Men Don't Leave

I am a longtime fan of Jessica Lange's, and a newfound fan of Arliss Howard's after viewing Men Don't Leave. A really good performance also by Chris O'Donnell and Joan Cusak. This is a true-to-life type of movie. It's Wow Factor isn't measured by action shots or stunts or explosions, but rather by the satisfaction and peace each character reaches by story's end.

It's your favorite shirt: not flashy, but comfortable and proven to make you feel good. Watch Men Don't Leave - it's a good little movie.

It usually takes me two viewings of a film to decide whether I think it is a great film. The second that "Men Don't Leave" ended I knew it was a great film. It tells the story of a middle aged woman (Jessica Lange) who moves her two sons to Baltimore following the death of her husband. There she meets a quirky musician (Arliss Howard) and her older son starts dating an equally quirky x-ray technician (Joan Cusack). This film is by turns joyful and heartbreakingly sad and features sure-handed direction by Paul Brickman and a beautiful score by Thomas Newman who also scored "American Beauty". The performances are wonderful, most notably Jessica Lange's and Joan Cusack's. If you're looking for a wonderful family drama with comedic moments then "Men Don't Leave" is for you. One of the best films of the 1990's.

A true sleeper; a heartfelt drama with an odd title that isn't really 'about' any one thing, but ends up more truthful about life than most higher-profile Hollywood product.

It's a movie that's rather slow and low-key, but stick with it. There are many wonderful moments along the way, both funny and poignant, conveyed with remarkable verisimilitude by a skilled cast. We've grown accustomed to the excellence of Jessica Lange, convincing here as a recent widow trying to make a new life for herself and her boys, but she's ably supported by Arliss Howard, Joan Cusack, and especially Chris O'Donnell and Charlie Korsmo, who play her sons.

Director Paul Brickman hasn't made many films but this is surely his best; he also collaborated on its quietly-observed, slice-of life script with Barbara Benedek (THE BIG CHILL). Thomas Newman's spare, haunting score reveals why he's one of the finest film composers working today.

Also, despite other user comments, this is not a 'tearjerker.' MEN DON'T LEAVE comes by its emotional impact honestly, with restraint and subtlety. Other filmmakers could learn a thing or two from Lange, Brickman et al. Highly recommended.

I had originally seen this film at the theater with my 1st wife, and didn't think much of it. Being the only other film directed by the guy who did "Risky Business" - I had higher hopes for the movie than what I came away with. Over the years, however, especially after my 1st wife passed away - I was haunted with memories of this film, as I saw my life mimic many of the actions of the principle characters. For someone who hasn't had to deal directly with grief, this film probably will seem like just an odd little film. But the actions taken by Jessica Lange, Chris O'Donnell and Charlie Korsmo are all perfect prototypes of how people deal with grief and denial. Director Paul Brickman does so in an understated way, so that the film seems more light-hearted than the message it conveys.

In Men Don't Leave, Jessica Lange has to cope when all three men in her life do just that. Her happy family is shattered when her husband dies in a tragic accident, and she's left alone to raise her two boys and manage expenses. I'm a big Jessica Lange fan, and she shines once again in what she does best: showing the audience she's about to crack without cracking. When other actresses fly off with their emotions, Jessica keeps hers contained with glistening eyes that show her turmoil.

In addition to another solid Jessica Lange performance, you'll be treated to two other benefits if you watch this movie. Men Don't Leave has an interesting, compelling, realistic story, and a wonderful supporting cast. Jessica's sons are Chris O'Donnell and Charlie Korsmo in their film debuts, and they both show different struggles as they flounder in their new life without a father. Charlie gets into trouble, and Chris tries his hand at being the man of the house with a young, pretty neighbor, Joan Cusack. Both boys show a remarkable confidence in front of the camera for their first film, and Chris shows acting talents I've never seen in his other movies.

Joan Cusack is sweet and sensitive, and it's clear she's trying to help with every line she delivers. Kathy Bates joins the cast as Jessica Lange's boss, and she's strong, magnetic, pretty, and energetic without becoming a caricature. Arliss Howard, a suitor, brings sensitivity to his role, giving the audience hope that there just might be one more nice guy out there in the world.

It's pretty obvious I recommend this movie. With great performances and a realistic slice-of-life story that doesn't feel forced, symbolic, or dated, this movie will continue to stand the test of time.