Aux frontières du temps

It's another one of those universes where they drive around so they can find gas so they can -- drive around some more.

No-goodniks take over a town. Mysterious stranger shows up, takes on the no-goodniks. We've seen it all before, in a variety of places, including some bits which seem to be lifted directly from a book series I could name. "Deathriders", yeah, right.

*Lots* of car chases, explosions, crashes, fights; improbable gunplay, improbable futuristic gadgets, improbable dialogue.

I'll hand it to them -- they went to a lot of trouble to set up the "society". They also tried to throw in a bit of thoughtfulness amongst the havoc. And for a virtually unknown movie, the havoc is pretty major -- lots of stunts and pyrotechnics.

It isn't perfectly awful, but this viewer finds it mighty tedious.

I'm not sure why they set these things in a post-Apocalyptic world, as there are obviously already enough ruined buildings to go around (in this case, in the California desert).

Bo Svenson goes through much of the movie looking pained, with good reason. Poor Brion James tries hard, but...

The constant barrage of explosions, gunfire, and cussin' would make this a good choice if you wanted to annoy your next door neighbors late at night.

Back onto the trade stack it goes.

If you take the films, Mad Max, Beyond Thunderdome, and the movie Steel Dawn with Patrick Swayze, you will have a pretty good idea what the film is about. The only problems is, that the film lacks the production values of either, and represent mainly cheap copy of the former two. True, the film has plenty of action, but asks the viewer to suspend belief. No one can shoot a 50 Caliber Machine gun by holding it in his hand - and miss everything to boot, nor can you shoot at a group of people with an automatic weapon and miss the whole bunch. There is also a problem with poor editing, when the school bus flips over, it is easy enough to see the cannon used to do the job. And the lady driving the truck through it is superfluous, since she had more than enough time to stop the truck. If you are interested only in mindless action and violence then the movie is easy enough to watch. But don't expect anything on paar with Thunderdome, or even the somewhat cheap and tacky Steel Dawn.

Honestly this is a fun Road Warrior reinterpretation. Brion James does his best and Bo Svenson has a fairly significant side role. The early car chase scene is pretty damn good! But Joe Lara's long Jesus hair is hilarious and you can tell he's kind of trying to do his best to work around it at times. The action is plentiful and well staged and there are some interesting characters - one who's so interesting you'll want him killed off as soon as he opens his mouth! But all in all quite a satisfying sci-fi action film that's certainly dumb - but they know what they're doing and everyone's having a great time. Highly enjoyable Sunday afternoon action flick.

As other reviewers have noted, this movie is a cross between (i.e. stolen from) stories we have seen before. Specifically, this looks like Clint Eastwood in High Plains Drifter inserted into Mad Max. Remove Clint's cigar, and replace with a cigarette; remove his horse and give him a high-tech motorcycle, and voilà, an updated drifter. In this movie, the "hero" is even more blatantly a "Savior" than High Plains Drifter. Now our hero has long brown hair, suffers a wound to his left side, and his entry into town is preceded by a plea for "salvation" by the surviving townspeople--a pretty transparent reference to a "Second Coming." I watched the movie on a hot, humid morning. Sleep was impossible and upon arising at 4:30 am, there was nothing else on TV. So the movie served its purpose. While unoriginal, with characters that are almost comic caricatures, the movie is still somewhat entertaining...at least at 4:30 in the morning.

I made it about 8 minutes into "Steel Frontier" before I turned it off. Then, glutton for punishment that I am, I watched some more the next day. Today I had to iron a pile of clothes, so I decided to finish the movie, and that was its own punishment. Here's what I don't understand: Robert Rodriguez and Shane Carruth each spent $7,000 on their debut features and created two remarkable movies. Yet here we have two directors with arguably way more money, and they churn out a huge, steaming pile of crap. Let me see if I can figure out the logic: "It's 'Road Warrior' but it's like a future Western. We'll get the cheapest 'actors' we can find, we'll have my mentally challenged cousin write the script, and we'll spend the budget on a bunch of explosions. We can't lose!"

Seriously. I don't think even the MST3K guys could improve this. But if you insist on watching it, I recommend getting very drunk first.