I'll Fly Away

Television is often considered a medium that suffices to showcase actors and actresses who can not make it on the big screen and/or after they have seen their hey-day! Not so with the cast of I'll Fly Away, whose brilliant characterizations brought to life a time when change was coming for the better, but with it a whirlwind of emotions that swept up its populace in a way in which no other time has done since. The beautifully painted portraits were a study the human condition, from Forrest to Lily, and down thru the ranks of the Bedford children. To the great discredit of television, this series was cancelled when there was so much that was important left to say! This was a landmark series that should be brought to viewers on DVD if for no other reason than to afford it another opportunity to speak its solid values to those who have never seen it, and speak them again to those of us anxious to re-hear!~

Every week I check the new DVD releases with hopes of seeing "I'll Fly Away." It's amazing what's available while "I'll Fly Away" sits on a shelf. The above comment describes it perfectly. It's history and entertainment. It could be used in schools when discussing the civil rights movement. In my opinion it's the best TV ever. PLEASE release this on DVD and market it so people watch it. This is an important series that should be seen. I almost bought this on line but something didn't seem right since I knew it not to be available. I called the company selling it and a person on the phone actually told me the quality is not too good and that it was recorded from T.V. Well, I did the same thing on VHS. I want high quality, complete set on DVD.

The quick summary is "To Kill a Mockingbird" made into a TV series, but this show is so much more. It's more sophisticated than Mockingbird in terms of moral ambiguity, political realities, and human relations. The black characters aren't merely background or props to test the virtue of the white characters as they are in so many well-meaning stories about race; They are fully fleshed-out people, with their own stories. Sam Watterson's character, unlike Atticus Finch, is flawed, human. He compromises,stumbles, fails on occasion, and this makes his struggles and progress all the more affecting. Some might complain that Regina Taylor's maid character is perhaps too noble, too perfect, but her dignity under trying circumstances moved me to tears almost every episode. The acting, writing, direction is consistently excellent. When will this landmark series be given the DVD box set it deserves?

This was a sensitive, complex series about a family struggling with the complexities of life in a small Georgia town during the Civil Rights Movement. It was ably acted by the entire cast, beautifully written. Never cloying, always intelligent. Happily, after being shown on regular network television, it was repeated on PBS about a year later. A memorable, glowing work. The finale -- "Then and Now" was wonderful -- but you really should see the entire series to appreciate it fully.

I used to compare it to To Kill A Mockingbird, but realize now that was inappropriate, except in that it was set in the same kind of small town -- many years later -- as Harper Lee's masterpiece. And Forrest Bedford was no Atticus Finch. But nevertheless, I'll Fly Away did have that kind of timeless quality.

Respectfully, I disagree with the one comment posted so far.

My wife and I discovered this series when it was on PBS. As stated, we are amazed that something this good was originally on commercial TV. Is it totally unrealistic that a maid would ultimately be that outspoken, and that a Southern white lawyer could slowly have his eyes opened? Maybe. But I think the key is that everything developed slowly, over time. There were no unrealistically sudden conversions.

Among the other things that impressed us: There were no easy answers; every episode, it seems, almost painfully explored issues with complexity. If you want easy answers, this is not the series for you.

"To Kill a Mockingbird" was certainly a classic (although, as my 85 year-old father has observed, Gregory Peck played the same essential character in virtually every movie.) And it may be true that its characterization was true of the vast majority of even well-meaning southern whites. But I accept the possibility that, even in that time, at least one person of color "pushed the envelope". And that at least one Southern white of good heart found himself or herself slowly transformed.

If you can accept this, admire this series for its excellent performances and refusal to take the easy way out in any episode.