Une jolie femme

"the bad stuff is easier to believe. you ever notice that?" - vivian

ok, so pretty woman is a romantic movie, its cliched, its corny, its sappy. but hey, beyond all that is a special movie with some very special performances. julia roberts as vivian ward is absolutely adorable, one of the most lovable characters of alltime. and those long legs help - like she says - " 88" of therapy for the bargain price of $3000"

the movie has many memorable lines and if you fall in love with the movie you will go back to it again and again. this is easily the best romantic comedy movie of the 90s. though many movies have hence tried to recreate its charm, nothing has quite succeeded to replace this movie as the pinnacle of the genre.

and this ofcourse is high praise from someone who hates the genre. the story ofcourse is very predictable and cinderella like. however this is beautifully told and the on-screen chemistry between the very dashing richard gere and julia roberts is simply sensational. an absolute must for fans of romance, comedy, any kind of light hearted movies or for those who are big fans of julia or richard. watch this movie.

an enjoyable 8!

What is it about this movie that made it such an instant mega smash when it was released? I'm not sure if it's The incredible chemistry between Gear and Roberts, the smart dialog, the storyline-combination of all of the above-etc etc. But I do think These days, so few GREAT romantic comedies get made. Pretty woman is great. I enjoyed every moment of this and have seen it many times.

I haven't read any IMDb reviews of this yet, I wanted to comment first. This is a lovely story of hope and the true purity of falling madly in love-there are so many movies that try to be romantic and inevitably come across looking forced and contrived. The story and acting in Pretty woman, while very obviously being "Hollywood" to a tee, are so natural and free flowing, that it's just a joy to watch this. It's also great to see(in what's not usually the case) a romantic comedy that gets it right, in every area from casting to dialog to pretty much everything from start to finish. Great movie!

Edward Lewis needs a prostitute to accompany him to a few business meetings, he employs Vivian Ward, but unexpectedly he falls in love with her.

It's nonsense, I get that, but some of the reviewers are taking it all too seriously, and way too literally, it's just an enjoyable fantasy romance drama, headed up by two glorious, beautiful people.

I get the whole, if Disney made prostitutes, it would be Vivian thing, but come on, it's a little bit of escapism, and who wouldn't have wanted to be wined and dined by Edward.

The iconic scene is the moment in the clothes shop, it's a scene I think that many of us can relate to, who among us hasn't gone into a store feeling a little out of sorts, maybe a little scruffy and felt awkward by a superior being.

Still my favourite Julia Roberts film, she looks spellbinding, and is just wonderful as Vivian. As for Here, no words.

I'd watch this over a bit of Marvel nonsense any day of the week, and that soundtrack is spot on.

8/10.

Obviously similar to Shaw's "Pygmalion", but updated, more modern.

A lovely dream, one very old: rescuing a prostitute from the street. (Not in Woody Allen's sickish-moody way.)

However, if you wish to dream this one, be sure you do NOT start to think very logically . . . She is healthy, not on drugs, not on alcohol, not even a smoker; no syphilis, no gonorrhea, no AIDS wounds on her legs, nothing, she is just perfectly absolutely healthy. Body and mind. She is not a criminal, not inclined to steal anything, she even values love and dignity more than money. Oh, she has no pimp, who would be the other man (other than Richard Gere) in her life; nobody to protect her from smart types who walk off without paying; the pimp would explode the whole romance instantly. (Instead, a girl friend.)

She has a golden soul, full of goodness, and loves art, and feels for art. High-society types around them appear silly, artificial, stuffy. (Different forks.) She is natural. She even was a good student (!) and . . . might be again? She loves to bathe, and half the time we see her happy in the bath tub (which is a powerful signal and symbol for CLEAN, CLEAN; she even sings so super-ultra-charmingly in the bath; she wants to wash off the foolishness of her previous few months of street. And she can do it.

But with all those qualities, WHY would she ever become a prostitute in the first place? Don't think, don't think. Just dream, it is lovely.

Pure Hollywood fluff story that is so smart and sports such a dynamite cast that it becomes one of the more wonderful films of the period. "Pretty Woman" is pop culture at its finest as Julia Roberts (in an Oscar-nominated, icon-making role) is a prostitute on the mean streets of Los Angeles who gets a big financial break one night when she meets up with cold, but lonely business guru Richard Gere. They immediately create a bond and have a night of passion which soon becomes a week-long partnership with Gere and Roberts posing as love interests (and of course $3000 is involved as well). Could it be possible that Roberts, a lady with a heart of gold in spite of her background, is just the thing Gere has been needing in his life? A trumped-up adult-oriented version of "Cinderella" is probably the best way to describe "Pretty Woman". The old Hollywood story gets a glossy new look thanks to director Garry Marshall (doing arguably his finest film-making work). Gere and Roberts make for one of the more attractive pairs the cinema has ever seen. They just shine beacons of light on one another it seems. The fact that both are very good performers definitely enhance their appearances though. A smashing soundtrack and that vivid 1980s style (even though this was released in 1990) make "Pretty Woman" one of the big winners of the last few years. 4 stars out of 5.