Jimmy Rabbitte, un Dublinois au chômage, décide de monter un groupe de jazz entièrement recruté de la classe ouvrière irlandaise.Jimmy Rabbitte, un Dublinois au chômage, décide de monter un groupe de jazz entièrement recruté de la classe ouvrière irlandaise.Jimmy Rabbitte, un Dublinois au chômage, décide de monter un groupe de jazz entièrement recruté de la classe ouvrière irlandaise.
- Nommé pour 1 oscar
- 11 victoires et 12 nominations au total
Maria Doyle Kennedy
- Natalie Murphy
- (as Maria Doyle)
Ken McCluskey
- Derek Scully
- (as Kenneth McCluskey)
Avis en vedette
10madam_Q
Who needs expensive movie stars when a group of unknowns can light up the screen like this lot?
On paper, it sounds like a failure - a cast comprising almost entirely of untrained and untested performers, set in working class Dublin, based on the novella by Roddy Doyle. By God, does it defy expectations.
Jimmy Rabbitte is a working class Dublin lad who's been collecting unemployment benefits for two years. But he dreams of bigger things, namely making it big in the music industry. He sets out to form a soul band, and assembles a motley crew of musicians and singers, most of whom don't know each other and many of whom can't stand each other.
The look of the film is gritty and realistic - nothing is glossed over. North Dublin is presented in all it's glory. The home lives of the band members are depicted warts and all - their private lives set the scene for the inevitable personality clashes that are almost as explosive as the music. In the mix is the unique character of the Irish people - at one point Jimmy enters a tenement block and, as he waits for the lift, looks over to see a boy with a horse. "You aren't taking that in the lift, are you?" he asks. "I have to," the boy replies. "The stairs would kill him."
The real star of the show is the music - this film spawned two hugely successful soundtrack albums. The band members were cast partly due to their musical ability, and the results are superlative. The stand out is Andrew Strong as Deco - would you believe this kid was only 16 when the film was made? His amazing voice belies his tender years, and suggests that he's been smoking a packet a day since the age of about four. At the end of the day with is a fine ensemble piece, much like the band. The acting may be a little wonky at times, but the hysterical dialogue makes up for that.
Most remarkably, this is a feel good film that does not rely on any of the conventional feel good plot devices. There are no group hugs, no plot conveniences, no trite happy endings. Just a shrewdly observed and wittily captured human story about people who dream of making it out of their dreary world. And isn't that something we can all relate to?
On paper, it sounds like a failure - a cast comprising almost entirely of untrained and untested performers, set in working class Dublin, based on the novella by Roddy Doyle. By God, does it defy expectations.
Jimmy Rabbitte is a working class Dublin lad who's been collecting unemployment benefits for two years. But he dreams of bigger things, namely making it big in the music industry. He sets out to form a soul band, and assembles a motley crew of musicians and singers, most of whom don't know each other and many of whom can't stand each other.
The look of the film is gritty and realistic - nothing is glossed over. North Dublin is presented in all it's glory. The home lives of the band members are depicted warts and all - their private lives set the scene for the inevitable personality clashes that are almost as explosive as the music. In the mix is the unique character of the Irish people - at one point Jimmy enters a tenement block and, as he waits for the lift, looks over to see a boy with a horse. "You aren't taking that in the lift, are you?" he asks. "I have to," the boy replies. "The stairs would kill him."
The real star of the show is the music - this film spawned two hugely successful soundtrack albums. The band members were cast partly due to their musical ability, and the results are superlative. The stand out is Andrew Strong as Deco - would you believe this kid was only 16 when the film was made? His amazing voice belies his tender years, and suggests that he's been smoking a packet a day since the age of about four. At the end of the day with is a fine ensemble piece, much like the band. The acting may be a little wonky at times, but the hysterical dialogue makes up for that.
Most remarkably, this is a feel good film that does not rely on any of the conventional feel good plot devices. There are no group hugs, no plot conveniences, no trite happy endings. Just a shrewdly observed and wittily captured human story about people who dream of making it out of their dreary world. And isn't that something we can all relate to?
Jimmy Rabbitte (Robert Arkins) is a small time hustler selling pirated tapes and T-shirts. Outspan Foster (Glen Hansard) and Derek Scully (Ken McCluskey) ask Jimmy to manage their wedding band. Jimmy declares that they need to be a hard working Soul band. He puts an ad in the papers and it's a parade of wrong music. His Elvis loving dad (Colm Meaney) doesn't get it. Sax playing Dean Fay (Félim Gormley) is the first brought into the band. Billy Mooney (Dick Massey) is the drummer. Jimmy gets Natalie Murphy (Maria Doyle Kennedy), Imelda Quirke (Angeline Ball) and Bernie McGloughlin (Bronagh Gallagher) as the backup singers. After watching a drunken Deco Cuffe (Andrew Strong) sing at the wedding, he gets him as the lead singer. Joey "The Lips" Fagan (Johnny Murphy) is the womanizing experienced trumpet player who comes up with their name "The Commitments". He hires the volatile Mickah Wallace (Dave Finnegan) as their security.
