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Pouvoir d'exécuter

Titre original : Absolute Power
  • 1997
  • PG
  • 2h 1m
ÉVALUATION IMDb
6,7/10
64 k
MA NOTE
Clint Eastwood and Melora Hardin in Pouvoir d'exécuter (1997)
Trailer
Liretrailer0:28
1 vidéo
62 photos
Suspense psychologiqueThriller conspirationnisteThriller politiqueCriminalitéDrameMesureThriller

Luther Whitney (Clint Eastwood), voleur professionnel, est le témoin d’un crime terrible impliquant le président des États-Unis, Alan Richmond (Gene Hackman).Luther Whitney (Clint Eastwood), voleur professionnel, est le témoin d’un crime terrible impliquant le président des États-Unis, Alan Richmond (Gene Hackman).Luther Whitney (Clint Eastwood), voleur professionnel, est le témoin d’un crime terrible impliquant le président des États-Unis, Alan Richmond (Gene Hackman).

  • Réalisation
    • Clint Eastwood
  • Scénaristes
    • David Baldacci
    • William Goldman
  • Vedettes
    • Clint Eastwood
    • Gene Hackman
    • Ed Harris
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,7/10
    64 k
    MA NOTE
    • Réalisation
      • Clint Eastwood
    • Scénaristes
      • David Baldacci
      • William Goldman
    • Vedettes
      • Clint Eastwood
      • Gene Hackman
      • Ed Harris
    • 212Commentaires d'utilisateurs
    • 110Commentaires de critiques
    • 52Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 1 nomination au total

    Vidéos1

    Absolute Power
    Trailer 0:28
    Absolute Power

    Photos62

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    Distribution principale24

    Modifier
    Clint Eastwood
    Clint Eastwood
    • Luther Whitney
    Gene Hackman
    Gene Hackman
    • President Richmond
    Ed Harris
    Ed Harris
    • Seth Frank
    Laura Linney
    Laura Linney
    • Kate Whitney
    Scott Glenn
    Scott Glenn
    • Bill Burton
    Dennis Haysbert
    Dennis Haysbert
    • Tim Collin
    Judy Davis
    Judy Davis
    • Gloria Russell
    E.G. Marshall
    E.G. Marshall
    • Walter Sullivan
    Melora Hardin
    Melora Hardin
    • Christy Sullivan
    Kenneth Welsh
    Kenneth Welsh
    • Sandy Lord
    • (as Ken Welsh)
    Penny Johnson Jerald
    Penny Johnson Jerald
    • Laura Simon
    • (as Penny Johnson)
    Richard Jenkins
    Richard Jenkins
    • Michael McCarty
    Mark Margolis
    Mark Margolis
    • Red Brandsford
    Elaine Kagan
    Elaine Kagan
    • Valerie
    Alison Eastwood
    Alison Eastwood
    • Art Student
    Yau-Gene Chan
    • Waiter
    George Orrison
    • Airport Bartender
    Charles McDaniel
    • Medical Examiner
    • Réalisation
      • Clint Eastwood
    • Scénaristes
      • David Baldacci
      • William Goldman
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs212

    6,764K
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    Avis en vedette

    UACW

    Nice

    There are many things about this movie which are nice. It surely follows the Eastwood/Siegel/Leone tradition, quick takes etc. but it's a nice film in many ways. A nice touch is the musical theme written by Eastwood himself, the second time of late he has done this. There's jazz anytime Eastwood can get it in there, but the performances from Linney and Ed Harris are convincing. This is a stellar cast that is used well. And yes, you can glimpse the Santa Monica mountains in Washington DC...
    8Stampsfightclub

    tense powerful crime and brilliance from Eastwood

    The Narrative.

    A consistent plot involving many different types of characters in the form of organised professional robber Whitney (Marvellously portrayed by Eastwood) who is involved in a huge conspiracy involving the very uncomfortable president Hackman.

    Perhaps the story gets too involved at points with a lack of realism. However the film is always tense and engaging, especially the beginning which was definitely one of my all time favourite openings to a crime film. Tense, exciting and with a few twists it presents a realistic view of a robber caught up in what will surely be a huge case.

    The story justifies the genre by being focused upon murders and robberies and adds sentimental value in the form of family and friendship values. Laura Linney (The Truman Show) is terrific as Eastwood's daughter and adds a great sentimental value to a heavy crime film. She is involved in a great twists towards the end which is a must watch.

    The ending surprised me. Although there were great twists, the final few scenes and the way the narrative came to never felt quite justified in my opinion but then again I may have been expecting too much from a film that was consistent and engaging from the beginning. The film is always kept exciting through the tense robbery scenes, character actions and a plot about a man and his power.

    Direction.

    Eastwood's direction is simply breathtaking. The opening sequence where he explores the neatly kept mansion for his robbery is the best moment in the entire film; I was literally on the edge of my seat. Dark, quiet and with a grace that any director would be proud of I held my breathe from start to finish. Heavy critics may argue it conforms too much to an action styled genre with many shots appearing focusing in or around the main priority but I appreciated it for what it was, which was sheer brilliance.

    Eastwood is outstanding in the whole of this film. Not only his ability to pull off a stern ageing character but this direction is also worthy of huge praise.

    watch it if...you enjoy the crime genre and appreciate tense dramatic sequences.

    but its simply just worth watching for the beginning.
    7jpm610

    Absolutely enticing

    HIGHS--

    A very fun plot. Gene Hackman could vilify Ghandi given the right lines. Clint Eastwood as a high-stakes jewel thief?? I'm in heaven. Soft, subtle score; typical of modern Eastwood films. Intense finale that has you rooting for the bad guys, or is it the good guys?? You decide. E. G. Marshall's version of a scorned billionaire is a wonderful turn.

