Un homme d'affaire ayant besoin d'une escorte pour certains événements engage une belle prostituée avec laquelle il tombe en amour.Un homme d'affaire ayant besoin d'une escorte pour certains événements engage une belle prostituée avec laquelle il tombe en amour.Un homme d'affaire ayant besoin d'une escorte pour certains événements engage une belle prostituée avec laquelle il tombe en amour.
- Réalisation
- Scénariste
- Vedettes
- Nommé pour 1 oscar
- 8 victoires et 11 nominations au total
Billy Gallo
- Carlos
- (as William Gallo)
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Avis en vedette
Redemption in Rodeo Drive
Look where we were in 1990. No wonder we are were we are in 2017. The movie is charming enough with a splendid Julia Roberts becoming a huge movie star but, I have to say, watching it now gave me shivers. This is not Pygmalion, no, there is no insight, it's all superficial to a cringing degree. She finds redemption through her shopping and his credit cards. Isn't that lovely? It feels so insane that maybe that means we're evolving. - I saw Pretty Woman last night with a group who had never seen it before. Funny thing the young conservative, Christian women loved it - They didn't seem to mind the message of sex and money. The young Liberal women found it absurd, offensive and the charm of the film, dangerously misleading. They left long before the happy ending. Movies become historical documents, don't they.
Hector Elizondo is the star
Romantic film, nice music, interesting plot, fine beautiful actress, (Mrs. Roberts) and handsome actor, (Mr. Gere) in prime roles, a success story from the very beginning. But, although I am enjoying movies like that, I would never rate this one as 9. The difference (and the extra points) is made by the secondary role actor Mr. Elizondo! I saw him, for the first time, in a rather extreme and rather stupid drama/comedy "Young doctors in love" (1982) and I was impressed by his acting performance. In "Pretty woman" he is the absolute star. The script supported his role, of course, but the talent is indisputable.
Still one of the best rom coms ever
The combination of appealing leads, killer chemistry, and a banging soundtrack makes Pretty Woman a highly enjoyable film. The story is obviously a bit far-fetched, but who cares? It's a movie. I watch movies to be entertained and to enjoy well-told stories, and Pretty Woman certainly works on both fronts.
Such a dream, just you DO NOT think
Obviously similar to Shaw's "Pygmalion", but updated, more modern.
A lovely dream, one very old: rescuing a prostitute from the street. (Not in Woody Allen's sickish-moody way.)
However, if you wish to dream this one, be sure you do NOT start to think very logically . . . She is healthy, not on drugs, not on alcohol, not even a smoker; no syphilis, no gonorrhea, no AIDS wounds on her legs, nothing, she is just perfectly absolutely healthy. Body and mind. She is not a criminal, not inclined to steal anything, she even values love and dignity more than money. Oh, she has no pimp, who would be the other man (other than Richard Gere) in her life; nobody to protect her from smart types who walk off without paying; the pimp would explode the whole romance instantly. (Instead, a girl friend.)
She has a golden soul, full of goodness, and loves art, and feels for art. High-society types around them appear silly, artificial, stuffy. (Different forks.) She is natural. She even was a good student (!) and . . . might be again? She loves to bathe, and half the time we see her happy in the bath tub (which is a powerful signal and symbol for CLEAN, CLEAN; she even sings so super-ultra-charmingly in the bath; she wants to wash off the foolishness of her previous few months of street. And she can do it.
But with all those qualities, WHY would she ever become a prostitute in the first place? Don't think, don't think. Just dream, it is lovely.
A lovely dream, one very old: rescuing a prostitute from the street. (Not in Woody Allen's sickish-moody way.)
However, if you wish to dream this one, be sure you do NOT start to think very logically . . . She is healthy, not on drugs, not on alcohol, not even a smoker; no syphilis, no gonorrhea, no AIDS wounds on her legs, nothing, she is just perfectly absolutely healthy. Body and mind. She is not a criminal, not inclined to steal anything, she even values love and dignity more than money. Oh, she has no pimp, who would be the other man (other than Richard Gere) in her life; nobody to protect her from smart types who walk off without paying; the pimp would explode the whole romance instantly. (Instead, a girl friend.)
She has a golden soul, full of goodness, and loves art, and feels for art. High-society types around them appear silly, artificial, stuffy. (Different forks.) She is natural. She even was a good student (!) and . . . might be again? She loves to bathe, and half the time we see her happy in the bath tub (which is a powerful signal and symbol for CLEAN, CLEAN; she even sings so super-ultra-charmingly in the bath; she wants to wash off the foolishness of her previous few months of street. And she can do it.
But with all those qualities, WHY would she ever become a prostitute in the first place? Don't think, don't think. Just dream, it is lovely.
Hugely entertaining film.
Pretty Woman is a very entertaining film indeed. However, for me, it isn't completely perfect, there were times when the script could have been developed a LITTLE more, and the film itself is a bit on the long side. But overall, you have a charming and entertaining movie. Richard Gere is a charming lead, and I do find him charming in everything he's in. Julia Roberts is wonderful also as Vivienne Ward, a beautiful but down on her luck sort of woman. I will confess I am not a Julia Roberts fan, but she put a lot into this film, and it showed. I was also really impressed with the supporting performances from Jason Alexander, Ralph Bellamy and Hector Elizondo. The film also has some excellent camera-work and well-intentioned direction, with a very lovely scene in the opera house, showing La Traviata, one of the world's saddest operas. The script, while a little frothy and contrived at times, still had a lot of humour and heart. Overall, I really liked this film, it made me feel good, like it promised. 8/10 Bethany Cox
Iconic On-Screen Romances
Iconic On-Screen Romances
Take a look at some of the most swoon-worthy pairings in movies and on TV.
Le saviez-vous
- AnecdotesRichard Gere and Julia Roberts had obvious chemistry upon their first meeting; however, Gere was not planning on taking the role. He was on the phone ready to turn down the part when Roberts slid him a Post-it note with the words "please say yes" written on it. He accepted the role right then.
- GaffesWhen Vivian finds Edward sleeping, she wears a long white nightgown when she comes in the room. She kisses him and they begin to make love. When Edward pulls her nightgown over her head, it is now a camisole. Actually the mid-length nightgown has spaghetti straps and she removes it herself, with him on top of her, making it hard to see what she removes but it looked like the same garment.
- Citations
[after negotiating three thousand dollars]
Vivian: I would have stayed for two thousand.
Edward Lewis: I would have paid four.
- Autres versionsThe Director's Cut of "Pretty Woman" features additional dialogue during the first encounter of Edward and Vivian; additonal scenes featuring Carlos the pimp chasing after Vivian for the money Kit owes him; a longer restaurant sequence, and a longer montage of scenes when Edward takes the day off from work to spend more time with Vivian on their last day together.
- ConnexionsEdited into Sex at 24 Frames Per Second (2003)
- Bandes originalesFive for Louie
Written by Karen Hernandez
Performed by Karen Hernandez, Eugene Wright, and Earl Palmer
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Détails
Box-office
- Budget
- 14 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 178 406 268 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 11 280 591 $ US
- 25 mars 1990
- Brut – à l'échelle mondiale
- 463 406 268 $ US
- Durée
- 1h 59m(119 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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