Ajouter une intrigue dans votre langueA recovering alcoholic must wrestle with demons within and without when he and his family move into a haunted hotel as caretakers.A recovering alcoholic must wrestle with demons within and without when he and his family move into a haunted hotel as caretakers.A recovering alcoholic must wrestle with demons within and without when he and his family move into a haunted hotel as caretakers.
- A remporté 2 prix Primetime Emmy
- 15 victoires et 10 nominations au total
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It's not Kubrick. But is is King.
Didn't hate it, but watched both this and the Kubrick version after reading the book.
Firstly, this is a TV show and not a movie - so lower your expectations slightly and enjoy it for what it is.
No doubt about it, this is a good version of King's vision. Love it or hate it, it's pretty faithful and I gotta say that you needn't overanalyse this to see that Steven Weber and Rebecca de Mornay did a good job playing the very average Torrance spouses, come on, give Weber some credit - those are some ridiculous shoes to fill after Jack Nicholson.
Danny was a miscast for me, but then again so was the kid in the Kubrick version.
So this doesn't get all the stars, but it does get some credit for leaning into the source material and busting a gut to 'rectify' (at least for Stephen King) the many omitted moments from the book in Kubrick's version... which is of course, in a different league.
We all know that - so haters, chill out and enjoy the fact that there are two versions of the story and there's no undoing that.
Firstly, this is a TV show and not a movie - so lower your expectations slightly and enjoy it for what it is.
No doubt about it, this is a good version of King's vision. Love it or hate it, it's pretty faithful and I gotta say that you needn't overanalyse this to see that Steven Weber and Rebecca de Mornay did a good job playing the very average Torrance spouses, come on, give Weber some credit - those are some ridiculous shoes to fill after Jack Nicholson.
Danny was a miscast for me, but then again so was the kid in the Kubrick version.
So this doesn't get all the stars, but it does get some credit for leaning into the source material and busting a gut to 'rectify' (at least for Stephen King) the many omitted moments from the book in Kubrick's version... which is of course, in a different league.
We all know that - so haters, chill out and enjoy the fact that there are two versions of the story and there's no undoing that.
Are you going to hurt me, daddy?
While Kubrick's "The Shining" is just based on the famous King's novel, the 1997 adaptation is much more faithful to the source material, as King himself adapted the story for television. Kubrick's version is an objectively better film, but essentially these two movies are not quite comparable, because their approach to the story, techniques and intentions are pretty much different. While Kubrick's film is more a psychological horror drama, mini-series directed by Mick Garris is a typical supernatural horror with an atmosphere distinctive of these two legends of the genre.
Although no one can feign madness as Jack Nicholson (if he fakes it at all), and the fear of Shelley Duvall creeps chills to the bone, the cast is okay for such a TV movie, and it is composed of recognizable and dear faces who gave quite decent performances. Rebecca De Mornay is a sight for sore eyes, Steven Weber is not nearly as intimidating as Nicholson, but his madness is convincing enough, and although it took me some time to get used to the unusual appearance of little Courtland Mead, his performance in some scenes is really striking.
The mini-series consists of three parts for a total of four and a half hours. The first part is a bit slow, which is typical for King, who likes to introduce us to the characters and their backgrounds, and to wait for us to develop a closeness to them, before he leisurely leads us into the main story. In the second part, tension gradually increases and what seemed to be a family drama slowly transforms into supernatural horror, with jump-scares and... visual effects. And I think that is exactly where the biggest drawback of this film lies. What had the potential to be a great psychological horror drama, by decently done (except for the scenes with topiaries, which are an unforgivable failure) but totally unnecessary effects, has been transformed into something similar to the B horrors of the eighties, and for that genre, which is more often ridiculous than terrifying, over four hours is definitely too much, the tension is lost and the whole thing becomes quite unconvincing and even boring. The third part is probably the best done, both visually and story-wise, but it is spoiled by inappropriate and somewhat pathetic ending, that is better suited to melodrama than horror. Not to be perceived as a nag, I just want to praise really extraordinary sound and music.
Although I preferred this version of the story itself over Kubrick's, the movie is terribly over-stretched and the atmosphere is, although I admit that it kept me on the edge of the chair on several occasions, too frivolous to leave an impression that could compete with the Kubrick's masterpiece.
7/10
Although no one can feign madness as Jack Nicholson (if he fakes it at all), and the fear of Shelley Duvall creeps chills to the bone, the cast is okay for such a TV movie, and it is composed of recognizable and dear faces who gave quite decent performances. Rebecca De Mornay is a sight for sore eyes, Steven Weber is not nearly as intimidating as Nicholson, but his madness is convincing enough, and although it took me some time to get used to the unusual appearance of little Courtland Mead, his performance in some scenes is really striking.
The mini-series consists of three parts for a total of four and a half hours. The first part is a bit slow, which is typical for King, who likes to introduce us to the characters and their backgrounds, and to wait for us to develop a closeness to them, before he leisurely leads us into the main story. In the second part, tension gradually increases and what seemed to be a family drama slowly transforms into supernatural horror, with jump-scares and... visual effects. And I think that is exactly where the biggest drawback of this film lies. What had the potential to be a great psychological horror drama, by decently done (except for the scenes with topiaries, which are an unforgivable failure) but totally unnecessary effects, has been transformed into something similar to the B horrors of the eighties, and for that genre, which is more often ridiculous than terrifying, over four hours is definitely too much, the tension is lost and the whole thing becomes quite unconvincing and even boring. The third part is probably the best done, both visually and story-wise, but it is spoiled by inappropriate and somewhat pathetic ending, that is better suited to melodrama than horror. Not to be perceived as a nag, I just want to praise really extraordinary sound and music.