    LOWS--

    I have not read Baldacci's novel this is based upon. But I have to think, Clint Eastwood was not who he had in mind for the elusive cat burglar Luther Whitney. That casting was probably a little too self-serving. Also, I did enjoy the plot. But maybe a touch of more believability would have been nice. The murder scene at the beginning, while necessary for the remainder, may be a touch too implausible for my taste.

    PARTING IMPRESSION--

    Solid entertainment. This rating denotes that. Sure, won't win any Oscars, but that's not why you really want to see a film like this. We all root for these high stakes take-the-money-and-run type finales and here we are satiated in the chicanery, the likes of which could only emanate from D.C. Seven out of ten.
    rookiehooker

    Brilliant!! A great piece of work.

    I have to say, that, ok maybe some of the actions of this film are a little manifested, but nevertheless, it holds for some nice suspense when it is required, and it also has a lot of eclectic moments(i.e. moments when the feeling is far from previous, yet conveyed appropriately). Besides the plot, this film has a wonderful, albeit short, soundtrack(composed by Clint), and good settings. A nice little ending on it too. Oh, and I have to say that Ed Harris is a excellent at 'doing' the sarcastic cop. I love it!
    7hitchcockthelegend

    It's not for everyone, but it's compelling enough to me personally.

    Luther Whitney is a professional thief, he also happens to be exceptional at it. During a carefully planned burglary at the home of wealthy Walter Sullivan, Whitney is disturbed to hear voices coming from outside the room he is in. Hiding in a secret room he observes from behind a two-way mirror the cheating wife of Sullivan with her lover for the night. Whitney is further startled to find that the man in the company of Mrs Sullivan is none other than the current president of the United States, Allen Richmond. He is then horrified to witness the couples union getting out of control, Richmond starting to get far too heavy handed with the lady in question. Things spiral out of control and during the fight Mrs Sullivan goes to stab the President with a paper knife, thus giving the entering secret service agents no choice but to gun her down. Sensing a political scandal, the agents and Richmond's Chief Of Staff, Gloria Russell decide to cover the incident up. Whitney, after making his escape, doesn't know what to do, who's going to believe a renowned thief, but crucially, will he be allowed to live if he comes forward? Dastardly goings on and government cover ups are merely part of what is going on in the search for Absolute Power.

    Absolute Power is a fine film, but I'm a little biased because I really like the pacing of the picture and more importantly, I like the plot. It's true that the film fails to capitalise on its first hour set up, we are brought into Whitney's world and given reminders of dodgy doings that blight so many countries political machinations, but then director Clint Eastwood and his team fall in to the trap of adding strands that merely alter the viewers attention span, thus taking us away from what was a concrete and wholly engrossing plot arc. But with a truly diamond cast of professionals in the piece, the film manages to stay the good side of good, tho the ending is one that is sure to be a divisive one for any prospective first time viewers. Eastwood stars as Whitney and is joined by Gene Hackman (President Allen Richmond), Ed Harris, Laura Linney, Scott Glenn, Dennis Haysbert, Judy Davis and E.G. Marshall. William Goldman adapts from David Baldacci's popular novel, and Eastwood's direction is the usual steady professional job that he would further enhance down the line with the likes of Mystic River and Million Dollar Baby.

    Should have been a truly great political based thriller/drama, but as it is, I settle for it being a way above average one that has far too many good points to ever see it as being below average or bad. 7/10

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    Intérêts connexes

    Rosamund Pike in Les apparences (2014)
    Suspense psychologique
    Gene Hackman in Conversation secrète (1974)
    Thriller conspirationniste
    Dustin Hoffman and Robert Redford in All the President's Men (1976)
    Thriller politique
    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in The Sopranos (1999)
    Criminalité
    Naomie Harris, Mahershala Ali, Janelle Monáe, André Holland, Herman Caheej McGloun, Edson Jean, Alex R. Hibbert, and Tanisha Cidel in Moonlight - L'histoire d'une vie (2016)
    Drame
    Bruce Willis and Taniel in Piège de cristal (1988)
    Mesure
    Cho Yeo-jeong in Parasite (2019)
    Thriller

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Clint Eastwood's extremely organized methods of directing led to filming being completed over three weeks ahead of schedule and $2-4 million under budget.
    • Gaffes
      When Luther goes into Red's Bar, he opens the door and enters the bar from the street. The next scene, inside the bar, shows Luther entering the bar again from the street. The door has changed from a solid door to one with a diamond-shaped widow in it.
    • Citations

      Luther Whitney: Remember, tomorrow is promised to no one.

    • Connexions
      Featured in Siskel & Ebert & the Movies: Dante's Peak/SubUrbia/The Beautician and the Beast/Rosewood/The Whole Wide World (1997)
    • Bandes originales
      Power Waltz
      Composed by Clint Eastwood

      Orchestrated and conducted by Lennie Niehaus

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    FAQ19

    • How long is Absolute Power?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 14 février 1997 (Canada)
    • Pays d’origine
      • United States
    • Site officiel
      • WarnerBros.com
    • Langues
      • English
      • Spanish
    • Aussi connu sous le nom de
      • Absolute Power
    • Lieux de tournage
      • Elk Neck State Park - 4395 Turkey Point Road, North East, Maryland, États-Unis
    • sociétés de production
      • Castle Rock Entertainment
      • Malpaso Productions
      • Columbia Pictures
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 50 000 000 $ US (estimation)
    • Brut – États-Unis et Canada
      • 50 068 310 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 14 678 016 $ US
      • 16 févr. 1997
    • Brut – à l'échelle mondiale
      • 50 068 310 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 1m(121 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
      • SDDS
    • Rapport de forme
      • 2.39 : 1

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