Juste après la Seconde Guerre mondiale, un Américain obtient un emploi dans les chemins de fer en Allemagne, mais trouve sa position politiquement sensible par rapport à diverses personnes q... Tout lireJuste après la Seconde Guerre mondiale, un Américain obtient un emploi dans les chemins de fer en Allemagne, mais trouve sa position politiquement sensible par rapport à diverses personnes qui cherchent à l'utiliser.Juste après la Seconde Guerre mondiale, un Américain obtient un emploi dans les chemins de fer en Allemagne, mais trouve sa position politiquement sensible par rapport à diverses personnes qui cherchent à l'utiliser.
- Prix
- 17 victoires et 8 nominations au total
- Narrator
- (voice)
Histoire
Le saviez-vous
- AnecdotesUpon realizing that Europa did not win the Palme d'Or at the 44th Cannes Film Festival, Lars von Trier gave the judges the finger and stormed out the venue.
- GaffesIn the transition before Leopold and Katharina get married, Leopold is initially on Katharina's left side before the altar, but at the end of the transition, he is on her right.
- Citations
[opening lines]
Narrator: You will now listen to my voice. My voice will help you and guide you still deeper into Europa. Every time you hear my voice, with every word and every number, you will enter into a still deeper layer - open, relaxed and receptive. I shall now count from one to ten. On the count of ten, you will be in Europa. I say: one. And as you focus your attention entirely on my voice, you will slowly begin to relax. Two - your hands and your fingers are getting warmer and heavier. Three - the warmth is spreading through your arms, to your shoulders and your neck. Four - your feet and your legs get heavier. Five - the warmth is spreading to the whole of your body. On six, I want you to go deeper. I say: six. And the whole of your relaxed body is slowly beginning to sink. Seven - you go deeper and deeper and deeper. Eight - on every breath you take, you go deeper. Nine - you are floating. On the mental count of ten, you will be in Europa. Be there at ten. I say: ten.
- ConnexionsFeatured in The Making of 'Europa' (1991)
- Bandes originalesEuropa Aria
Written by Lars von Trier
Performed by Nina Hagen and Philippe Huttenlocher
Courtesy of Virgin Musique
The beginning of "Europa" is very, very strange. You hear the voice of Max Von Sydow and he leads the audience in a hypnotic induction--taking you back to the year 1945--just after WWII. And, later, you will once again hear the voice of Von Sydow talking throughout the film like a hypnotherapist--a VERY unusual way to narrate this film.
The film plot revolves around an odd and rather non-emotive American, Leopold Kessler. It seems that he was a pacifist during the war and has moved to Germany to work for the railroad. This is odd, I know, but it gets a lot more unusual than that... I would try to explain the story, but frankly it all becomes very surreal and a bit weird. Additionally, while the film is supposed to be about a group of post-war terrorists named 'Werewolves', the film does NOT attempt to provide an actual history lesson or really discuss their actions. My advice is like all surreal films, don't try to understand it or make sense out of why von Trier made it--just absorb it and make of it what you will (or not).
My feeling about the film is that I liked it because of its bizarreness and innovative cinematography. Sure, there are a few sloppy portions (such as the dubbing of the Colonel's voice) but what's important is that this film was made in 1991. Using computers to make this sort of project would be pretty easy today--but back in 1991 personal computers were still a bit rare and amazingly underpowered. Yet, von Trier was able to use black & white mixed with occasional splashes of grainy color--a difficult trick in its day. There are also very very beautiful camera shots throughout the film (such as the bombed out church in the snow) which are achieved through superimposing characters into scenes he shot previously. Totally weird, confusing but visually arresting. This is NOT a film for the average person--they probably wouldn't have the patience or would demand a more coherent and traditional plot. But, it's the sort of thing that is worth seeing once--it's that unusual and unique. The style, the narration, the cinematography and the music provide a once in a lifetime sort of experience.
If you get the DVD, be sure to see if it has the French documentary "The Making of 'Europa'", as it explains the various very innovative camera tricks that were used. Additionally, just how complicated it all was to make is revealed...and it took two years to make!
- planktonrules
- 21 août 2013
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Zentropa
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 28 000 000 DKK (estimation)
- Brut – États-Unis et Canada
- 1 007 001 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 21 447 $ US
- 25 mai 1992
- Brut – à l'échelle mondiale
- 1 026 035 $ US
- Durée1 heure 52 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1