ÉVALUATION IMDb
5,7/10
15 k
MA NOTE
Un ange vient sur Terre pour aider un prédicateur à sauver son église et sa famille.Un ange vient sur Terre pour aider un prédicateur à sauver son église et sa famille.Un ange vient sur Terre pour aider un prédicateur à sauver son église et sa famille.
- Nommé pour 1 oscar
- 4 victoires et 7 nominations au total
Avis en vedette
I saw this when it was in the theaters. I basically loved it mainly for its music and Jennifer Lewis' (Julia's mother) performance, but also I loved the opening and closing (climax) scenes. I'm basically a sucker for that kind of thing, and I understand how other people wouldn't find it interesting. I just saw the movie (The Bishop's Wife) which it was based on and finally feel qualified to comment. TPW was not just a remake of TBW, but more of a combination of TBW and "It's a Wonderful Life." Henry in TPW was the character of Jimmy Stewart in IWL, always caring for the underdog (altho very cynical to the angel's angelhood); Joe Hamilton in TPW was "Mr Potter" of the same, with his schemes to redevelop and control the town. I actually found it charming the way elements of TBW found themselves woven into TPW: the ice skating scene, the typewriter-turned-PC, the final sermon, to name a few. But I did realize that the message had been diluted into a feel-good comedy. There are no moments where one feels deeply moved merely by dialogue, such as TBW's Dudley's story of David and the Lion, which captivates the Bishop's entire household, down to the all-business secretary (not to mention the audience!). In TPW, we are made to be moved by the beautiful music; and as such, I guess we might as well just buy the soundtrack. TBW reminded me that special effects are only as good as the movie itself.
You have to wonder why some folks out in Hollywood try to remake that which was done so very well the first time. You can just see them sitting around the conference table talking about adding color and, oh, yeah, lets make the characters black! It would be OK if they really tried to do it better. But they are really just trying to cash in.
Such is the case with "The Preacher's Wife". A modernized color version of the Cary Grant vehicle, "The Bishop's Wife", the insertion of even this excellent black cast does nothing to enhance the story.
Denzel never seems to capture the sly charm of Dudley, the angel sent to help the Preacher. Now we know Denzel can be a charmer, but even he cannot deliver through this tired direction and uninspired script. Nothing really works in the movie (unless, perhaps, you never saw the original), the Preacher is not sympathetic enough, Whitney isn't at full strength as the title character, and even Gregory Hines can't seem to make the villain seem like much of a baddie.
A thorough waste of time and celluloid!
Such is the case with "The Preacher's Wife". A modernized color version of the Cary Grant vehicle, "The Bishop's Wife", the insertion of even this excellent black cast does nothing to enhance the story.
Denzel never seems to capture the sly charm of Dudley, the angel sent to help the Preacher. Now we know Denzel can be a charmer, but even he cannot deliver through this tired direction and uninspired script. Nothing really works in the movie (unless, perhaps, you never saw the original), the Preacher is not sympathetic enough, Whitney isn't at full strength as the title character, and even Gregory Hines can't seem to make the villain seem like much of a baddie.
A thorough waste of time and celluloid!
Okay, The Bishop's Wife with Cary Grant and David Niven remains a brilliant Christmas movie. But I must admit that its remake, The Preacher's Wife, isn't bad at all. As a vehicle for the singing talents of Whitney Houston it surely succeeds and I think the gospel setting is a great idea as well. Denzel Washington is charming as angel Dudley, Whitey does a great job as a disappointed wife (and sings wonderfully) and Courtney B. Vance is very convincing as a preacher who has lost hope.
Strangely there were not a lot of things copied from the original black and white movie. It looks like the people behind The Preacher's Wife only took the basic idea of the original movie and then made up its own story. I think the lack of commercial success is due to the fact that movies about angels don't fit in these cynical times anymore. With James Stewart, Frank Sinatra and Cary Grant in a black and white production you could get away with it. But in these modern days? I doubt it.
The Preacher's Wife is no classic, but it's a nice movie when you want to watch a (musical) Christmas film during the holidays.
Strangely there were not a lot of things copied from the original black and white movie. It looks like the people behind The Preacher's Wife only took the basic idea of the original movie and then made up its own story. I think the lack of commercial success is due to the fact that movies about angels don't fit in these cynical times anymore. With James Stewart, Frank Sinatra and Cary Grant in a black and white production you could get away with it. But in these modern days? I doubt it.
The Preacher's Wife is no classic, but it's a nice movie when you want to watch a (musical) Christmas film during the holidays.
The Preacher's Wife is food film that your whole family can enjoy at christmas time. I remember seeing this film six years ago and loving it.This was Denzel's and Whitney's first foray into family territory and both actors succeed. The two have great chemistry together and the choir scenes really get your fingers snapping. Justin Pierre Edmond who played Jeremiah was also good in his first role hope we see more of him.
A completely ignored and under-rated life-affirming tale that never did really find an audience when released in late 1996. "The Preacher's Wife" is a remake of the "The Bishop's Wife" (a golden-age Hollywood experience from 1947 that starred Cary Grant) that works due to Denzel Washington's charming performance. Washington is an angel from Heaven who is sent to Earth to help a struggling inner-city reverend (Courtney B. Vance). Vance's church is about to fall under the hands of land developer Gregory Hines and his marriage to choir leader Whitney Houston also seems to be on the rocks. Can Washington change everyone's life for the better or will he just make matters worse? Nice direction by Penny Marshall (a film-maker who just cannot seem to get the respect she deserves) and the appealing pairing of Washington and Houston make "The Preacher's Wife" one of the better family-oriented productions of the 1990s. 4 stars out of 5.
Le saviez-vous
- AnecdotesIn 2009, Whitney Houston revealed on The Oprah Winfrey Show (1986) that by the time The Preacher's Wife (1996) started shooting, her cocaine and marijuana habits had gotten so bad that there was never a day while filming the movie on which she had not done some drugs.
- Citations
Jeremiah Biggs: Just because you can't see the air doesn't keep you from breathing. And just because you can't see God doesn't keep you from believing.
- Bandes originalesI Believe In You And Me
(main theme from The Preacher's Wife)
Written by David Wolfert and Sandy Linzer
Performed by Whitney Houston
Courtesy by Arista Records
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- La femme du prédicateur
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 40 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 48 102 795 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 7 649 752 $ US
- 15 déc. 1996
- Brut – à l'échelle mondiale
- 48 102 795 $ US
- Durée
- 2h 3m(123 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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