Confederate pretensions to higher social class. ("They're so arrogant", etc.).
The music is first rate - and definitely enhances the drama. The depiction seems quite authentic.
Some niggling criticisms: aside from the map at the start of the movie, there is none. Maps would definitely have helped to undeerstand the overall picture. People commonly refer to directions (from the norht, from the west, etc.) or "we must flank them to the right" and it's hard to understand if you haven't read about the battle.
The scene with the runaway slave is too abbreviated from the book - it doesn't have much impact in the movie.
Kevin Conway's dialogue and accent was a bit over the top, and the English military attache was rather clicheed.
For all that General Hancock is referenced, we see very little of him.
We see the diatribe by General Trimble against General Ewell - but without seeing anything of that battle (or Ewell ever), it just hangs there - rather than being part of any continuous story. (In the book, Ewell's and Early's conduct is more discussed - including a wonderful scene by the two with Lee). If they weren't going to discuss that side of the battle, they should have left Trimble's (well-played) trembling anger out of the story - it doesn't belong in this movie.
Gen. Longstreet is the star of the book and movie - yet I never sensed from Berenger the great brooding quality (and he wasn't given any reference to the fact that his thre children had just died) that he has throughout the battle - according to the book. Similarly, Gen. Lee's health (his heart and headaches, etc.) is a constant factor - not shown in the movie.
Despite the criticisms, this is a wonderfully done movie - from a Pulitzer Prize winning book. It's long - but quite clear, and very deeply moving. I defy anyone to see the last 1/2 hour and not have tears in their eyes. I'd very strongly recommend this.
However, there is NO way "Gettysburg" could have been made without reenactors. In order to give the movie's battle scenes an "epic" look, it needed several thousand extras and this film didn't have anyway near the budget to afford professional extras or travel overseas to rent-out a small European army as Hollywood films used do to. Heck, the production company couldn't even afford a decent make-up department (which is obvious from those awful, fake looking beards) let alone hire hundreds of professional extras, costume them, and train them. Reenactors, despite their faults, made this movie possible by working for free and by bringing their own uniforms, equipment, knowledge of Civil War tactics, and enthusiasm for this project. It was either use the services of reenactors or no movie about the battle of Gettysburg was going to be made.
While "Gettysburg" could not have been made without reenactors, I do feel director Ronald Maxwell could have done a better job of filming around some of the more ridiculous looking ones. Instead, he almost seems to revel in showing off the fattest and oldest of the bunch- the first Confederate soldier with a speaking part is a man over 60 yrs old who had to be at least 300lbs! Now how can anyone believe that this man marched 20 miles a day in June heat while carrying a 50lb pack? Supposedly, Maxwell has learned from his mistakes. While he is justifiably proud of "Gettysburg," he was not deaf to the guffaws at all those chubby Rebs and geriatric Yanks. Thus, for the upcoming "Gods and Generals" his casting directors were ordered to be much choosier in deciding which reenactors will be in that movie. (In other words, they were ordered to cull out the fatbodies and oldsters.)
Despite being a big fan of this movie, I can recognize the weaknesses of using reenactors as extras in a period war film. However, anyone who applauds the fact that "Gettysburg" was ever made must also commend the dedication of those reenactors who made its creation possible.
More important, the film makes the most of the remarkably rich characters who took part. My only hope is that Col. Chamberlain was as intelligent, humane and courageous in life as Jeff Daniels's performance. This is just one example, and there are many men one would like to know more about as a result of seeing this.
The one question I was left with came from Martin Sheen's portrayal of Lee. I know Lee had been unwell before the battle but Martin Sheen seems strangely remote from events, with a glazed look in his eye and high-pitched 'other worldly' voice. Is this fair and accurate? At least Lee has the moral courage to say "It's all my fault" when he sees the result of Pickett's Charge. I don't remember Douglas Haig saying that after the first day on the Somme in 1916.
Le saviez-vous
- AnecdotesDuring the Atlanta premiere, Martin Sheen was increasingly annoyed by an audience member seated behind him who offered a running commentary of the film's characters, and what was about to happen. When the lights came on for intermission, Sheen turned to confront the person and realized it was former President Jimmy Carter.
- GaffesWhen Col. Chamberlain talks to his brother Tom while sitting on the big rock after the Battle of Little Round Top, a car drives by on a road in the background, on the right.
- Citations
Colonel Joshua Lawrence Chamberlain: I've been ordered to take you men with me, I'm told that if you don't come I can shoot you. Well, you know I won't do that. Maybe somebody else will, but I won't, so that's that. Here's the situation, the Whole Reb army is up that road aways waiting for us, so this is no time for an argument like this, I tell you. We could surely use you fellahs, we're now well below half strength. Whether you fight or not, that's up to you, whether you come along is... well, you're coming. You know who we are and what we are doing here, but if you are going to fight alongside us there are a few things I want you to know. This regiment was formed last summer, in Maine. There were a thousand of us then, there are less than 300 of us now. All of us volunteered to fight for the Union, just as you have. Some came mainly because we were bored at home, thought this looked like it might be fun. Some came because we were ashamed not to. Many of us came because it was the right thing to do. And all of us have seen men die. This is a different kind of army. If you look back through history you will see men fighting for pay, for women, for some other kind of loot. They fight for land, power, because a king leads them, or just because they like killing. But we are here for something new, this has not happened much, in the history of the world. We are an army out to set other men free. America should be free ground, all of it, not divided by a line between slave states and free - all the way from here to the Pacific Ocean. No man has to bow. No man born to royalty. Here we judge you by what you do, not by who your father was. Here you can be something. Here is the place to build a home. But it's not the land, there's always more land. It's the idea that we all have value - you and me. What we are fighting for, in the end, we're fighting for each other. Sorry, I didn't mean to preach. You go ahead and you talk for a while. If you choose to join us and you want your muskets back you can have them - nothing more will be said by anyone anywhere. If you choose not to join us well then you can come along under guard and when this is all over I will do what I can to ensure you get a fair trial, but for now we're moving out. Gentlemen, I think if we lose this fight we lose the war, so if you choose to join us I will be personally very grateful.
- Autres versionsOriginally filmed as a cable-tv miniseries but briefly released theatrically at 248 minutes. Some video versions add another 30 minutes of new footage.
- ConnexionsEdited into The Making of 'Gettysburg' (1993)
- Bandes originalesKathleen Mavourneen
(uncredited)
Music by F. Crouch and lyrics by Francis Marion Crawford
Sung outside Longstreet's tent
Meilleurs choix
- How long is Gettysburg?Propulsé par Alexa
- What was the role played by blacks in the battle?
- What is the background of the seminary building used during the battle?
- What was the weather like during the battle?
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Los ángeles exterminadores
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 25 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 10 769 960 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 913 617 $ US
- 10 oct. 1993
- Brut – à l'échelle mondiale
- 10 769 960 $ US
- Durée4 heures 14 minutes
- Couleur
- Rapport de forme
- 1.85 : 1