Commis en folie

Funny, fast paced story of an assortment of pathetic losers, their dreams, girlfriends, and go nowhere lives. I laughed all the way through at the give and take between the two lead characters and their stupid friends and lovers. Both intelligent, sometimes even sagely; the two men lead lives of loneliness and boredom leading to a careless attitude about their jobs which, in time, will become their position on all things unless they choose to reverse the course they are following. I was groaning with glee as the store clerk had it out with his lady friend over how many men she had fellatio with. I liked the way the film was broken up into titled parts, each comprising a small story within the tale. Zany, well worth the price of entry.

If you have seen American Pie and think of it as being honest and real about sex and the way kids talk, then Clerks is right up your alley. I don't think a movie has pleasantly shocked me more than this one has. And make no mistake about it, this is one of the funniest movies I've ever seen.

By now we've all heard the story of how Kevin Smith somehow scrounged up $27000 to piece this rag tag film together. It was at a film festival and some film executive saw it and offered him a generous amount of money. They fixed it up and before you know it we have the best indie film ever made. Kevin Smith is now a recognizable name in Hollywood and that alone should make you want to see this film.

Dante and Randal are best friends. They work at a small convenience store and a crappy little video store respectively. As a matter a fact, the video store is so inept that Randall actually goes to one of the bigger video stores in town to rent his movies. Anyway, Dante is obsessed with his ex-girlfriend that cheated on him and he has a present girlfriend that is wonderful to him. That is the basic premise for the movie. And that is all you need to know about the plot. Because what the film is really about is how these characters really talk to each other. It is a bunch of clever anecdotes pieced together hilariously to form a movie. But some of the scenes are just so damn funny that Clerks stays with you for a long long time.

Take for instance a scene where Dante and his girlfriend are discussing the various responsibilities of a man and a woman in sex. Each has an obvious gender biased view of the act but listen to how honest it is written, it gives meaning and much hilarity to the scene. From here, the two end up discussing how many people the other has slept with. And we all know that is an absolute no no in relationships. Because no matter how many or how little the number is, it is too much. But that would be too easy for Smith to end it at that. No, he takes it a step further. From here Veronica ( the girlfriend ) explains that she has only slept with X amount of guys but she has gone down on 36 others. Dante is mortified. How can she do that? And she explains that when she "does it" it means more than when she goes down and that is supposed to make him feel better. It of course doesn't and the pay off in the scene is brilliant as Veronica is walking back to her car. And that is just one of the scenes that makes the film work. There are dozens of other scenes similar in nature that are so humourous yet painfully honest that you laugh but when the giggles subside, you realize that it is so true.

The obvious strength of this film is the writing. But beyond that, Smith establishes himself as a director that can get a performance out of his actors. Almost every major character in here is so well done that you think they had 20 attempts to get it perfect instead of the 3 or 4 that the budget would allow. Dante is well played by O'Halloran but it is Anderson as Randle that I think steels the picture. He is so honest and natural in every scene that he is in that it actually bothers me that he has not established himself in the game. Is it because no one wants to give him a role or is it that he has no interest in movies? I don't know, I just wish he was around again because he is electric.

Jay and Silent Bob are funny as well and Bob provides the film with one of the funnier moments as he dances out of nowhere and then he shocks us with his only line of the film. And what he says may as well be Socrates talking and not a simple street hood. It really works.

I love Clerks. It is such a fun movie and if you haven't seen this gem, check it out. Like it for the funny film that it is, but love it for whats behind it.

This film has heart. And Smith is an inspiration to anyone that wants to do what he did. After all, he proves that nothing is impossible. He is living proof of that.

I am very biased on the 9 rating i gave this movie. I could have even given it a 10 for I am, and for a long time has been a clerk. This movie to me was as moving and compelling as Passion of the Christ was for some Catholic people i know. In fact, in some moments, it even brought me to tears. The film is about a guy who works in a convenience store. He comes across the weirdest and most annoying customers that, ironically, don't shy too far from those in real life that I, myself have come across. This clerk is visited by his girlfriend and regularly visiting by his distraught and careless friend who is a clerk at the neighboring video store. If you aren't a clerk, and you watch this movie, remember this: This movie is as true to form as it gets. Some people claim it to be one of the best comedies of the past decade. I say it's the best Documentary of all time.

