Un ancien agent des services secrets accepte l'emploi de garde du corps d'une chanteuse de RnB dont le style de vie est très différent de celui d'un président.Un ancien agent des services secrets accepte l'emploi de garde du corps d'une chanteuse de RnB dont le style de vie est très différent de celui d'un président.Un ancien agent des services secrets accepte l'emploi de garde du corps d'une chanteuse de RnB dont le style de vie est très différent de celui d'un président.
- Réalisation
- Scénariste
- Vedettes
- Nommé pour 2 oscars
- 14 victoires et 21 nominations au total
Danny Kamin
- Thuringer
- (as Daniel Tucker Kamin)
6,4156.9K
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Avis en vedette
Intriguing Story
I have watched many action movies but this one makes one think: what happens next? This material could have been handled badly, but it comes out refined and elegant.
Both Whitney Hustoun and Kevin Costner stay true to their types, yet sharing a common purpose giving a spiritual dimension to the movie as observed by a commentator.
This is not a conventional romantic movie and that is why many are disappointed. It is a throwback to old concepts of chivalry and knighthood. The remarkable point to observe is that it is a modern story about an independent woman and her child.
This is a movie which feels good and genuine in the end.
Both Whitney Hustoun and Kevin Costner stay true to their types, yet sharing a common purpose giving a spiritual dimension to the movie as observed by a commentator.
This is not a conventional romantic movie and that is why many are disappointed. It is a throwback to old concepts of chivalry and knighthood. The remarkable point to observe is that it is a modern story about an independent woman and her child.
This is a movie which feels good and genuine in the end.
I can't protect you, not like this.
Frank Farmer is a top line bodyguard, formerly secret service protector to President Reagan, he is approached to guard Rachel Marron, the latest pop sensation on the cusp of Hollywood domination. After initially being reluctant to take the job, Farmer gets to the task of protecting Rachel from a potential maniac who's been sending her threatening letters. As the initial in camp hostilities die down, Frank & Rachel start to draw ever closer, but so does the person who wants her dead...
The Bodyguard is one of those films that was long in gestation, originally mooted in 1976 to star Steve McQueen (it was written with McQueen in mind in the 60s) and Diana Ross, it was put on the back burner after McQueen fell ill to the cancer that killed him. Then it resurfaced in 1979 with Diana Ross to play opposite Ryan O'Neal, but the two stars just couldn't get on and the project again fell by the wayside. Enter Kevin Costner and his boys at TIG Productions, original choice to star alongside Costner, Maddona, ruined her chance (thankfully) of starring after being a bitch to Costner in her Truth Or Dare documentary. In stepped Whitney Houston (brilliantly diva casting), Costner gave himself a crew cut (in homage to McQueen) and The Bodyguard went on to make $410,900,000 worldwide.
The film now seems like a myth to me because the rating across many forums is on the low side, critics hate it and you will be hard pressed to find macho film fans readily about to own up to liking the picture. That's a shame because as undeniably nonsense as it is, it has got a great thriller heart to blend in with its romantic core. The good ship Bodyguard may dock at all the formula ports in the genres, but it's one hell of a journey getting to the end, even with that song that seemed to top the charts for years! (the soundtrack to the movie selling 17 million in America alone).
In spite of the obviousness of the plot, and the general feeling of familiarity, The Bodyguard has much going for it, things that ensured it became a monster hit and had cinema goers queueing round the block to see it. Houston is something of a revelation, here she nails the diva bitch heart of gold portrayal of Rachel with astonishing ease, and couple that with a voice sent from some deity paradise far away, makes her total value for money. Costner also stepped up to the plate to win a new breed of fans as Farmer, his charm and laid back manner works well with a ruggedness that the male viewers could easily get on side with. The rest of the cast are merely playing second fiddle to the well matched up leads, and outside of Gary Kemp becoming increasingly annoying as the film progresses, they all blend in well to create what is now a sadly undervalued picture.
