Un célèbre romancier, sauvé d'un accident de voiture par une fan éplorée, réalise que les soins que celle-ci lui prodigue ne sont que le début d'un long cauchemar.Un célèbre romancier, sauvé d'un accident de voiture par une fan éplorée, réalise que les soins que celle-ci lui prodigue ne sont que le début d'un long cauchemar.Un célèbre romancier, sauvé d'un accident de voiture par une fan éplorée, réalise que les soins que celle-ci lui prodigue ne sont que le début d'un long cauchemar.
- Réalisation
- Scénaristes
- Vedettes
- A remporté 1 oscar
- 7 victoires et 10 nominations au total
Thomas Brunelle
- Anchorman
- (as Tom Brunelle)
Archie Hahn
- Reporter #2
- (as Archie Hahn III)
John Michael Quinn
- Restaurant Patron
- (uncredited)
Rob Reiner
- Helicopter Pilot
- (uncredited)
J.T. Walsh
- State Trooper Sherman Douglas
- (uncredited)
Jay Dee Witney
- News Photographer
- (uncredited)
7,8257.7K
1
2
3
4
5
6
7
8
9
10
Avis en vedette
Fans.... Who needs 'em!
A real classic. This film has all the ingredients - a great story, fine casting, and pace.
Still shocks after three decades. This intelligently crafted piece shows exactly what sharp directing and crisp cinematography can do - even more so in an age before the onset of over the top CGI. A must have in the horror section.....
One of the best thrillers of the 90's.
Misery is without a doubt one of the finest movies of the 90's and one of the best movies in the thriller genre. It is an ingeniously crafted horror masterpiece that seamlessly intertwines its incredibly tense and cleverly paced story with inventive cinematography, tight editing and exquisite performances. In my opinion Misery is one of the better adaptations of Stephen King's works and truly a movie that cannot be missed, especially for the genre fans.
Paul Sheldon (James Caan) is the author of a successful series of romance novels about a character called Misery, who decides to take a more serious approach regarding his future novels. On his way to publish his new manuscript, Paul drives from his hotel in Silver Creek to New York. Due to the extreme weather conditions, he has an accident that leaves him severely injured and hopeless. A local nurse named Annie Wilkes (Kathy Bates) finds Paul and brings him to her remote home in order to help him recover. Claiming to be his number one fan, Annie discovers that in his last Misery novel her favorite character dies and then her obsession about him takes a dark and twisted turn as a long story of captivity and abuse begins.
The direction by Rob Reiner is phenomenal and on a Hitchcockian level as the film has a plethora of perfectly crafted suspenseful moments that have the audience on the edge of their seats from the beginning till the amazing climax. The editing of the movie is also flawless, as the shots are specifically designed to induce tension in any moment they can. The cinematographer and Reiner both ace the perilous atmosphere of the picture, using close up shots of the moonfaced Wilkes both in her fits of rage and kindness which magnifies the polar extremes that Wilkes is prone to unexpectedly visit. What is also triumphed is the slow convergence of the audience and Paul Sheldon. The movie received a lot of critical acclaim, especially due to Kathy Bates' chilling and memorable performance as Anny Wilkes that earned her the 1990's leading actress Oscar award, which remains the only Oscar ever given to a Stephen King film adaptation. No matter how great Kathy Bates' Oscar-winning performance is, James Caan's cannot go unnoticed as it definitely qualifies as one of the best performances in his extensive career, despite how demanding and challenging his role as Paul Sheldon was.
In conclusion, Misery is a dark and tense masterpiece that is an amalgamation of excellent direction, skillful writing, taut editing, amazing cinematography and stellar performances, which succeeds into creating the feeling of captivity and helplessness that the thriller genre was purposefully built for, and that makes it one of the best movies of the 90's and one absolute classic in its genre.
