McBain

If you like Christopher Walken, and you like hard-core unbelievable action and unnecessary violence, rent this movie tonight. The amazing array of hilarious faces that Walken makes in this movie is more than enough to justify renting it. If you want an action movie that is exactly what you'll get, Mcbain truly delivers action like no other.

My review was written in September 1991 after a Greenwich Village screening.

Boasting excellent production values, "McBain" is a silly action film geared mainly toward overseas audiences. It represents a strong video title for the Shaprio Glickenhaus banner after its theatrical exposure.

James Glickenhaus, in his first writing-directing assignment since "Shakedown" three years earlier, has assembled the elements of an A-grade picture but failed to create an engrossing or believable narrative. Pic becomes a spoof of itself an the genre early on and never recovers.

Prolog has Chick Vennera and fellow soldiers rescuing POW Christoper Walkenon the day the Vietnam War ended in 1975, so Walken owes him one. When Vennera is killed in an abortive coup of the Colombian government 18 years later, Walken agrees to help Vennera's sister, Maria Conchita Alonso, overthrow the drug cartel-run dictatorship there and let the common people come to power.

This timely theme of revolution is treat4ed with a flippancy reminiscent of Sergio Leone's "Duck, You Sucker" and other Italian political Westerns, but Glickenhaus makes it far too easy for Walken and his group of Vietnam vets to reach their objective. Cartoonish action is amusing but never gripping.

Walken, no stranger to uch roles ("The Deer Hunter", "The Dogs of War") appears awkward and bored with a stiff-upper-lip assignment more suited to Glickenhaus' 1980 "Exterminator" leading man Robert Ginty. The extreme earnestness of Alonso as the freedom fighter is overdone. There is no romance in the picture and zero chemistry between the two leads, a glaring deficiency.

Supporting cast of reliable thesps such as Michael Ironside and Steve James mainly provides comic relief. Best acting is by Luis Guzman, who brings panache to his role as a philosophical major domo of a New York crack den. Filming in the Philippines instead of South meria results in Filipino extras who definitely don't look authentic.

Dominating the humans is topnotch special effects and stunt work that lift "McBain" above the norm in the action genre. This technical accomplishment is the pic's raison d'etre and will help it cross national and language barriers.

Typically period-movie, not very good, not exceedingly bad, clear division between the good and the bad. Story about a handful of mercenaries supplying revolution to south- America. Simon Bolivar and Rambo in one package. Anyone familiar with the Stallone vehicle The Expendables will recognize the similarities between this picture and the Expendables fighting El Presidente. This might be called the unauthorized prequel so to say without the bravado and speed of the Stallone picture. Not very uplifting, cliché-filled, but worth every teenage penny, if you like the thrill to be fast and easy and like the old style novel with torn banknotes and honour-killings. I lacked the patience to concentrate dully on this movie, harvested from a rumble sale. Not memorable and soon forgotten. Nicer period-character is Mrs Fletcher from Murder she Wrote. Thrown in the problem of US POW's after withdrawing from Nam, solving it with an ambush and killing th bad guys.

Christopher Walken leads a batch of Army buddies against Colombia to avenge the death of his friend at the hands of the military regime. Since their Army days, Walken and his merry men have become successful and/or affluent, and seeing them take off as a group on a dubious military adventure requires some pretty heavy suspension of disbelief. But that's just the beginning. You'll see middle-aged men out-fighting hardened government troops. Pistols and Bic pens find uses their inventors never dreamed of, and desperate field surgeries are performed under the worst conditions, with 100% success. All of it done in an appallingly casual way, that is deader than the deadest deadpan humor. You'll truly laugh your butt off - nonstop yuck-yucks from the guy who brought us Shakedown and The Soldier. See McBain as a double feature with Taking of Beverly Hills if you want to see how durable your spleen really is.

This is a rather nonsensical action drama, with plenty of (entirely unintentional) comedy to go round. To start with, the film itself is called 'McBain.' Anyone who saw that famous Arnold spoof in 'The Simpsons' could be forgiving for looking twice at this title, which essentially features the same cut-and-paste plot, cheesy acting, and incoherent developments that Wolfcastle parodied. It's really nothing great but worth watching for the belly laughs at all the countless errors and overbearing cheesiness!

