Vie de famille à Yonkers

How often today do we see films about entire families? Even the missing are still in the frame here, as alive in memory as in space. The acting here from everyone is just superb. The feeling of the stage is wonderfully present. This film belongs to a somewhat small sample of a stage play perfectly realized on the screen.

There are a lot of funny lines in what becomes a very serious movie. Arty has the best one - "Do you think the Germans would let some Jew in Poland send $5000 to a Jew in Alabama?" Pretty sharp for a 12-year old in 1944.

An odd aspect of the film which I think makes the presentation even more theatrical, is the choice to film in the environs of Cincinnati, as far from Yonkers as could be imagined. This serves to isolate the family even more, in a complex way which cannot be described. It's a little like the world of Willy Loman, half real and half imagined.

I really enjoyed this film.

This movie is an excellent screen adaptation of a great play. Instead of being hokey or sentimental, the story provides a candid portrayal of a family in crisis, as each family member is forced to deal with issues that have long repressed. Essentially, the story centers around the relationship between an overbearing mother, performed magnificently by Irene Worth, and her confused daughter, played by Mercedes Ruehl. Ms. Ruehl's performance is a tour-de-force. She completely dominates this movie. The climactic scene between the mother and daughter is both poignant and powerful, and raises this movie to the level of great cinema and drama. Richard Dreyfuss also gives a strong performance as the brother with the bravado but also with a heart. This movie should be a must-watch for anyone who likes screen adaptations of plays and for people in general who like strong drama.

Lost in Yonkers is originally a play by Neil Simon, adapted for the silver screen. With a cast including Richard Dreyfuss, Merchedes Rheul, and Irene Worth, this movie has comedy written all over it. Irene Worth plays "Grandma" a hard, bitter, miserable old lady whose five children each have something wrong with them as a result of a miserable childhood. Her daughter Bella (Rheul) is the only child to still live at home and has a slight mental handicap which adds a lot of humor to the film. One of her sons owes 9,000 dollars to a loan shark as a result of his late wife's medical bills. He has a year to pay it back, but cannot take a job unless he has someone to look after his children; 13 year-old Arty (Mike Damus) and 15 year-old Jay (Brad Stoll). Leaving him with no choice, his debts force him to leave his children with his mother. The whole film is just delightful, a light-hearted comedy that takes a few dramatic turns but ultimately will leave you satisfied and content. Brilliant performances by Damus and Stoll who hilariously portray their characters' wonderment at the absolute wierdness of their family. Two thumbs up!

"Lost In Yonkers" was a nice blend of comedy and drama. Until watching it for the second time, I didn't even recognize Richard Dreyfuss to be the 'Uncle Louie' character, but I did know him by his voice. He played QUITE a character: An extremely stylish, offbeat criminal with a sense of humor.

The main character, 'Bella', was 'slow', according to her domineering mother. She was a delightful young woman who was loved by her nephews, siblings, and all those who knew her. Bella was ready to have a life on her own--the problem being--her Mom.

I really enjoyed this nostalgic, WWII era, movie. I recommend it to audiences of all ages.

After a triumphant run on Broadway, the film adaptation of "Lost In Yonkers" was completely snubbed at all of the major film awards ceremonies. Neil Simon's classic is brilliantly written and the direction is so simple, yet very subtle. But what really makes the film work is the performances. Dreyfuss is no Kevin Spacey, but does what he can with the role. The two boys are played expertly by their respective actors. Irene Worth reprises her Tony-award winning role and I thank god for that. She is spectacular as the stern grandmother.

But the stand-out here is Mercedes Ruehl. The woman delivers one of the most underrated performances in film history as Aunt Bella. She won a Tony, why no Oscar? Seriously, she is *that* good. Ruehl delivers such a magnificent performance as the slightly disturbed woman. She really should have two Oscars on her mantle.

GRADE: A ACTING: A WRITING: A+ DIRECTING: B MVP: RUEHL