ÉVALUATION IMDb
7,1/10
8,2 k
MA NOTE
Lorsqu'une femme heureuse en mariage découvre une lettre d'amour écrite par son mari à une inconnue, elle fait appel à sa famille dysfonctionnelle pour découvrir la vérité.Lorsqu'une femme heureuse en mariage découvre une lettre d'amour écrite par son mari à une inconnue, elle fait appel à sa famille dysfonctionnelle pour découvrir la vérité.Lorsqu'une femme heureuse en mariage découvre une lettre d'amour écrite par son mari à une inconnue, elle fait appel à sa famille dysfonctionnelle pour découvrir la vérité.
- Prix
- 7 victoires et 3 nominations au total
Avis en vedette
Wonderful film about love and betrayal. Amazing cast that provides laughs in all of the right places. Anne Meara was incredible as the mother and Parker Posey was hilarious as usual. I was intrigued from the beginning to the end and highly recommend The Daytrippers.
Before the shockingly good teen comedy "Superbad" and the wistful, sentimental post-collegiate angst of "Adventureland", even before his now famous TV work, director Greg Mottola made this 1996 gem "The Daytrippers". The film, like Mottola's other films, works a familiar and unpromising premise into a genuine, heartfelt, wonderful observation on human behavior. The film, while rougher around the edges technically and as a script than either "Superbad" (written by Seth Rogen and Evan Goldberg) and "Adventureland" (written by Mottola himself, as "The Daytrippers" is), is yet another distinctive and memorable Mottola film. The plot is pretty much covered by the film's tagline: "One station wagon. Two generations. Three couples. Four relationships", but much like Mottola's other films ("Superbad": Two best friends and a nerdy semi-friend attempt to get laid before graduation. "Adventureland": college grad works at amusement park and falls in love) the plot doesn't really give any indication of how good the film is. Great script overall by Mottola with terrific characterization and dialogue which rings true, not to mention mature handling of the relationships as well as a good dose of humor. An excellent cast (at their best too, Mottola's great work with actors on display yet again) including Stanley Tucci, Hope Davis, Liev Schrieber, and Parker Posey bring the script to life well, and Mottola's storytelling skills and comic timing as director are, even this early in his career, excellent. Not as good as his later work, but Mottola shows great promise with this early film. Cannot wait for "Paul", which promises to be absolutely brilliant if his career follows the path it's on (getting better with every film).
Daytrippers is a progressive drama about a family that takes an adventure into New York City after Eliza (Hope Davis) discovers a love letter that may uncover an affair between her husband and somebody named Sandy. Anne Meara does a good job as the typical East Coast, controlling mother. The indie-film queen Parker Posey plays Eliza's little sister whose boyfriend Carl, played by Liev Schreiber, is an exaggeration of the young, snobbish, know-it-all author. The family is hardly functional which makes this film particularly honest.
The key to Daytrippers is not the plot, which never fails to keep you watching, but the dialogue and the situations. Pay close attention to the characters that the family meets in the city. They all embody some kind of contradictions that make you think a little bit. Look for the scene where Marc Grapey begins describing his sexual exploits by condemning such practices.
If you are looking for a drama that provokes you, this is one of them. There are no happy endings and none of the issues raised are resolved. Fans of Parker Posey will especially enjoy her performance in this one.
The key to Daytrippers is not the plot, which never fails to keep you watching, but the dialogue and the situations. Pay close attention to the characters that the family meets in the city. They all embody some kind of contradictions that make you think a little bit. Look for the scene where Marc Grapey begins describing his sexual exploits by condemning such practices.
If you are looking for a drama that provokes you, this is one of them. There are no happy endings and none of the issues raised are resolved. Fans of Parker Posey will especially enjoy her performance in this one.
Great dark comedy. Excellent cast. Very funny. Held my interest. Being from Long Island N.Y. love the authentic surroundings and personalities of the characters. If you like John Cassavettes's films upu will enjoy this film.
... a believably bickering family, portrayed by skilled actors, w/some wonderful ham stuff by Anne Meara and Parker Posey, and more subtle stuff from Hope Davis and Liev Schreiber. The story had a distinctly voyeuristic feel, as if the screenwriter was exorcising some history and making it more entertaining, often hilarious (and interesting?) than a painful history he may have lived through. A cinema verite re-creation by world class skilled actors. As the family's lives unravel, driving around in a freezing cold NYC winter evening, there is a quiet lingering shot of the World Trade Center that is unintentionally haunting, and gives the film (made in 1996) an unintended resonance.
Le saviez-vous
- AnecdotesFilmed in 17 days on a $50,000 budget.
- GaffesAndrew Marvell is mentioned as a contemporary of Shakespeare, but he wasn't born until five years after the Bard of Avon died.
- Citations
Eliza D'Amico: Maybe she's desperately in love with him.
Rita Malone: Don't be ridiculous. Nobody's desperately in love.
- Bandes originalesSambolero
Written by Luiz Bonfa
Performined by Los Islenos
Published by Edicoes Euterpe Ltda./Duchess Music Corp.(BMI)
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
- How long is The Daytrippers?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- The Daytrippers
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 2 099 677 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 35 988 $ US
- 9 mars 1997
- Brut – à l'échelle mondiale
- 2 099 677 $ US
- Durée
- 1h 27m(87 min)
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant