ÉVALUATION IMDb
6,9/10
13 k
MA NOTE
Un promoteur de film amateur produit un film d'horreur kitsch pendant la crise des missiles cubains.Un promoteur de film amateur produit un film d'horreur kitsch pendant la crise des missiles cubains.Un promoteur de film amateur produit un film d'horreur kitsch pendant la crise des missiles cubains.
- Prix
- 1 victoire au total
Jesse Lee Soffer
- Dennis Loomis
- (as Jesse Lee)
Avis en vedette
I felt that the advertising for this movie was somewhat misleading. I expected to see a film about John Goodman portraying a loose characterization of showman William Castle. Instead, the main focus of the film is a young boy, Gene Loomis, whose father is a soldier who is dispatched to active duty during the Cuban missile crisis, which is the time period in which this film is set. You have your typical coming-of-age themes revolving around Gene and his friends as they discover their own emerging adolescence, and this consists largely of tired material that has been done to death.
Somewhat in the background we have John Goodman as old-fashioned showman Lawrence Woolsey, a vaudevillian stuck in the age of cinema who wants to put the show back in picture shows. He is tied into the film because Gene enjoys Woolsey's showmanship as a way to forget about the world around him which seems to be on the brink of self-destruction. Woolsey pulls such stunts as having his girlfriend (Cathy Moriarty) dress a a nurse and ask patrons to sign a waiver releasing Goodman's character from liability in case they die of fright during the movie. This is based on a similar stunt by William Castle and his movie "Macabre". Woolsey also wires the seats to produce a mild electric shock during a key moment in a film, which he labels "Atomo-Vision." That antic is based on what William Castle did during the showing of "The Tingler". Then he rigs still another device to shake things up as buildings on the screen are tumbling and calls it "Rumble-Rama." Again, these are all very similar to the showman-like stunts of William Castle during the 50's and 60's.
The best part of the movie is when Woolsey comes up with an atomic-age monster movie entitled "Mant" that is a composite of cheesy 50's horror films such as "The Fly," and "Them!". "Mant" is about a mutant that is half-man and half-ant and is a total riot. Woolsey's schlock merchant displays just the right mix of con-man materialism and childlike glee at his own bogus movie magic. It's too bad that Goodman's character and his showmanship weren't the main focus of the movie - Goodman was truly born to play the part of Lawrence Woolsey.
Watching this movie really made me happy that some of William Castle's films have finally been coming out on DVD in the last couple of years, through both traditional DVD releases and through the Warner Archive manufacture on demand program. At any rate, enjoy.
Somewhat in the background we have John Goodman as old-fashioned showman Lawrence Woolsey, a vaudevillian stuck in the age of cinema who wants to put the show back in picture shows. He is tied into the film because Gene enjoys Woolsey's showmanship as a way to forget about the world around him which seems to be on the brink of self-destruction. Woolsey pulls such stunts as having his girlfriend (Cathy Moriarty) dress a a nurse and ask patrons to sign a waiver releasing Goodman's character from liability in case they die of fright during the movie. This is based on a similar stunt by William Castle and his movie "Macabre". Woolsey also wires the seats to produce a mild electric shock during a key moment in a film, which he labels "Atomo-Vision." That antic is based on what William Castle did during the showing of "The Tingler". Then he rigs still another device to shake things up as buildings on the screen are tumbling and calls it "Rumble-Rama." Again, these are all very similar to the showman-like stunts of William Castle during the 50's and 60's.
The best part of the movie is when Woolsey comes up with an atomic-age monster movie entitled "Mant" that is a composite of cheesy 50's horror films such as "The Fly," and "Them!". "Mant" is about a mutant that is half-man and half-ant and is a total riot. Woolsey's schlock merchant displays just the right mix of con-man materialism and childlike glee at his own bogus movie magic. It's too bad that Goodman's character and his showmanship weren't the main focus of the movie - Goodman was truly born to play the part of Lawrence Woolsey.
Watching this movie really made me happy that some of William Castle's films have finally been coming out on DVD in the last couple of years, through both traditional DVD releases and through the Warner Archive manufacture on demand program. At any rate, enjoy.
I had just recently watched Matinee for the first time in a few years. I forgot how much fun and how very funny a film it was. Having grown up watching some of William Castle's and Roger Corman's hokey but very entertaining early horror films it was like a stroll down memory lane on my Saturday's. Goodman captured the essence of a movie showman who always had or wanted to have a gimmick to go with his B movie pictures. Cathy Moriarty is excellent as his favorite leading lady. I must be showing my age because I still remember the duck and cover and other little things associated with everyday life and times during the late 1950's and early 1960's that were in the movie. The movie was entertaining and a very nice parody, if not dedication to the men who made B movies as part of our culture. I have to believe this dedication to men like Corman and Castle would have to be a bit of a tongue in cheek parody for it to be a very sincere dedication. The movie does an excellent job of bring back the life and times and the performances as pretty good. Aaaahhhh the memories. The cold war and much simpler times and classic B movies. It don't get any better than this.