See it with someone you love, don't just take my word for it, look at the box office take, it doesn't lie. 7/10
The Bodyguard is one of those films that was long in gestation, originally mooted in 1976 to star Steve McQueen (it was written with McQueen in mind in the 60s) and Diana Ross, it was put on the back burner after McQueen fell ill to the cancer that killed him. Then it resurfaced in 1979 with Diana Ross to play opposite Ryan O'Neal, but the two stars just couldn't get on and the project again fell by the wayside. Enter Kevin Costner and his boys at TIG Productions, original choice to star alongside Costner, Maddona, ruined her chance (thankfully) of starring after being a bitch to Costner in her Truth Or Dare documentary. In stepped Whitney Houston (brilliantly diva casting), Costner gave himself a crew cut (in homage to McQueen) and The Bodyguard went on to make $410,900,000 worldwide.
The film now seems like a myth to me because the rating across many forums is on the low side, critics hate it and you will be hard pressed to find macho film fans readily about to own up to liking the picture. That's a shame because as undeniably nonsense as it is, it has got a great thriller heart to blend in with its romantic core. The good ship Bodyguard may dock at all the formula ports in the genres, but it's one hell of a journey getting to the end, even with that song that seemed to top the charts for years! (the soundtrack to the movie selling 17 million in America alone).
In spite of the obviousness of the plot, and the general feeling of familiarity, The Bodyguard has much going for it, things that ensured it became a monster hit and had cinema goers queueing round the block to see it. Houston is something of a revelation, here she nails the diva bitch heart of gold portrayal of Rachel with astonishing ease, and couple that with a voice sent from some deity paradise far away, makes her total value for money. Costner also stepped up to the plate to win a new breed of fans as Farmer, his charm and laid back manner works well with a ruggedness that the male viewers could easily get on side with. The rest of the cast are merely playing second fiddle to the well matched up leads, and outside of Gary Kemp becoming increasingly annoying as the film progresses, they all blend in well to create what is now a sadly undervalued picture.
See it with someone you love, don't just take my word for it, look at the box office take, it doesn't lie. 7/10
The best bad movie ever
The Bodyguard is a movie with many flows and one redeeming factor: the WH factor. People went to see this picture because they wanted to see Whitney singing and she delivered some of her most passionate vocal performances before the mesmerised eyes of her millions of fans on the big screen. Let's face it, who wants to see her acting when she can sing so beautifully?
The unrelenting criticism by couch 'drama experts' of her acting seems a tad over the top. She never claimed to be an actress and despite this being her film debut, she did not disgrace herself. She did the best she could with what she was given: a patchy character with very little to say. What else could she do to play this role? Well, just what she did, sing her heart out.
The best thing that Kevin Costner did was to insist that Whitney was the only one he wanted for this part. He knew he had a winner, but he also tried to do too much with the story: a romantic thriller with patches of 'comedy', a study in professional-personal conflict and 'who done it' thrown in. That's the reason for the plot's erratic turns and the non existent character development. The glue that holds the whole mess together is Whitney, the singer, looking stunning and sounding like an angel.
This could have been a gigantic flop and instead it was a massive hit. It will remain a phenomenon in popular culture because it delivered what the vast majority of its audience wanted: escapism, a couple of hours away from their own reality and a look inside the glamorous life of a superstar. They were entertained by a great pop singer, who had made a huge video clip for her songs and they did not mind paying for the privilege. Those who hate The Bodyguard, went to see it with some unrealistic expectations of 'serious cinema and acting'?! Hey, go to see foreign movies with subtitles for that and come down from your pretentious cloud.
The unrelenting criticism by couch 'drama experts' of her acting seems a tad over the top. She never claimed to be an actress and despite this being her film debut, she did not disgrace herself. She did the best she could with what she was given: a patchy character with very little to say. What else could she do to play this role? Well, just what she did, sing her heart out.
The best thing that Kevin Costner did was to insist that Whitney was the only one he wanted for this part. He knew he had a winner, but he also tried to do too much with the story: a romantic thriller with patches of 'comedy', a study in professional-personal conflict and 'who done it' thrown in. That's the reason for the plot's erratic turns and the non existent character development. The glue that holds the whole mess together is Whitney, the singer, looking stunning and sounding like an angel.
