Violet est la maîtresse d'un 'blanchisseur' de la Maffia et Corky une ex-taularde qui retape l'appartement voisin. Dans l'ascenseur, par-dessus l'épaule du maffioso, la blonde peroxydée et l... Tout lireViolet est la maîtresse d'un 'blanchisseur' de la Maffia et Corky une ex-taularde qui retape l'appartement voisin. Dans l'ascenseur, par-dessus l'épaule du maffioso, la blonde peroxydée et la brune musclée se lancent un regard velours. Femmes si fragiles [255]Violet est la maîtresse d'un 'blanchisseur' de la Maffia et Corky une ex-taularde qui retape l'appartement voisin. Dans l'ascenseur, par-dessus l'épaule du maffioso, la blonde peroxydée et la brune musclée se lancent un regard velours. Femmes si fragiles [255]
- Prix
- 8 victoires et 13 nominations au total
John P. Ryan
- Mickey Malnato
- (as John Ryan)
Kevin Michael Richardson
- Cop #2
- (as Kevin M. Richardson)
Histoire
Le saviez-vous
- AnecdotesIn a 2014 interview for Vulture, Jennifer Tilly talked about the sex and nudity in this film, and how filming a sex scene and being naked with another woman was less stressful than with a man. "Actors are always saying, 'Oh, sex scenes are so technical. Everyone's standing around and watching.' It is technical, but there is something about being naked with a member of the opposite sex that you still want them to think that you're hot. There's a reason why people are always having affairs with their leading men. With Gina it was really relaxing, because you could say things to her that you wouldn't say to other people. Like, 'Can you put your hand on my thigh here so my butt doesn't look so big? Can you hold my breast up so it looks more plump and juicy?' You would never, ever say those things to a man. Between takes, I would say, 'Gina, there's a shoe sale at Barneys. If we finish early, we should go over to Barneys and shop for shoes!' So it was surprisingly unsexy, but then when you saw it on screen, I was blown away. Violet and Corky have chemistry. They have it in buckets." She then added "We were a little bit worried because Dino De Laurentiis was a producer, and we were worried that after we finished shooting the scene, they would send it off to Italy and insert some breasts and buttocks shots. The Wachowskis said that was a concern of theirs, too, so they decided to shoot that love scene in one long, continuous shot. They said, 'That way he can't cut into it without it looking really obvious and intrusive. So the day we were supposed to shoot the love scene, it was a closed set. But there were monitors in the hallway, and everybody was clustered around the monitors watching. So the Wachowskis put the camera on a crane, and there were all these elements that they wanted to capture. They wanted to start out on a safe and get the side of my back, and they wanted to pan down to the toes, and they would be yelling through a megaphone, telling us what different parts were onscreen. They would yell, 'Toes!' and Gina would curl her toes like she was about to come. Then they would say, 'Hand!' and my hand was on her crotch, and I would kind of move my fingers a little bit. And then they would say, 'Face!' and it would be on Gina's face, and Gina would 'come.' So it was very, very technical, and we did eight takes."
- GaffesWhen Corky kicks the gun out of Caesar's hand, she is wearing socks, having removed her paint-stained boots. But as she follows through with the kick, she is wearing boots.
- Autres versionsThe Criterion 4K Ultra HD release changes the credits of the Wachowskis to remove any references to their deadnames.
- ConnexionsEdited into The Matrix Revisited (2001)
- Bandes originales(Chicago Is) My Kind of Town
Written by Jimmy Van Heusen and lyrics by Sammy Cahn
Sung by Jennifer Tilly and Gina Gershon
Commentaire en vedette
Bound is a sexy, stylish and suspenseful modern visitation to the film noir genre that emerged in the 1940s and 1950s. Right from the outset - where the letters of the film's name cast deep dark shadows like high-rise buildings - the viewer is inducted into a world where duplicity is the norm and where choices made
result in prices being paid. And with over $2 million of Mob money at stake, the risk to life and limb is very high indeed. Violet is a latter-day gangster's moll looking for a way out of 'the business'. Her chance comes when her boyfriend, Ceasar, brings home a fortune in cash to be
sorted and collated before being passed on to the Chicago Mafia. She seduces
the tough-talking ex-con who is renovating the next-door apartment (an
impressively butch Gina Gershon) and together they scheme to relieve the Mob
of the money. But when Ceasar doesn't react according to plan, suddenly there are dead bodies to deal with and events begin to spiral out of control. The
women's trust in each other is stretched to breaking point as they are drawn into a deadly battle of wits. Directors Larry and Andy Wachowski make judicious use of the conventions of
film noir, such as extensive chiaroscuro, and some imaginative and
uncomfortable extreme close-up shots. The clever cinematography is backed up
by a tension-laden script and an excellent cast (particularly Joe Pantoliano as the increasingly frenzied Ceasar). Although Bound may take some viewers out
of their comfort zone with its graphic lesbian sex scene (which I LOVE!) and
depiction of Mob torture tactics, it is a film that will reward its audience with a stylish and intelligent foray into the eternally murky confluence of good and evil.
result in prices being paid. And with over $2 million of Mob money at stake, the risk to life and limb is very high indeed. Violet is a latter-day gangster's moll looking for a way out of 'the business'. Her chance comes when her boyfriend, Ceasar, brings home a fortune in cash to be
sorted and collated before being passed on to the Chicago Mafia. She seduces
the tough-talking ex-con who is renovating the next-door apartment (an
impressively butch Gina Gershon) and together they scheme to relieve the Mob
of the money. But when Ceasar doesn't react according to plan, suddenly there are dead bodies to deal with and events begin to spiral out of control. The
women's trust in each other is stretched to breaking point as they are drawn into a deadly battle of wits. Directors Larry and Andy Wachowski make judicious use of the conventions of
film noir, such as extensive chiaroscuro, and some imaginative and
uncomfortable extreme close-up shots. The clever cinematography is backed up
by a tension-laden script and an excellent cast (particularly Joe Pantoliano as the increasingly frenzied Ceasar). Although Bound may take some viewers out
of their comfort zone with its graphic lesbian sex scene (which I LOVE!) and
depiction of Mob torture tactics, it is a film that will reward its audience with a stylish and intelligent foray into the eternally murky confluence of good and evil.
- junecatpower
- 3 sept. 2004
- Lien permanent
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
Détails
Box-office
- Budget
- 4 500 000 $ US (estimation)
- Brut – États-Unis et Canada
- 3 802 260 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 900 902 $ US
- 6 oct. 1996
- Brut – à l'échelle mondiale
- 3 802 260 $ US
- Durée1 heure 49 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
What is the streaming release date of Liaisons interdites (1996) in Canada?
Répondre