`Half Man, Half Ant, All Terror!,' screams the promotional for fictional film producer Lawrence Woolsey's newest film, Mant. Mant is the film within the 1993 film titled Matinee. Matinee, starring John Goodman as the William Castle-like Woolsey, is director Joe Dante's valentine to all of us who grew up in the middle of the cold war. That he has managed to combine a salute to the science fiction films of the 1950's and early 60's with a warning about nuclear power and human imperfection is quite impressive. The plotline is straightforward. Woolsey and his delightful lover, leading lady and all around Girl Friday Ruth, ably played by Cathy Moriarty, (who shows she could have been a great 50's sci-fi heroine), roll into Key West, Florida for a sneak preview of his latest film, Mant. The weekend of the big event, autumn of 1962, also happens to be the time of the Cuban missile crisis. Here the story gets a little stretched as we try to keep up with all that is going on. Panicky theatre managers, adolescent love and jealousy, and several amusing scenes from Mant are among the many points of interest against the sobering backdrop of the missile crisis, only 90 miles away in Cuba. This film is a bit hard to describe, the best thing to do is rent it and enjoy it for yourself. Much of it takes place in the theatre on Saturday afternoon and is a true trip down memory lane for old guys like me who lived during this era and remember very well what indoor theatres were like in 1962. Mant is a special treat for all of us who love the sci-fi films of that era. It has several un-credited science fiction legends in it (Kevin McCarthy, William Schallert and Robert Cornthwaite appeared with the sultry Moriarty) and numerous insider jokes. McCarthy was `General Ankrum.' Oh Brother! Is there a sci-fi fan anywhere who is not aware that the late Morris Ankrum made a career of portraying military generals in these types of films? This is only one example of a ton of fun in this film. There were other appearances by old time favorites, such as Jesse White and Roger Corman regular Dick Miller. It is obvious that everyone had a good time making Matinee and just about all of the performances are way over the top, especially Goodman's. He held his oversized stogie just like Castle used to. I've heard that there are more Mant scenes in the DVD version of Matinee but I have been unable to locate what has turned out to be a harder to obtain film that I imagined it would or should be. Matinee is a warm-hearted gem. By all means make the effort to see this one if you can obtain a copy. I promise, you will not be disappointed.
The Strand Theatre, where the `action' takes place, has a big Milk Duds ad over the snack bar. Hmm . . . sounds like an idea to me!
The Strand Theatre, where the `action' takes place, has a big Milk Duds ad over the snack bar. Hmm . . . sounds like an idea to me!
I have a lot of time for Joe Dante. Most of his movies are fairly light-hearted, nostalgic fare aimed at kids or the young at heart, but unlike his occasional collaborator Steven Spielberg he really pulls it off convincingly without getting too sentimental and treacly, and always has enough in-jokes and references in his movies to amuse diehard science fiction and horror film buffs. Dante is a BIG fan of film makers like Roger Corman (who gave him his big break), William Castle (a major inspiration for 'Matinee') and Mario Bava, while one has to wonder if Spielberg even knows who they are. 'Matinee' is a slight, but very entertaining picture, concerning b-grade 50s/60s horror movies, and fans of that era will absolutely love it. John Goodman ('The Big Lebowski') plays flamboyant writer/director Lawrence Woolsey. Woolsey's gimmicks and showmanship are inspired by William Castle ('The Tingler', '13 Ghosts', 'House On Haunted Hill',etc.etc.) though the fictional movie 'Mant' which is part of the plot is quite unlike Castle's output and closer to 50s paranoid monster movies like 'Them!' and 'Tarantula'. Goodman is perfectly cast and loads of fun. I also really liked Cathy Moriarty ('Raging Bull') as Woolsey's leading actress/assistant. The chemistry between the two was enjoyable and made for some nice comic touches. The young kid actors were all pretty good, and Dante regulars Dick Miller ('A Bucket Of Blood'), Kevin McCarthy ('Invasion Of The Body Snatchers'), Robert Picardo ('Star Trek Voyager') and William Schallert ('The Incredible Shrinking Man') seem like they are all having a wonderful time. Trivia buffs note that this movie includes an actor from 'The Thing From Another World' (Robert Cornthwaite) and also one from John Carpenter's remake 'The Thing' (David Clennon'). The movie within the movie 'Mant' is hilarious, but I enjoyed the whole thing. 'Matinee' is another fun movie from the underrated Joe Dante.
One of those films that deserved to reach a huge audience but somehow slipped away, Joe Dante's affectionate homage to creature features and B-movie king William Castle is a joy from start to finish. This is due to both Dante's direction - and obvious love of the script - and John Goodman's delightful performance (what was he doing in crap like "Coyote Ugly?"). Even the movie-within-a-movie - "Mant!" ("half man, half ant - all terror!") is fun. The only downside is that this rarely turns up on TV and hasn't been released on DVD in the UK. A scratchy vhs is better than nothing I suppose...
Le saviez-vous
- AnecdotesFor "Mant", the movie-within-the-movie, Joe Dante cast actors who had appeared in 1950s-era science fiction movies. These included Kevin McCarthy, Robert Cornthwaite, and William Schallert.
- GaffesThe Aurora model kit of "The Mummy" seen in Gene and Dennis' room was manufactured in 1963, one year after the movie takes place.
- Citations
Gene Loomis: Y'know, it's hard to believe you're a grown-up.
Ruth Corday: No kidding.
Lawrence Woolsey: You think grown-ups know what they're doing? That's just a hustle, kid. Grown-ups are making it up as they go along, just like you. You remember that, and you'll do fine.
- Générique farfeluAfter the credits are complete, there is a quick snippet from "MANT" with the Cathy Moriarty character pining, "Oh, Bill".
- ConnexionsFeatured in Siskel & Ebert & the Movies: Matinee/Alive/Body of Evidence/Sniper (1993)
- Bandes originalesThe Lion Sleeps Tonight
Written by Hugo Peretti, Albert Stanton, George David Weiss & Luigi Creatore
(based on a song by Solomon Linda and Paul Campbell)
Performed by The Tokens
Courtesy of the RCA Records label of BMG Music
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Détails
Box-office
- Budget
- 13 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 9 532 895 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 3 601 015 $ US
- 31 janv. 1993
- Brut – à l'échelle mondiale
- 9 532 895 $ US
- Durée1 heure 39 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1(original & negative ratio)
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