Paul Sheldon (James Caan) is the author of a successful series of romance novels about a character called Misery, who decides to take a more serious approach regarding his future novels. On his way to publish his new manuscript, Paul drives from his hotel in Silver Creek to New York. Due to the extreme weather conditions, he has an accident that leaves him severely injured and hopeless. A local nurse named Annie Wilkes (Kathy Bates) finds Paul and brings him to her remote home in order to help him recover. Claiming to be his number one fan, Annie discovers that in his last Misery novel her favorite character dies and then her obsession about him takes a dark and twisted turn as a long story of captivity and abuse begins.
The direction by Rob Reiner is phenomenal and on a Hitchcockian level as the film has a plethora of perfectly crafted suspenseful moments that have the audience on the edge of their seats from the beginning till the amazing climax. The editing of the movie is also flawless, as the shots are specifically designed to induce tension in any moment they can. The cinematographer and Reiner both ace the perilous atmosphere of the picture, using close up shots of the moonfaced Wilkes both in her fits of rage and kindness which magnifies the polar extremes that Wilkes is prone to unexpectedly visit. What is also triumphed is the slow convergence of the audience and Paul Sheldon. The movie received a lot of critical acclaim, especially due to Kathy Bates' chilling and memorable performance as Anny Wilkes that earned her the 1990's leading actress Oscar award, which remains the only Oscar ever given to a Stephen King film adaptation. No matter how great Kathy Bates' Oscar-winning performance is, James Caan's cannot go unnoticed as it definitely qualifies as one of the best performances in his extensive career, despite how demanding and challenging his role as Paul Sheldon was.
In conclusion, Misery is a dark and tense masterpiece that is an amalgamation of excellent direction, skillful writing, taut editing, amazing cinematography and stellar performances, which succeeds into creating the feeling of captivity and helplessness that the thriller genre was purposefully built for, and that makes it one of the best movies of the 90's and one absolute classic in its genre.
This movie is brilliant and brutal.
So after a lot of years of watching horror movies and loving horror movie adaptations of Stephen king books, i realised i had never watched Misery, after watching it i realised i should have took the time to watch it many years ago.
The story is about a writer who having finished a book decides to return home, but on his return he has a accident and is rescued by his number one fan after that things take a dark twist while he is trying to recover from the accident, the story in this film is brilliant and gripping, you are always on edge of your seat wanting the main character to succeed its very believable which makes you fully emerged in the film.
The acting in this is brilliant and makes this film stand out, James Caan and Kathy bates are so believable, you genuinely hate but want to understand Kathy Bates's character and you are constantly behind James Caans character wanting him to succeed.
A great movies for horror and Thriller fans, Worth a watch to anyone who's interested in either genre.
The story is about a writer who having finished a book decides to return home, but on his return he has a accident and is rescued by his number one fan after that things take a dark twist while he is trying to recover from the accident, the story in this film is brilliant and gripping, you are always on edge of your seat wanting the main character to succeed its very believable which makes you fully emerged in the film.
The acting in this is brilliant and makes this film stand out, James Caan and Kathy bates are so believable, you genuinely hate but want to understand Kathy Bates's character and you are constantly behind James Caans character wanting him to succeed.
A great movies for horror and Thriller fans, Worth a watch to anyone who's interested in either genre.
Suspenseful!
Misery has to be the best adaptation of a Stephen King novel. A close runner up is Stand By Me, but for suspense and tension that just gets tighter and tighter, watch Misery. Kathy Bates can go from nice and cheerful to downright crazy like someone turning on a light switch. While watching James Caan suffer through the torture that Bates puts him through, you can't help but sympathize with the guy. Rob Reiner presents us with the problem, and he slowly escalates the tension and the dread that creeps over the movie. Even though the book was different in the "hobbling" process, Annie Wilkes' method of hobbling still gives me the chills whenever I watch it.
Gripping...
Misery is a dark, but witty venture into Stephen King territory. It's about a popular novelist who crashes his car on a snowy mountain road and is rescued by a nurse who claims she is his number one fan. As the time goes by, he realizes she has no intention of letting him leave.
