Décroche les étoiles

Will start with what did not like from what is visible at IMDB: the title - sounds pretentious. Poster - why Marisa's hair is black ?

Started with showing bad relation with about 20 y. daughter, and by me not that realistic dialog in it. Things gone better and more interesting when loud-mouth neighbor mother came in her life, with her son and marriage problems. While relation with young boy was presented well, and there was developing shown, it missed completely with other and close people. So, we don't have clue why was it bad with her daughter - well, did they think that it is enough that at one point Mildred said that she is good with young children and bad with those older ones ?

I hated that drunk bar scene, especially that goat laughing. Actually, sound was overall pretty bad quality and often irritating.

Whole romance with truck driver seemed very unlikely. Really not sure who to blame more: script or direction. Actors did great job considering given dialogs and direction. And that's for sure best part. Marisa managed to keep it on decent level, even if there was way too much f* word and all kind of trashy talk. Did not see much of comedy in this.

The ending was really weak, better said last 20 minutes. Although it was clearly shown where she will move, but all it was somehow bland and stiff. No wonder that many reviewers asking here where she headed at the end. Well, to the stars, I guess. Or was it alligators ? :-)))

"Unhook the Stars" is all about Rowlands who plays a middle aged widow with grown kids who wakes up one day to find herself no longer needed as a wife and mother. An uneventful and even character study which builds enough interest in the Rowlands character to make it not too difficult to overlook her supporting cast who play obvious stereotypes, "Unhook..." is a flick with no punchline which plays like a meal with no dessert. The entertainment is in the ride, not the destination. A good slice of mature life flick worth a look.

UNHOOK THE STARS (1996) ***1/2 Gena Rowlands, Marisa Tomei, Gerard Depardeau, Jake Lloyd, Moira Kelly, David Sherrill, Bridgitte Wilson, David Thornton, Clint Howard. Excellent acting by Rowlands and Tomei as a widower and a troubled neighbor, respectively, who become friends after the latter asks the former to babysit her quiet, yet bright boy (Lloyd in a remarkable debut that eschews cuteness for real depth, no easy task for a five year old; Lloyd later was cast as the young Darth Vader in the Star Wars prequel!). Emotionally satisfying thanks to an even-handed directorial debut by Rowlands' son Nick Cassavettes(the late auteur John's prodigy), who co-wrote the well-written scrip with Helen Cladwell. Guaranteed to have you laughing and crying; dare you not to get a lump in your throat by the film's poignant ending between Lloyd and Rowlands. Nice job by all around! ** Personal note: I relate this film to my own upbringing between my mother and grandmother.

Two very different women, one a demure, middle-aged woman with an over-bearing son and a rebellious daughter; the other, an "in -your-face" young woman. They are neighbors and find a need for each other in a very human way. Depardieu is the fellow who makes a difference in Rowland's life -we never know how much. I wish more had been made of the relationship between Rowland and her daughter. It never becomes clear what their problem really is, and nothing is really resolved. Another exit to the airport ending leaving the viewer with many questions unanswered -very annoying, but overall a good film.

The story of an older woman who realizes that she has a life to live. I rented this from Blockbuster ages ago not knowing what to expect, and to be honest it's about what I expected. Lots of interpersonal clichés regarding how to live your own life and not be someone else's slave. It was in the comedy section, or so I recall, so I took a chance on it.

It's mildly amusing, and actually somewhat revealing about parents' attitudes towards their offspring, and also some hard truths about humanity and how we codify our basic desires to try and put some stability on ourselves, but then wind up causing more problems in the long run.

I can't remember too much more. Not a film I'd recommend for males nor even the family. Still, it was interesting for what it is.