Mister Johnson

The title character in Bruce Bereford's film is a native clerk in British West Africa (circa 1923), who becomes alienated from his own people after ingratiating himself with his English masters. He likes to say he's a true English gentleman in his heart, but the color of his skin tells a different story, and for all his delusions of civilized grandeur he can't see that a civil servant is, by any other name, still a servant. There's much to admire here: clearly a lot of care and attention went into the film. But although it captures superbly the heat and light of the African veldt, the story is surprisingly dark, despite Bereford's best efforts to minimize the discomfort of his audience. The servant Johnson is made to seem entirely innocent of any wrongdoing (even after being totally corrupted by colonial British culture), and his white overlords are, likewise, not portrayed with any ambivalence. Up to a point, at any rate: Pierce Brosnan's final, chilling act of grace isn't likely to send moviegoers home in an upbeat frame of mind.

Mister Johnson tells the tale of a young Nigerian man whose dishonesty and desire to please others lead to his downfall. He's lost--thinking he must be British to be a real man, for that is what he hears the British imperialists say. He doesn't understand the intrinsic worth of his African identity, and in his attempt to become more and more British, he loses everything he loves. The plot itself is sad but not entirely original. The movie's charm is in its setting--central Nigeria--and its use of the Pidgin and Hausa from that region. As one who grew up there, I was thrilled with their correct usage of terms and expressions. The cinematography is excellent, and I appreciate the genuineness of the movie itself. Sad but worth watching.

This is a good drama with a very touching ending.Pierce Brosnan does one of his best roles ever as friend of "Mr.Johnson",a Nigerian who sees himself as englishman.The way this film ends makes it big.

See this but take a few tissues if you are soft hearted. 7 out of 10

A British colony in West Africa creates a monster in the local black man who succumbs to the western greed and uses it to better his life so as to live like the rich whites do. A convincing performance by Maynard and a surprising one from Brosnan. Wonderfully shot and gently directed by Master Beresford.

This is a wonderful film that captures the flavor of working in the African bush more accurately than any film I've seen. The gentle cultural clash between Mr. Johnson and the road builder (Pierce Brosnan) is exactly as I've experienced it with so many workers. And Mr. Johnson's downfall caused by his inner conflict (being pulled from his traditional roots down into the beguiling but unaffordable Western abyss) could have been the autobiography of too many African funtionaires I've known.