Although I preferred this version of the story itself over Kubrick's, the movie is terribly over-stretched and the atmosphere is, although I admit that it kept me on the edge of the chair on several occasions, too frivolous to leave an impression that could compete with the Kubrick's masterpiece.
7/10
The works of Stephen King: Mick Garris' The Shining.
The Shining (1997) was a Stephen King/ Mick Garris collaboration. Stephen King was dissatisfied with the way Stanley Kubrick adapted his novel for the silver screen. He only retained the bare minimum of the book when he directed the film Several years later, Stephen King jumped at the chance to adapt his novel as a mini-series. The people at A.B.C. let him get away with as much as he could during the production of this series. The results are a more entertaining film that follow's more closely to the source material. But this film is either a love it or hate it kind. People will hate it because they fell in love with the theatrical production or they'll love it because it's almost like the original novel.
What I liked about the mini-series is the way the characters are portrayed in the novel. The father (Steven Weber) is more of a likable character, the kid (Courtland Mead) this time around is a much better actor, the mother's (Rebecca De Mornay) character is better written (and hotter too). The biggest improvement is the character of Dick Halloran (Melvin Van Peebles). His character from the book was sorely missing in the theatrical version. Even though the mini-series wasn't a technical masterpiece of film maker, I enjoyed it more.
Highly recommended for fans of the novel.
What I liked about the mini-series is the way the characters are portrayed in the novel. The father (Steven Weber) is more of a likable character, the kid (Courtland Mead) this time around is a much better actor, the mother's (Rebecca De Mornay) character is better written (and hotter too). The biggest improvement is the character of Dick Halloran (Melvin Van Peebles). His character from the book was sorely missing in the theatrical version. Even though the mini-series wasn't a technical masterpiece of film maker, I enjoyed it more.
Highly recommended for fans of the novel.
A solid mini-series with its ups and downs
When I first saw this mini-series I thought it, despite being more faithful than Kubrick's film, was pointless and nowhere near as atmospheric. Watching it again, I think I was being unfair. I do consider Kubrick's film the superior and more atmospheric film overall(I shall never forget the Here Comes Johnny and Woman in the Bathtub scenes), but aside from being much more faithful to the book, which is excellent by the way but as far as King's works go I prefer It and The Stand, there are improvements made here. Jack's transformation is much more subtle, and his and Wendy's relationship is explored much further here. Rebecca DeMornay also is a far better female lead in my opinion, and Steven Weber brings a more human touch while being quite frightening too. The mini-series does look good, the photography and production values are fine, the sound and music are atmospheric, the story is compelling and the dialogue is mostly good. My complaints however are the overlong length, some of the CGI effects which were sometimes unnecessary and the pace is occasionally a little dull. Overall, it is a solid mini-series and much better the second time of viewing. 7/10 Bethany Cox
If you've read the book this follows it more than Stanley's version.
Not great in the production department because it was made for tv and the acting is ok. But it follows the book way more than the popular Kubrick version and I appreciate that. King had a huge part in making this version and it shows. It was a little slow at times but overall I enjoyed it.
Le saviez-vous
- AnecdotesStephen King: Author plays Gage Creed, the band conductor. Gage Creed is also the name of the 2-year-old boy played by Miko Hughes in Cimetière vivant (1989), also based on a book written by King. King also had a cameo in Pet Sematary.
- GaffesReflected in the Overlook's main doors, behind Watson.
- Citations
[Addressing the Overlook Hotel]
Dick Hallorann: Hello, you old bitch. You're just as ugly in wintertime as you are in summertime.
- Autres versionsDVD contains 11 deleted scenes:
- Danny at the doctor's office; they briefly discuss Tony.
- Brief scene with Danny and Jack conversing.
- A brief scene where the Torrences step outside the hotel and observe that they are snowed in.
- A scene which originally occurred after the "217 lady" scene. Jack says that Wendy and Danny can leave the hotel ASAP and that he will stay. He also shows Wendy the lipstick he found, and describes how he believes Danny's strangle wounds were self-inflicted.
- A fireside chat between Wendy and Danny, in which he tells her that he hears the ghosts in the hotel, talking, laughing, and screaming.
- Two scenes which originally occurred after Jack is locked inside the vault. Wendy leaves Danny to get some food, and Danny tells her that he called to Dick. Then a scene in which Wendy returns and Danny says that Dick may not have heard him.
- A brief scene showing Grady releasing Jack from the vault, and Jack exiting and grabbing the mallet.
- A brief scene in which Danny encounters a female ghost, and he tells her he isn't afraid of her, that only his father can hurt him now. The ghost vanishes, and Jack then appears to "punish" him.
- A climatic ballroom scene in which the "party guests" and the orchestra all melt in gruesome fashion.
- An outtake featuring orchestra conductor Gage Creed (played by Stephen King) melting in gruesome fashion.
- ConnexionsFeatured in The 49th Annual Primetime Emmy Awards (1997)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Stephen King's The Shining
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 31m(91 min)
- Couleur
- Mixage
- Rapport de forme
- 1.33 : 1
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