Le jour de la marmotte

I thought the film was terrific when I saw it in theaters twelve years ago. Recently in watching it again on cable, I was amazed at the quality of the screenplay. I didn't notice the first time. But on repeated viewings (like reliving Groundhog Day), I was impressed at the story created by the writers. This film is so much more than witty jokes and comic riffs arranged around a gimmick. It has an internal logic and consistency that is very rarely found in screenplays. No joke seemed disposable, and as you laugh your way along, the philosophy underlying the film takes over your imagination.

Check the IMDb listings for this film's awards: look at the numerous British awards for writing. And yet this film was not even nominated for an Oscar. It is so rare that a film's jokes seem just as fresh more than a decade later, but I believe that is because the theme underlying the humor will never go out of fashion.

The acting was terrific, and I now think this is Bill Murray's best work (though I didn't take it seriously when I first saw the film.) But the screenplay is the one of the finest ever written. I don't know if it's studied in film schools, but it ought to be.

* * * * *

ON HAROLD RAMIS' DEATH: Ramis told The Associated Press in a 2009 story about the 50th anniversary of Second City. "When you hit it right, those things last."

I found that quote in a story on Ramis' death. The story curiously did not mention "Groundhog Day." If there is any film to serve as a fitting memorial for Harold Ramis, it must be "Groundhog Day." A totally perfect script, perfectly executed. He hit it right, and when will he get the recognition he deserved decades ago?

Often you hear the adage, "It is just a film". Well, for most times it is true. But on rarest of rare occasions, it isn't. This was one of them. Like a great piece literature, painting, poetry, speech it has the capacity to change the way you feel and think. It is the biggest compliment I can pay to a film. I rank Groundhog Day with Seventh Seal, Wild Strawberries, Waking Life, Synecdoche New York, Tokyo Story, Ikiru as one of the moves that has the capacity to change.

It is anything but a preachy film as the "intro" to the review might suggest. In fact it an extremely entertaining and funny film with one of the best performances ever by Bill Murray. The plot revolves around a weather man (Bill Murray) is reluctantly sent to cover a story about a weather forecasting "rat" (as he calls it). This is his fourth year on the story, and he makes no effort to hide his frustration. On awaking the 'following' day he discovers that it's Groundhog Day again, and again, and again. First he uses this to his advantage, then comes the realization that he is doomed to spend the rest of eternity in the same place, seeing the same people do the same thing every day.

The challenge here for the makers was in terms of screenplay, editing and performances. Bear in mind that, the "loops" Bill Murray's character goes through, might become redundant for the audience after a while. This is where the genius of Harold Ramis and Bill Murray comes into play, who seem to introduce a "novelty" factor with every shot of the same sequence. I couldn't think of any actor other than Murray who could have pulled this one off.

It is a movie likely to deceive you in its effortless narrative and casual comic tone. Yes, it is funny, but make no mistake about it, it is a film with a strong philosophical undertone. This is a quality that separates Groundhog from rest of the movies with similar intent. It tells you what it intends to on your terms. It deals with the questions that bother us for a better part of our lives i.e. meaning of life, purpose of life, existentialism, death, god but never preaches, nor propels any propaganda. But by the end of it, you know that something has changed, something you didn't see coming has happened. And then you watch it again only to realize the moment of Epiphany that eluded you the first time.

Every time I am down or losing perspective this is the movie that eases everything and makes me ask a simple question, "What is important?". One of the absolute great films of the 90s, but more than just a film for me.

My brother told me that some people say "ground hog" day is one of the most spiritual movies ever made. First times I watched the movie ( I already have seen it a dozen times) I just laughed about it. But after some times watching I saw what the director wanted to say with it.

In my own life the same thing happened but not as heavy as in the movie. I mean, in my life the day just become another day. ( really I ask myself, the only thing that was different that was the date) I think a lot of people live in groundhog day, doing the same thing again and again, not taking the best out of life. Just living without any consciousness. Not having enough time by their own fault, because time is a thing you can offer yourself by making other choices.

Groundhog day....I personally am getting rid of that day more and more fortunately and finally too. More and more I am trying to make best of life and using every day in another way.

I am not crazy. No, I just watch movies with some kind of view lately. In every movie there is a hidden message told.

Enough about Ground Hog day....I gave the movie an 8 because the number 8 is the number of eternity. And that's also a thing the movie is about. About eternity and not about the bad and boring repeating of the stupid livings.

Danny

For all intents and purpose Bill Murray plays the role of the beast in a time looped reprisal of Beauty & the Beast. I fancy however, had the beast in the original tale had a potentially perpetual number of goes at winning the girl over and he had access to Rohypnol the story told would be anything but a fairy tale - fortunately that isn't the case here as Bill Murray is equipped with a veritable tool store of innovative, hilarious, wacky and inspiring methods to win the girl over. There are plenty of other valuable takeaways, not the least a caustic appraisal of the modern world and how it can affect us but let's not get too serious - few people have ever had the ability to pull stuff off like this and, for it to remain as entertaining and as fresh as the day it was released, makes Bill Murray one of those few people.

This movie is so charming. It starts out with Phil Connor, the Bill Murray character, doing his Bill Murray. Cynicism emanating from every pore. He is harsh, disinterested, angry, full of angst. Making jokes about everything. Everybody knows it. Everybody feels it. When the "gift" or "curse" comes to him to relive the same day over and over, he at first is confused, then flippant, then angry, then suicidal, and, finally, sees it as a chance to reclaim his humanity. This is done in a series of repetitious acts which ultimately lead to his willingness to sacrifice himself, live for the day, and try to show that he is worth saving. What this movie does, like "It's a Wonderful Life," is ask us what we would do, given the same circumstances. Would we fall into a retreat of depression? Would we become something that we always wanted to be? Would we keep living it the same way, hoping for he best? Murray's character wants the romance and the commitment that he was never willing to give. He toys with his own approach to the world, experimenting and doing things until he gets them right. He goes through a period of embracing the bad, lusting after Andy MacDowell, forcing himself on the other women in the town, disdaining the "characters" he meets. But like most "everymen," he eventually must become good because without that, it doesn't matter anymore.

He can only impress so much; he can only be angry so long. I find this movie so intriguing, not for what it says but for what it teaches. Some don't like the ending, but whatever the forces are that bring it about, it has to be. If we accept that premise, it's OK.