Clerks (1994)

**** (out of 4)

Kevin Smith's cult classic about a two store clerks (Brian O'Halloran, Jeff Anderson) who have nothing to do except be bored and deal the cards life gives them. It's hard to believe this film is now fourteen-years-old as it seems just like yesterday when it made a splash on the indie circuit. This was my first time watching this in at least six or seven years and it hasn't lost any of its magic. I still think Smith hit on something truly great in the fact that he manages to take this type of job and show all the hassles and frustration that comes with it. I believe it was Roger Ebert's review that mentioned movies never deal with jobs unless the job is that of a cop, robber or something like that yet here we get to see the life of a clerk who is stuck at a job he hates and surrounded by people that can't really add too much to his life. The real key here of course is Smith's screenplay, which I'd call downright brilliant. To have 90-minutes of nothing but dialogue speaks a lot for his screenplay as it remains so constantly entertaining with the majority of the jokes working. The politically incorrect nature of the humor from the "37" to various other sexual things is downright hilarious and that includes the surprise in the bathroom. The performances in the film have taken a lot of unfair heat in my opinion because while they aren't perfect I do think they fit the roles just fine and mixed with the B&W it makes the film seem all the more like a documentary.

Clerks is one of those movies everyone knows everything about even before they've seen it. The most fascinating aspect is probably the back-story: Kevin Smith sold his comic-book collection to finance it, shot it in the convenience store where he was working at the time, and cast his school friends in the various roles (two of them wound up playing three or four characters each). The film became a huge hit at Sundance, and is now widely (and justly) considered one of the best independent movies of all time.

The plot is quite easy to sum up: nothing happens. It's just a "regular" day in the lives of a few people working in or outside a Quick Stop convenience store. The fun starts immediately, as Dante Hicks (Brian O'Halloran) is asked to replace a sick colleague. This upsets him a lot, since it's supposed to be his day off ("You know what the worst part is? I'm not even supposed to BE here today!"). So now he has to serve a bunch of rather annoying or excessively weird people, with occasional help from his friend Randal Graves (Jeff Anderson), who "works" in the video store next to Quick Stop. Together, they discuss things like hermaphroditic porn or, Tarantino-style, which Star Wars sequel is better (Jedi or Empire?), and also try to find ways of not working, or at least make the day less boring (as Randal puts it:"This job would be great if it wasn't for the f**king customers"). Between these discussions, they also interact with Dante's present girlfriend Veronica (whose sex life causes heated debates) and ex Caitlin, who's apparently engaged to some Asian design major. And let's not forget Jay (Jason Mewes) and Silent Bob (Smith himself), two drug dealers consistently located outside the store.

Smith uses these characters to reference his favorite movies (the previously mentioned Star Wars, as well as Jaws and Indiana Jones) and talk about any subject in the filthiest way imaginable. Some incredibly outrageous stuff is mentioned ("jizz moppers", necrophilia, "snowballing"), but unlike John Waters, he never shows the events discussed by Dante, Randal et al. Everything occurs, or has occurred, off-screen, so all we get to do is have a good laugh, because no matter how crude it gets (the film is rated R for "Extensive Use Of Extremely Explicit Sex-Related Dialogue"), Smith's writing remains genuinely funny. Randal, in particular, steals every scene with his existential musings ("I'm a firm believer in the philosophy of a ruling class. Especially since I rule.") or very politically incorrect antics (the top? Reading a list of pornographic flicks in front of a mother and her baby).

If you haven't seen it yet, do it, and fast: Clerks fully deserves its cult status. It has priceless dialogue, wisecracking characters and loads of swearing. What else can you ask for?