This could have been a gigantic flop and instead it was a massive hit. It will remain a phenomenon in popular culture because it delivered what the vast majority of its audience wanted: escapism, a couple of hours away from their own reality and a look inside the glamorous life of a superstar. They were entertained by a great pop singer, who had made a huge video clip for her songs and they did not mind paying for the privilege. Those who hate The Bodyguard, went to see it with some unrealistic expectations of 'serious cinema and acting'?! Hey, go to see foreign movies with subtitles for that and come down from your pretentious cloud.
Great Saturday Night Movie
Why do people trash this movie? It's not high art but it's thoroughly entertaining. WH's performance in this movie is better than all her others...just watch the scene when she asks Frank Farmer to take her on a date. Natural, unaffected and charming. Kevin Costner underplays his role and I enjoyed watching him. I just bought the anniversary DVD and it has great backstage footage and very interesting tidbits. For example, it was Kevin Costner's idea, against a lot of protest, to have WH sing the first few bars of 'I will Always Love You' acapella. Smart man. And it is interesting to listen to the comments of Costner about this movie. He was a major star but he waited and held up production of this movie a year so he could get WH. He didn't want anyone else and was willing to wait for her. He refused to interject a story line that would 'explain' the Black/White thing (Bravo). And although Black/White pairings are fairly common now, THEN, for a major star to have a real black love interest ( and an untested actress at that) was a bold move. And it paid off. I don't know why he has not been as successful recently. The DVD interviews were done about 2 yrs ago and WH was still drug crazy (so no interviews with her) but Kevin Costner's last words in the interviews are about her and he said, among other things, that he would always love Whitney. Their chemistry was spot on. I WILL ALWAYS LOVE THIS MOVIE.
Really good romantic drama
Despite a few dumb twists, The Bodyguard is a really good romantic drama. Kevin Costner is great in the lead role and Whitney Houston is really good in her debut role and they have good chemistry. It's well paced, well filmed and Mick Jackson's direction is good. The music by Alan Silvestri is really good and the soundtrack is excellent.
Le saviez-vous
- AnecdotesDolly Parton wrote and sang the song "I Will Always Love You". In an interview on Dolly Parton/Rupert Everett/Riz Ahmed/Lolly Adefope/Sara Pascoe/Róisín Murphy (2020), she said that when she was asked to use the song for this movie, she sent it in and forgot about it. Then one day she was driving home from her office when she heard Whitney Houston's version on the radio. She pulled to the side of the road to finish listening to it, because she was blown away by how beautifully the song was done, and by how beautifully Houston sang it.
- GaffesNominees for Best Actor and Best Actress Oscars traditionally sit in the first few rows for the ceremony. When Rachel is announced as Best Actress and stands, she is seated about 20 rows back.
- Citations
Sy Spector: Bill said you used to be with the Secret Service.
Frank: That's right.
Sy Spector: Ever guard the main man?
Frank: I was two years with Carter, four with Reagan.
Sy Spector: Reagan got shot!
Frank: Not on my shift.
- Autres versionsThe BBFC insisted upon a 1 second cut to the UK version, to remove a double earclap, which they view as being easily imitated and very damaging...
- ConnexionsFeatured in Siskel & Ebert & the Movies: Steve Martin (1992)
- Bandes originalesI Have Nothing
Written by David Foster and Linda Thompson
Produced by David Foster
Performed by Whitney Houston
Whitney Houston Appears Courtesy of Arista Records, Inc.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- The Bodyguard
- Lieux de tournage
- Beverly Estate, 1011 North Beverly Drive, Beverly Hills, Californie, États-Unis(Rachel's estate - exteriors)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 25 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 122 046 449 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 16 611 793 $ US
- 29 nov. 1992
- Brut – à l'échelle mondiale
- 411 046 449 $ US
- Durée
- 2h 9m(129 min)
- Mixage
- Rapport de forme
- 1.85 : 1
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