Un agent du FBI infiltré tente d'attraper un gang de surfeurs qui sont peut-être des braqueurs de banque.Un agent du FBI infiltré tente d'attraper un gang de surfeurs qui sont peut-être des braqueurs de banque.Un agent du FBI infiltré tente d'attraper un gang de surfeurs qui sont peut-être des braqueurs de banque.
- Réalisation
- Scénaristes
- Vedettes
- Prix
- 1 victoire et 2 nominations au total
John C. McGinley
- Ben Harp
- (as John McGinley)
7,3220.1K
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Avis en vedette
The film for an adrenaline generation
Thirteen years on it sounds a little trite - an FBI agent examines his inner self whilst trying to bring down a gang of surfer bank robbers by infiltrating their scene. But dude, how Point Break pulled this off!
In what can now safely be regarded as one of the more generation-defining cinematic moments of the nineties, Point Break serves as not just a credible well-paced action thriller spectacle, but also as a voice for advocates of the adrenalin rush. The movie's sleeper popularity at the time would no doubt have helped issue in a new generation of 'X' sports for a new generation, as hungry sponsors leapt at a new market.
Kathryn Bigelow takes some key pointers from then hubby James Cameron and paces the movie brilliantly. There are many key moments of unique action - that chute-less jump from 4,000 feet being the highlight - that filled the trailer, but it is the cumulative effect of bringing these moments together that adds to the picture. For so many films the denouement is a gross failure but Bigelow controls the films peaks and troughs expertly and the ending is genuinely well handled, something that appears to be a real struggle for Hollywood today.
In what will go down as Patrick Swayze's finest moment on film, he plays the adrenalin guru Bodhi with glaze-eyed and silver tongued expertise, and manages to pull off the very difficult assignment of being both sane and insane simultaneously with accomplishment.
You can almost feel pulled by Bodhi's enthusiasm for a sensation 'as close as you get to God', and as a result can excuse the decade for being labeled that of the 'slacker' generation. The nineties weren't about slacking, just looking for a different kind of high.
In what can now safely be regarded as one of the more generation-defining cinematic moments of the nineties, Point Break serves as not just a credible well-paced action thriller spectacle, but also as a voice for advocates of the adrenalin rush. The movie's sleeper popularity at the time would no doubt have helped issue in a new generation of 'X' sports for a new generation, as hungry sponsors leapt at a new market.
Kathryn Bigelow takes some key pointers from then hubby James Cameron and paces the movie brilliantly. There are many key moments of unique action - that chute-less jump from 4,000 feet being the highlight - that filled the trailer, but it is the cumulative effect of bringing these moments together that adds to the picture. For so many films the denouement is a gross failure but Bigelow controls the films peaks and troughs expertly and the ending is genuinely well handled, something that appears to be a real struggle for Hollywood today.
In what will go down as Patrick Swayze's finest moment on film, he plays the adrenalin guru Bodhi with glaze-eyed and silver tongued expertise, and manages to pull off the very difficult assignment of being both sane and insane simultaneously with accomplishment.
You can almost feel pulled by Bodhi's enthusiasm for a sensation 'as close as you get to God', and as a result can excuse the decade for being labeled that of the 'slacker' generation. The nineties weren't about slacking, just looking for a different kind of high.
They don't make movies like this today
Who misses Patrick Swayze - I know I do. He was always good in whatever movie but particularly in this one - such a wide range of acting. I hadn't seen it for years and it came up on tv so I recorded it so I can watch it over.
So Good I refuse To Acknowledge The Existence Of A Remake
Just a ripping movie that came out of nowhere. Keanu Reeves, action star? Who Knew.
Swayze is mega convincing as the rogue surfer dude looking to live the dream.
The 3 leads are right on the money.
Fun story crazy action :)
The 3 leads are right on the money.
Fun story crazy action :)
Pure exhilarating 90's fun!
Patrick Swaze and Keanu Reeves blow your mind out of the water! Very well written and clever. Epic how the heists in this became an inspiration for the video game Payday:The Heist and from the other movie Heist. This has an excellent cast, wild stunts, and the beautiful cinematography - everything you'd want from a action phenomenon!!
An under-rated classic
Point Break is one of those films that everybody loves, but that nobody actually talks about all that often. It is a film that if you mention it in conversation, everyone else around is bound to say how much they enjoyed it.
The film's two main assets are unexpected ones, in the form of the direction and the script. The direction by Kathryn Bigelow is nothing short of excellent. Her handling of the action and suspense scenes is exciting and riveting. The two sky-diving scenes are brilliant as is the foot chase through the streets (and houses) of the city. The script, by W. Peter Illif, is also very good and the best thing about the film. The plot is multi-layered and has an original relationship between the hero and the villain. The way the story resolves itself and the ultimate resolutions is excellent, by the standards of most Hollywood action films.
This film deserves to be remembered as one of the better actioners of the nineties, not up there with Die Hard 2/3 or Speed, but better than 90% of the action junk made nowadays. At least this film has a plot.
The film's two main assets are unexpected ones, in the form of the direction and the script. The direction by Kathryn Bigelow is nothing short of excellent. Her handling of the action and suspense scenes is exciting and riveting. The two sky-diving scenes are brilliant as is the foot chase through the streets (and houses) of the city. The script, by W. Peter Illif, is also very good and the best thing about the film. The plot is multi-layered and has an original relationship between the hero and the villain. The way the story resolves itself and the ultimate resolutions is excellent, by the standards of most Hollywood action films.
This film deserves to be remembered as one of the better actioners of the nineties, not up there with Die Hard 2/3 or Speed, but better than 90% of the action junk made nowadays. At least this film has a plot.
Le saviez-vous
- AnecdotesPatrick Swayze was an accomplished skydiver, and took part in the big skydiving scene. He made fifty-five jumps in total.
- GaffesWhen Bodhi shows Jonny the 'kidnap' tape in the back of the van, the monitor is a small, approx 5 inch portable device with dials down the right-hand side and the VCR underneath. However, when they exit the van and we can see inside, the monitor is now a normal 12 inch portable TV with no dials and the VCR appears to be on top of the TV.
- Autres versionsThe 15-rated UK cinema version was trimmed by 25 secs to obtain the lower rating by the BBFC. There were five cuts to remove bullet impacts, cuts to shots of a naked woman being fired at during the house raid and several cuts to remove aggressive strong language. The cuts were restored the following year when the distributors opted for an 18 certificate for the video release. This same cut was resubmitted in 2011 and received a 15 certificate.
- ConnexionsEdited into The Clock (2010)
- Bandes originalesNobody Rides for Free
Performed by Ratt
Written by Steve Caton
Produced by Mick Guzauski with Ratt
Courtesy of Atlantic Recording Corporation, a Time-Warner Company
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Point Break
- Lieux de tournage
- Ecola State Park, Highway 101, Cannon Beach, Oregon, États-Unis(Bells Beach, Australia)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 24 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 43 218 387 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 8 514 616 $ US
- 14 juill. 1991
- Brut – à l'échelle mondiale
- 83 531 958 $ US
- Durée
- 2h 2m(122 min)
- Couleur
- Rapport de forme
- 2.35 : 1
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