Thesis

Tesis is a film about a film student writing an assignment on violence on film, which is appropriate because Tesis is itself, an assignment written by Alejandro Amenábar on violence and the state of the Spanish film industry. Amenábar has packed the film with nods towards the industry, and the reasons why it isn't working and this ties in excellently with the central theme of violence. The director professes that Spain's film industry will not be a success until it gives the people what it wants - and that theory in it's purest form is snuff films. Snuff films don't have any production values and exist purely to please their audience on an aesthetic level - and the snuff industry in this film is in a boom period! The idea of violence and why we find it is fascinating has made the base for many films, and it serves this one excellently too. The scene at the start sums all up; we open in a train station where someone has committed suicide. The station guards are trying to ensure that nobody sees the horror, and yet there's scores of people surrounding the tracks and Amenábar makes sure that even you - the viewer - want to survey the horror for yourself.

I don't know how successful Tesis was in it's native Spain, but it's certainly one of the best films to come out of the country in recent memory, and a lot of the reason for that is that the director has heeded his own advice and given the audience what they want. Rather than try and be deep and complex like many other foreign films, Tesis is a straight thriller, not unlike what would come out of America's thriving industry, and the fact that Amenábar has knowingly accepted what his film is and hasn't tried to make it any more than that does it no end of favours. The film follows a relaxed pace, and the basic structure follows a mystery, which is being unravelled by two students; Angela, the one doing the thesis and Chema; someone she met because of his infamous love for violent films. The way that Amenábar keeps the film flowing steadily ensures that we are really able to get into the mystery, and this makes the film far more thrilling overall. The film is about snuff films, but it shouldn't be mistaken for one itself. The focus is often kept away from violence, and the director only shows us just enough of the snuff to whet our appetites.

The film's main point is to show us the mystery, but the characters are never made to take a backseat. The two central figures are given time to grow as people so that we can really get to know them, and even feel for them. In many thrillers, the characters and the mystery can't be weighed up evenly; but despite the fact that he's only a young filmmaker, Amenábar has shown his brilliance by doing it to perfection. The characters actually compliment the mystery, in fact, because at times it flows because of who the characters are. This really allows the film to become compelling, and this is also where most of the true greatness lies. The characters are brought to life by a great cast of young actors. The beautiful Ana Torrent takes the lead role, and is joined by débutant Fele Martínez, who plays her opposite number. These two have an awkward chemistry, and this is capitalised on brilliantly. The third lead is played by Eduardo Noriega, who would go on to make a splash in Amenábar's Open Your Eyes a year later.

Tesis doesn't get mentioned all that often in discussions about great horror/thrillers - and I really have no idea why. This is a first rate film, and really shows its cast and director's talent. The Spanish film industry may be on the decline - but it wont be if they can pump out a few more films like this one!

A promising director: it's what I thought after the screening of Amenabar's first feature. There is a compelling story told with bright creative ideas.

Eventually I felt the first part of the movie was really great and the following went a little under. Sure, it is more difficult to bring all sorts of things together after you built up an exciting suspense. Still you don't feel bored once you are getting to know what it is really all about, but you got more free 'RAM space' to think it over. Perhaps accelerating the rhythm would have kept Tesis on the same high level of suspense. Perhaps it would have been a mistake to change the pace.

Among things you can take away with you is the background theme about our attraction for the morbid. It opens and closes the movie and really gives it one further dimension - one could say it's a bit didactical but it's a least flaw for a first major effort.

Next step Senor Amenabar: a little less personal work (as compared with the experimental Abre los ojos) but still something personal (The Others is the least interesting work so far).

"Tesis" is not only a tantalizing Horror Thriller, but is also an intelligent study of people's fascination with death and the imagery of death. Several movies about the topic of snuff films have come up in the last several years (8 MM, for example), this one is definitely the best.

Angela is a young woman who is writing a thesis on violence in the media, in order to get her degree in communication science. Doing research, she gets to know Chema, a fellow student who is obsessed with violent movies. Angela finds a snuff video of a girl tortured to death, Chema recognizes the girl as a former student from their school, who disappeared several years ago. Angela and Chema get themselves into great danger, trying to find out who killed the girl.

Thrilling from the first to the last minute, and sometimes quite shocking and disturbing, "Tesis" is a movie that will definitely not disappoint you if you're looking for suspense. But not only is the movie thrilling and entertaining it also makes some very interesting points in the questions why people are fascinated with death and violence, what the effects of fascination with violence are and how media are dealing with it. I'll never forget the beginning of the movie, when a suicide occurs in the Madrid subway and Angela, although she doesn't want to be 'fascinated with violence', can't help but try to get a look at the dead body.

The acting in the movie is very good, specially Ana Torrent as Angela and Fele Martínez as Chema. A good cinematography supports the suspense and the thrilling atmosphere. Alejandro Amenábar did a great job writing and directing this movie, one of the most thrilling of the 90's. A great horror thriller, researching people's fascination with violence and death, 'Tesis' is disturbing, terrifying and intelligent! 8 out of 10!

In Spain, Ángela Márquez (Ana Torrent) is a student of cinema preparing her thesis about the violence in the media. She approaches to the strange student of an another class, Chema (Fele Martínez), who is fan and has a collection of violent movies, to improve her research about this theme. She is receiving orientation of Prof. Figueroa (Miguel Picazo), who finds a `snuff' movie in the library of the university, showing the death of another student, Vanessa, violently killed by a man. While watching this film, Prof. Figueroa dies, and the new professor assigned to give orientation to Ángela, Jorge Castro (Xabier Elorriaga), questions many points in her thesis, inclusive the achievement of information. Meanwhile, Ángela is introduced to Bosco Herranz (Eduardo Noriega), a handsome and nice student of the university, and she suspects he made the violent movie and killed Vanessa. The plot is only resolved in the end of the film. The first film directed by Alejandro Almenábar that I watched was `Abre Los Ojos'. This masterpiece is very unknown here in Brazil. `Abre Los Ojos' is only available on VHS, and it certainly is in my list of the best thirty favorite movies. The common viewers only know the sophisticated and spoiled Hollywood version `Vanilla Sky'. The pretentious, wealthy and ham actor Tom Cruise impaired one of the most original screenplays ever made. Then I watched the marvelous `The Others'. Last month, his first movie, `Thesis', was released on DVD in Brazil. Yesterday I saw this magnificent low budget thriller. A very simple and realistic story, which keeps the viewer in tension until the last scene. There is no clichés, the performance of the cast is very credible, and it is impossible not to like this film. I did not know the meaning of `snuff' films. Based on these three foregoing mentioned movies, I dare to say that Alejandro Almenábar is the best new director of thrillers arose in the 90s. My vote is nine.

Title (Brazil): `Thesis - Morte Ao Vivo' (`Thesis - Death Live')

This film is an efficient thriller from Spain. It deals with the popular urban legend of "snuff" films (films which depict a real-life murder committed purely for the sake of the film).

The plot involves a young film student Angela (Ana Terrant) who is doing a thesis on cinematic violence. To research her thesis she seeks out the most extreme violence films she can find and accidentally stumbles upon a snuff film depicting the torture and murder of a fellow student from her university. She soon starts investigating the film.

The film is well-made and well-acted with several effective scares and twists. It's main message is that the people who watch violent films are in some way accomplices to the violent acts that they watch. This is an old point that has been made several times before. It also deals with the attraction of the forbidden. For example, in the opening scene, Angela goes to see a dead body on a railway track, partly because she has been told not to. Just when she, and the audience, are about to see the body she is stopped. In another scene, Angela is looking away from the snuff film but takes a quick look when she is told not to.