Riff-Raff

It is rare that a drama is anything about your life or any part of it. I apologise is your job is searching for serial killers or on your way to becoming a world sporting champion after overcoming cancer, but what we have here is a little bit of (UK) working class reality. Trust me I was there and so was the late writer Bill Jess.

(Jess died shortly before this film came out.)

I worked on a building sites at weekends as a 15 year old and although I have no pictures or film to remind - at least I have this and the buildings that I helped construct.

I have met all of the people under the loop here (not always on building sites though) and, to be quite frank, it is all a bit frightening. However I lived in a predominantly white district so I had no experience of on-the-job multiculturalism, and that is the only part I cannot really comment upon or relate to.

Robert Carlyle is a genius at portraying the British working-class. Maybe he is the real thing, in part, but he seems able to transform himself physically as well as mentally. I have never seen him overact in anything and he has had plenty of opportunities. He even takes on impossible parts like Hitler!

Here he is a Glasgow jailbird, squatting in London and hoping to make a few quid on the black economy. He hooks up with a girl that claims to be a singer and poet, but is actually only in to hard drugs. He deals with the situation the best he can using the only language he can.

London is the 1980's was one of the cheapest places in the world to live. You wanted a flat? - get a crowbar - here's your flat! Well for a short while before the heavy mob show up. That is how the rock group The Police first got to live in our capital city!

(Today building sites are full of foreign workers - some legal, some not - that don't squat but live in the back of vans parked on or near the site.)

Strangely, Ricky Tomlinson became a actor after being banned from building sites due to his political activities. In 1973 he sent to jail (see his IMDb bio) in an episode that shows British justice at its worst: Charging someone with a serious offence and then trying to get a guilty plea in return for a lesser charge. Ricky - being a man not a mouse - didn't fall for it. Others did, making it look extra bad for him.

He later went to be a popular man on TV and British film and will earn over a million dollars from his autobiography "Ricky"!

What makes this film even more frightening is the dramatic conclusion. Something similar (although not quite as serious) happened where I worked - although not while I was there.

In a coincidence that would make a TV script writer blush I was with the boss of the said firm in a van and we passed the subject in the street. "He got very lucky," said Mr Boss-man waving from the van, "he landed on his head and that is what saved him." It was pure Ken Loach moment, so I hope he is reading this.

I've always been astonished by Ken Loach's ability to make me forget that these are actors that I'm watching, or that this is a movie on a set, etc. The characters in this film are so real, so lifelike, that it was almost like watching a documentary. The film very wisely employs subtitles for the English dialogue, much or most of which would be unintelligible to an American audience.

Several of the reviews I have read of this film call it a comedy. Well, although there are one or two comic scenes, to me this is far from a comedy. This is a bitter and biting howl of rage against the plight of the working class in the UK. These men are used and exploited by their employers. There is no doubt that these construction sites would be cited for safety violations, or even closed down, if they were in the USA. and the owner-managers might well be prosecuted, since their willful negligence ultimately results in a death. What is lacking in the British working class, if this film is any guide, is any sense of upward mobility, any hope, any sense that I can make it out of this and find a better life. The one exception to this is the protagonist's girl friend, who is a monumentally untalented aspiring singer, and in her case we don't feel that there is much hope either.

Riff-Raff is a film that didn't particularly knock my socks off in any technical way, but still somehow achieved its own sort of excellence. It doesn't seem like your conventional movie, but rather, like a vignette of the life of its main characters. It feels more real than almost any other film I've seen, possibly a byproduct of its screenwriter being an actual construction worker. The film it pulls you in and makes the characters feel like old friends, without a particularly exciting or thrilling plot, in a way it's reminiscent of Chekhov. And though the characters have their ups and downs, the movie presents quite a few chuckles. A thoroughly intelligent and genuine film, brimming with social commentary without bashing you over the head with it.

Well what can I say? this film is appalling, the acting is putrid(particularly the Irish character who appears to forget her characters role mid way through the film) apart from Robert Carlyle as the Scottish character is quite good among other smaller big name roles who then made a name for themselves either prior or afterwards otherwise this movie is terrible with major plot-points not being revealed, unnecessary scenes, bad gags and bad script-writing as if they just improvised. Besides to that it was wrote in memory of some one if this was made in tribute of me, I must have really been hated or a terrible script- writer if this was the fruit of my labour! All in all I think my review is suitable for a film of this caliber Q.E.D

Riff-Raff is so realistic in its depiction of British working class conditions in the building industry of the time. Hard working lads living hard lives making poor money and working for shifty cost cutting employers. More than that though, Loach has filled the story with believable characters and has them speaking realistically with real local accents and absolutely zero political correctness.

Hats off to whoever was in charge of the casting. Standout performances from Robert Carlyle and Ricky Tomlinson but to be fair the entire cast were believable in their roles. There's very authentic feel to the film, almost like watching a documentary instead. Criminally Underrated.