This is fun. It's great music. The cast is mostly musicians trying their hands at acting. Some of them would become quite interesting. It's based on the first of novelist Roddy Doyle's lower class Barrytown trilogy. It's heart warming and then sadly inevitable. The portrayal of the Irish lower class is one of loving profanity. The one word I would use is life. This movie is full of life. The movie could have ended with something predictable but this way it's poetry.
This is fun. It's great music. The cast is mostly musicians trying their hands at acting. Some of them would become quite interesting. It's based on the first of novelist Roddy Doyle's lower class Barrytown trilogy. It's heart warming and then sadly inevitable. The portrayal of the Irish lower class is one of loving profanity. The one word I would use is life. This movie is full of life. The movie could have ended with something predictable but this way it's poetry.
The Commiments holds a very unique place in Irish modern movie history. For a start you have to understand that the Dublin that the film was shot in was incredibly bleak in the early '90's. Unemployemt was huge, money was scarce etc. When the film opened in Dublin it was a genuine phenomenon. The biggest cinema in Dublin (The Savoy) showed the picture around the clock on it's opening weekend and it played to pretty much full houses at all shows. I watched, for the 4th time, with a crowd of approx 500 at 6.00am on Sunday and the atmosphere was electric. This was a film we could relate to, it was about us and where we lived. Suffice to say it was a monster hit in Ireland at the time. I was working in the cinema business at the time (managing UCI) and I was lucky enough to be at the premiere. When the cast were introduced one by one the roof lifted. I attended the party where The Commitments (all of them) played in a tiny club on the docks called The Waterfront and to say that was pretty special is an understatement. To this day I'm still friend with Dick Massey (Billy Mooney) and and from to time to time he will remissness about his time with the film. The Commitments only played live together three times, the Dublin premiere, the NY premiere the LA premiere. I saw then in their home town! While the movie is certainly flawed it is still a classic for it's time.
I love this film. Everything about it might seem like it is just another cliche ridden story about the rise and fall of a band, but this movie is totally different somehow. It rises above anything previous in its genre. The characters are all both interesting, and their personality flaws are used to greatly illustrate the ending of the movie. The writing was superb, and acting from a cast of mostly unknowns top notch. The musical sequences were great, and served as an introduction for me to the songs and artists that they covered. Colm Meaney was hilarious as the very skeptical father of Jimmy.
10sev127
I first heard of the Commitments when I heard someone playing the soundtrack on their car radio. I quickly bought myself a copy and played it about 10 times a day - the music and the singing were unlike anything I'd ever heard before, even though all the songs are covers.
It wasn't until about 6 months later that the film was on an obscure cable channel, and I literally got goosebumps as soon as the opening credits rolled with "Treat her right". It was so incredible to actually see the characters performing the songs that I'd grown to love. It all became complete actually seeing the story unfold, and by the end you're really rooting for the band to succeed. When they perform "Try a Little Tenderness" I've never managed to watch that scene without tears in my eyes, it's such a fantastic version of the song and the energy Andrew Strong brings to it is just incredible, especially as he was only 16 at the time.
Anyone who loves music has to see this film, even you're not familiar with soul music - I promise you'll be hooked after seeing The Commitments!
It wasn't until about 6 months later that the film was on an obscure cable channel, and I literally got goosebumps as soon as the opening credits rolled with "Treat her right". It was so incredible to actually see the characters performing the songs that I'd grown to love. It all became complete actually seeing the story unfold, and by the end you're really rooting for the band to succeed. When they perform "Try a Little Tenderness" I've never managed to watch that scene without tears in my eyes, it's such a fantastic version of the song and the energy Andrew Strong brings to it is just incredible, especially as he was only 16 at the time.
Anyone who loves music has to see this film, even you're not familiar with soul music - I promise you'll be hooked after seeing The Commitments!
Le saviez-vous
- AnecdotesThe kid on the skateboard who appears outside Jimmy's window during the first third of the movie when the band are recruiting members is Peter Rowen, the then boy from the covers of U2's "Boy" (1980) and "War" (1983) albums. At the time this movie was filmed, he owned a skate shop in Dublin and was a champion skateboarder.
- GaffesWhen the photographer tells everyone to say "testicles", only three people move their lips enough to make an audible sound (they are actually mouthing the word "lesbians"), but the sound is as if everyone was saying "testicles" out loud.
- Citations
Jimmy Rabbitte: Do you not get it, lads? The Irish are the blacks of Europe. And Dubliners are the blacks of Ireland. And the Northside Dubliners are the blacks of Dublin. So say it once, say it loud: I'm black and I'm proud.
- ConnexionsEdited into The Commitments: Try a Little Tenderness (1991)
- Bandes originalesMustang Sally
Written by Mack Rice
Performed by Andrew Strong, with Angeline Ball, Maria Doyle Kennedy and Bronagh Gallagher
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- The Commitments
- Lieux de tournage
- Musical Hall, Ricardo's Snooker Hall - Lower Camden Street, Dublin, County Dublin, Irlande(The Band's Rehearsal Room)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 12 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 14 919 570 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 271 333 $ US
- 18 août 1991
- Brut – à l'échelle mondiale
- 14 921 072 $ US
- Durée1 heure 58 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant