Pouvoir d'exécuter

When expert thief Luther Whitney (Clint Eastwood) breaks into the luxurious mansion of a politically influential billionaire (E.G. Marshall) , he is surprised by the arrival of a couple (Gene Hackman , Melora Hardin) . After their drunken shenanigans turn nasty that leads to crime and taking place a set-up in which everyone around him is involved . There is only one witness , an ultra-secretive master burglar . Luther is soon pursued by two cops (Ed Harris , Penny Johnson) , a hit man (Richard Jenkins) and the President security guards (Dennys Haysbert , Scott Glenn).

This is a light thriller in Hitchcockian style including action , suspense , thrills , improbable events and twisted intrigue . It is about the ruthlessness of people in power but the plot lacks even a political analysis or comment . This Eastwood film is solid but nothing really stick out . It is hard to take against contemporary time , as portraying a coward , cynical , traitor President , being politically incorrect for Hollywood standards . In addition , it contains some unlikely scenes as when the silly dancing between President/Gene Hackman and his cabinet chief/Judy Davis who wears a robbed necklace . Based on the novel by David Baldacci , being screen-writer the notorious William Goldman , who wrote such important successes as Marathon man , Butch Cassidy and Sundance Kid , All the President's Men , The princess bride , Misery , among others . This Absolute power (1997) was well-received as well as the subsequently shot Space Cowboys ; however , both of them don't rank with Clint's best jobs as actor/filmmaker . Adequate Clint Eastwood in his ordinary stoic acting as a professional burglar who witnesses both a crime and a cover-up . Nice acting by Gene Hackman as a philander President believes that everything he does is beyond reproach . Support cast is frankly well such as Laura Linney , Melora Hardin , Kenneth Welsh , Mark Margolis, Penny Johnson , Richard Jenkins and cameo of Alison Eastwood , Clint's daughter . Furthermore , the picture displays an atmospheric and sensitive musical score by means of piano composed and performed by Lennie Niehaus , Eastwood's usual . Colorful cinematography by Jack N. Green filmed on location in Washington and Los Angeles .

The film was professionally performed and directed by Clint Eastwood . It has some flaws and gaps ; but it's nevertheless solidly agreeable . The picture is far from his other big hits such as his first directed western , Unforgiven (1992) also with Gene Hackman , which garnered him an Oscar for Best Director, and a nomination for Best Actor . Then he took on the secret service in Open fire (1993), which was a success , followed by the interesting but poorly received drama , A perfect world (1993), with Kevin Costner as a thief . Next up was a love story , Bridges of Madison (1995), which was yet again a hit . Subsequent pictures were enjoyable but nothing to do with previous works . Among them were the and the badly received True crime (1999) and Blood work (2002) . Then in 2004, Eastwood surprised yet again when he produced, directed and starred in Million Dollar Baby (2004). The movie earned Eastwood an Oscar for Best Director and a Best Actor nomination for the second time . He had other successes directing the multi-award-winning films Mystic River (2003), Flags of our fathers (2006), Letters from Iwo Jima (2006), and The changeling (2008) . After a four-year hiatus from acting, Eastwood's return to the screen in the successful Gran Torino (2008) .

What starts out with immense potential gradually evaporates into preposterousness in ABSOLUTE POWER. That doesn't make it an entirely bad picture, but it certainly puts a damper on what could have been. Clint Eastwood is an aging thief (he's been an aging something or other for his last 20 movies) who secretly witnesses President Gene Hackman get rough with his mistress. The encounter ends with her being shot by the Secret Service as she tries to defend herself, and the incident is promptly disguised to look like run-of-the-mill foul play. He may be on the outside of the law looking in, but Clint ain't about to let the powers that be get away with this one.

The opening 20 minutes of ABSOLUTE POWER are quite suspenseful, bordering on mesmerizing. There we are, trapped in a walk-in, two-way mirrored vault along with our pilfering hero, helpless to stop the horror unfolding just meters away. Eastwood may start out as the bad guy, but his status is quickly upgraded as he flees the scene holding what may be the only piece of evidence that can prove his astonishing observation. From then on we find ourselves rooting him on, even if he is in reality nothing more than the lesser of two evils.

What unravels ABSOLUTE POWER is its laziness and improbability. In an attempt to set up one stirring scene after another, the characters begin doing and saying things one would expect of a low-rate Jean-Claude Van Damme movie. A one-dimensionally evil Secret Service man surreptitiously hunkers down in a tall building trying to snipe Eastwood ala Lee Harvey Oswald. A police detective has no problem with Eastwood sneaking around his home at all hours of the night. A three-minute argument by Eastwood's thief is enough to convince the mistress's widower of the involvement of the most powerful man on earth. And to call the ending outlandish and unsatisfying would be a pair of understatements.

As well, though it's usually the other way around, ABSOLUTE POWER would have benefited from a longer running time. One comes away with the sense that Eastwood, who also directed, tried to cram too much into too little. The film certainly had the material to go longer, and its compactness gives the whole endeavor a choppy feel at times.

ABSOLUTE POWER is a film you really want to like. There is considerable talent involved here, and the movie's heart seems to be in the right place. But like that one photo we all have in our album, this one didn't turn out as good as we would have hoped.

Washington DC -1990s. Luther Whitney, reputed one the very best thieves of the country but supposedly retired, is in the process of executing his greatest robbery –the private vault of a powerful billionaire, Walter Sullivan. But he is disturbed by the billionaire's young wife. Christy takes advantage of her husband's absence to receive her lover –the US President himself. President Richmond is a sick pervert, and the love affair turns sour. In front of hidden Whitney, the lady is murdered. Before escaping, Whitney secures the murder weapon, but he will need all his experience and skills to manipulate the secret services and the very competent police investigator Seth Frank. Not only must he protect himself but also his estranged daughter Kate. Not to worry however –Luther Whitney is Clint Eastwood, after all! And since the suspense in this respect is minimal, we can just relax and enjoy watching one of our coolest supermen smoothly make his way through a nicely structured scenario. Although the action itself is ageless, one sign definitely links the movie to the 90s –the blatant lack of respect for the person of the US President and the undisguised criticism of political corruption. Maybe a way to exorcise the scandals that have been plaguing the White House over the last decades

There are many things about this movie which are nice. It surely follows the Eastwood/Siegel/Leone tradition, quick takes etc. but it's a nice film in many ways. A nice touch is the musical theme written by Eastwood himself, the second time of late he has done this. There's jazz anytime Eastwood can get it in there, but the performances from Linney and Ed Harris are convincing. This is a stellar cast that is used well. And yes, you can glimpse the Santa Monica mountains in Washington DC...

HIGHS--

A very fun plot. Gene Hackman could vilify Ghandi given the right lines. Clint Eastwood as a high-stakes jewel thief?? I'm in heaven. Soft, subtle score; typical of modern Eastwood films. Intense finale that has you rooting for the bad guys, or is it the good guys?? You decide. E. G. Marshall's version of a scorned billionaire is a wonderful turn.

LOWS--

I have not read Baldacci's novel this is based upon. But I have to think, Clint Eastwood was not who he had in mind for the elusive cat burglar Luther Whitney. That casting was probably a little too self-serving. Also, I did enjoy the plot. But maybe a touch of more believability would have been nice. The murder scene at the beginning, while necessary for the remainder, may be a touch too implausible for my taste.

PARTING IMPRESSION--

Solid entertainment. This rating denotes that. Sure, won't win any Oscars, but that's not why you really want to see a film like this. We all root for these high stakes take-the-money-and-run type finales and here we are satiated in the chicanery, the likes of which could only emanate from D.C. Seven out of ten.