The 'plot' involves a Vietnam Vet Bobby McBain (Walken)whose friend Santos, a Colombian revolutionary, is killed by the evil dictator on live TV, whose sister comes to McBain to help organize a revolution in that country. For no real reason, other than to alleviate his self-confessed boredom and to avenge his Columbian ex-colleague from Nam, he and his gang of overtly gay middle aged nerds get into a little prop plane and fly off to Colombia to do this.

I started writing a review for this, but deleted it because it ended up totally incoherent. No wonder really, as the madness I was trying to chart is so messed up it's really hard to know where to start. So instead of indignantly providing analogies of McBain's sheer crappiness, I'll just list a few examples from the film which sum it up suitably:

• several people are murdered by people who we have seen die themselves moments earlier

• the special effects, especially some mid-air explosions, look like they were done by a small child with a chemistry set

• at one point, McBain is sitting in the co-pilot seat of a small prop plane. Flying next to them is a jet whose pilot is trying to force them to land. McBain pulls out this stupidly small pistol, and shoots the jet pilot, who crashes, despite the noticeable non-smashing of either windscreen!

• Some rebels attempt to infiltrate the presidential palace using a stretched limo. The driver opens the boot and four men jump out. Four! • Near the end of the film, a government soldier was asking an old man at a café if he has seen Christina, the rebel leader. He beats the man who doesn't tell him anything. This is great because at the next table are a load of American mercenaries in sunglasses, Hawaiian shirts, and fedora hats!

• In a similar vein, during all the battle scenes the good guys can generally just stand around without so much as a bullet touching them, where the bad guys get routinely mowed, and in many cases clearly fail to even notice the machinegun-toting middle aged mercenaries!

• The doctor of the group has to perform emergency surgery on a little girl after a battle. He says she would die without proper facilities, but McBain tells him to go ahead as she would die anyway. After briefly slicing her with a little knife (the girl has had her rib cage severely crushed), she sits there for a second, and smiles! The stupidest survival from mortal wounding since Marie in Biggles: Adventures in Time.

• A tall, Germanic looking drug dealer is really running Colombia. Predictably, he is called Hans.

• A typical example of the nonsense value of the plot: the group doctor declares he is going to stay with the wounded to help them. Then, in the next scene, he is back doing soldiering!

• And another: at the start, the guys are told the Vietnam War is over, and they get into their helicopter to fly home. All of a sudden they see one VC on the ground, and decide to launch a full scale covert assault on a POW camp they hadn't even seen. Yeah, that's exactly what you do right after getting discharged.

• You know a movie is in trouble when even the extras don't look convincing. I blame the director.

Normally I like mercenary movies. They make great viewing and the body count is typically high enough to make up for the lack of plot. Skeleton Coast and Wild Geese were both enjoyable. But McBain, thanks to a total lack of plot development, realistic effects, bearable acting, and tongue in cheek humour, comes across merely as a convoluted, confused mess. In honesty it looked like a load of set pieces had been brought in from a variety of scripts, banged together any which way, and then tagged together with the formulaic 'South American dictator/drug baron revolution' shtick.

Don't get me wrong I sat through it fine, it was never boring, because I was splitting my sides most of the time at the hilariously bad production values and situations. There are some pretty good moments, such as when McBain's gang kidnap a gangster called John Cambotti and dangle him off a skyscraper pretending to be Israeli agents. That part was cool. But the set-up for it, where they killed everyone in a crack house without either taking the money or destroying the drugs, and getting a lecture from the drug chief, was so artificial I just didn't understand why it was put in. Needless to say, mindless killing and slaughter is only entertaining if its well done on a technical level, unlike this ham-fest, where someone is dragged out of a window after a ceiling fan and hundreds of extras overtly mis-time their exaggerated death throes

There is lots of violence but some of it is so poorly done that it actually looks funny, which is not always a good thing. I bought this DVD for £1.49, which in retrospect seems like a bit of a rip-off. I'll hang onto it though, for any occasion in which I want to either play drinking games for number of dead etc, or as a showcase for some truly shoddy film-making.