The film moves with a brisk, taut pace thanks to director Rob Reiner, who helmed another excellent Stephen King film, Stand By Me. Tension is kept mostly throughout (there are some predictable moments...but who cares?) And the performances are also a major plus. James Caan is very easy to empathize with, and he manages to keep his cynical sense of humor. Richard Farnsworth, as a grizzled sheriff was a nice addition to the film since his character didn't exist in the book. He also has a nice sense of humor, and he's the kind of guy who you want to root for. But the most amazing performance is from Kathy Bates, who treads a fine line alternating between sweet and lovable to amazingly evil. She won an Oscar for this movie, and whole-heartedly deserved it.
Side note: This is one of the few films which took an Oscar, that you can actually say the Academy had the guts to give out. Can anyone name another horror film which won such a notable prize?
ANyway...by the end, the novelist and the viewer or put through some torturous activity. We sometimes feel his pain, and it is so much fun to hate this woman................the book is excellent.....the movie is just as good in about 1/6th of the time it would take to read. Either way, enjoy!
The film moves with a brisk, taut pace thanks to director Rob Reiner, who helmed another excellent Stephen King film, Stand By Me. Tension is kept mostly throughout (there are some predictable moments...but who cares?) And the performances are also a major plus. James Caan is very easy to empathize with, and he manages to keep his cynical sense of humor. Richard Farnsworth, as a grizzled sheriff was a nice addition to the film since his character didn't exist in the book. He also has a nice sense of humor, and he's the kind of guy who you want to root for. But the most amazing performance is from Kathy Bates, who treads a fine line alternating between sweet and lovable to amazingly evil. She won an Oscar for this movie, and whole-heartedly deserved it.
Side note: This is one of the few films which took an Oscar, that you can actually say the Academy had the guts to give out. Can anyone name another horror film which won such a notable prize?
ANyway...by the end, the novelist and the viewer or put through some torturous activity. We sometimes feel his pain, and it is so much fun to hate this woman................the book is excellent.....the movie is just as good in about 1/6th of the time it would take to read. Either way, enjoy!
Stephen King Movie Adaptations, Ranked
Stephen King Movie Adaptations, Ranked
See how every feature film adaptation of Stephen King's work stacks up, according to IMDb ratings.
Le saviez-vous
- AnecdotesStephen King was quite impressed with Kathy Bates' performance in this film, so much so that he later wrote two more roles for her. The title role in his novel "Dolores Claiborne" was written with Bates in mind, and Bates later starred in the film adaption of Dolores Claiborne (1995). King also wrote the script for the TV mini-series Le fléau (1994). His original novel featured a (male) character named Ray Flowers; upon hearing that Bates wanted to be involved in the miniseries, King re-wrote the part as a woman (Rae Flowers) just so Bates could play the part (uncredited).
- GaffesWhen Paul takes the knife out of his arm sling there is the sound of the knife brushing against metal.
- Citations
Annie Wilkes: I'm your number one fan. There's nothing to worry about. You're going to be just fine. I will take good care of you. I'm your number one fan.
- Générique farfeluMisery the Pig - Herself
- Autres versionsThe France / United Kingdom Region 2 DVD and Region 4 Australia / New Zealand DVD is is missing the line "You crazy bitch!"
- Bandes originalesShotgun
Performed by Jr. Walker and the All Stars (as Junior Walker & The Allstars)
Courtesy of Motown Record Company, L.P.
Written by Junior Walker (as Autry DeWalt)
Published by Stone Agate Music
A division of Jobete Music Co., Inc.
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
Détails
Box-office
- Budget
- 20 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 61 276 872 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 10 076 834 $ US
- 2 déc. 1990
- Brut – à l'échelle mondiale
- 61 278 164 $ US
- Durée
- 1h 47m(107 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant






