The Hawk

A slight British thriller, with a strong cast, and a different take on the murder-mystery genre. Mirren plays Annie Marsh, who starts to believe her husband is 'The Hawk' a serial killer preying on lone women drivers, who has eluded police capture and is still on the loose. Her mounting paranoia is only exacerbated by a police force who refuse to take her seriously because of her previous history of mental illness, and her own mind, which is cruelly playing tricks on her.

Rather than the conventional narrative of following the police investigation, or the killer himself, the story is told predominantly from Annie's point of view. Mirren's performance holds the film together, and despite it's limitations it still manages to keep you guessing right up to the last minute.

A woman with previous mental problems comes to believe that the brutal serial killer preying on the local neighbourhood is her husband. This is less of a whodunit and more of a "is she right about whodunit?", well acted by Helen Mirren (who keeps her clothes on!) as the suspicious wife, and George Costigan who is the dodgy travelling salesman husband. As she follows the case, checking up on dates and times and growing ever more convinced, her suspicions are ridiculed by friends, family and police, all convinced that her previous mental illness is causing her to imagine the whole thing. Unusually, the film concentrates on the wife and the details of domestic life as they fall apart with the strain of suspicion, and the sadistic sexual murders are scarcely touched on - there's little in the way of gore or action here. The film does keep you unsure of whether she's right or wrong right up until the end, but the dreary domestic details and focus on the wife's mental state make this quite hard work - it felt so much longer than an hour and a half.

This was a rather disappointing movie. The concept of the movie is great thriller material but unfortunately the finished result was a huge letdown. The movie is dull and the story isn't a very believable one.

It really is the story and storytelling that make this thriller a weak one. There hardly is any character development. The story itself also at times doesn't make real sense. The story takes some odd and unlikely turns at times. At times it also takes ages before something interesting happens again. And really, if the police were really that dumb and narrow minded, serial killers must really have an easy job.

Yeah sure, it has still got Helen Mirren in it, which is probably also the only reason why I watched this movie in the first place, but come on, why did she ever agreed to appear in this movie in the first place... And besides, a great actress is never a guarantee that the movie is any good or even a watchable one. She is a great actress but she gets very little interesting to do. Besides like I mentioned before, the character development is quite poor, which is all the more reason why this movie falls flat as a thriller.

You're better of watching a good English detective-series episode. There is more development, tension and mystery present in that.

5/10

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The Hawk appeared on BBC 2 in 1995 as part of their Screen Two strand of TV Movies. It seems to have played in cinema two years earlier in 1993 though.

It's a weird one allegedly loosely based on the terrible case of Peter Sutcliffe, The Yorkshire Ripper. Unfortunately it just isn't convincing despite the veteran cast. Helen Mirren puts on a weird and not quite convincing cod-Northern accent, not sure if it is Yorkshire, Lancashire or RADA. Her character is as unbelievable as the accent. A housewife who suspects her husband might be the ripper, but without the depth of Jane Tennison in Prime Suspect, but it is difficult with a comparatively short runtime of 85 minutes. Then there's the car driving she does which which Steve McQueen would struggle to pull off. In addition to that madness there's some bizarre scripting choices including some racist jokes told in a Curry House and a fair amount of swearing for a TV movie of this time. To be fair there's only one Dennis Potter and one David Mamet. David Hayman does a fine job with the material and as a pro of TV direction and British film (The Bill, Finney, Firm Friends) stretches the low budget far and makes it look more expensive than it cost to make.

This film can be difficult to find. An expensive OOP DVD on Cinema Club might be the best way, but it doesn't look massively better than an upscaled VHS; I think largely because I'm suspecting this was shot on tape rather than the film stock. For a comparison between film and tape, TV Series Jack The Ripper (1988) with Michael Caine was shot on film and looks gorgeous.

A tedious thriller which feels a lot longer than its 88 minutes. Mirren's performance as is solid as you'd expect, but that really isn't quite enough and it's hard to see why this was a film as opposed to a one off TV-drama. I suppose there is something to be said for the fact the film really only let's us experience Mirren's character's perspective and the fact that the audience is kept guessing for much of the movie, but really you can't help feel this could have been a lot better. Compare it to an episode of Cracker or Prime Suspect, and it's nowhere near as dark and brooding as it likes to think it is, and nowhere near as dark and brooding as we know British drama can achieve.