Nuits endiablées

Great filmmaking, a true masterpiece by a then young and hungry director with a boatload of influences. It's a wonderful story with colorful characters and excellent performances. It could've been a mundane and uninteresting affair but the movie has a secret weapon, comedy. A lot of the characters have this "dumb innocence" that makes the story so side-splitting funny and real. Mark Wahlberg and John Reilly have that "stupid guy" charm that results in so many laughs. The actors are aware of these funny personality gags and are self conscious of it, and that is what makes the drama work.

This is an excellent movie that is vibrant, colourful and powerful. The performances are all very good, but the big surprise is the return of Burt Reynolds. His performance is the most notable, and he duly rewarded with a Golden Globe and an Academy Award nomination. Boogie Nights is about the pornography industry in the 70's, and how it all fell apart in the 80's. The first half, revolving around the 70's, is plausible and believable; entertaining and informative. Although the film falls apart in the second half, and descends into a lot of unnecessary, graphic violence.

Eddie Adams (Mark Wahlberg) is the protagonist of the movie. He is spotted one night at a club by porn king Jack Warner (Reynolds), and is offered a deal to star in a movie. Warner remarks that, "I just know there's somethin' wonderful under those jeans just waitin' to get out." And that marks the entrance for Eddie into the sleazy, slutty, though human world of porn and sex. Boogie Nights follows his first appearance as a naive young actor to a drug hampered, egomaniacal lunatic who spirals down into the world of crime and Cocaine. Along the way, it deals with sub plots dealing with pornography and the surrogate families that establish themselves amidst the echelons; the prejudice that society carries to porn stars and the dirty, utterly disgraceful life they lead.

Although the film deals with sex and porn, there is not an obscene amount of it, and the director censors these scenes so it is not explicit. The viewers gather that Eddie Adams (or Dirk Diggler, the pseudonym he assumes for acting) has a prodigious member lurking under his jeans. But, until the final scene, all we see to indicate that is the stunned reactions by peers and onlookers.

The script is very good, but the film is overly long. It could be called an epic at a length of 155 minutes, but the time passes quickly. Despite Boogie Nights' flaws and shortfalls, it is a very good movie worthy of the acclaim it received.

Nine out of ten.

The first time I saw "Boogie Nights" in a theater, I walked out flabbergasted. I'd never been that affected by a movie since "Pulp Fiction" (and that's saying a lot). After being numbed by a decade's worth of stark, Kevin Smith-style indie banalities, I just wasn't used to seeing a movie that covered that much emotional and cultural ground. I saw it three more times in the theater, never getting bored with it. I own it today on video. I really can't say enough great things about this amazing movie. A movie which will no doubt be regarded as a classic in years to come.

Boogie Nights is full of surprises, nothing quite prepares one for it its soul. Yes, it does have soul, whilst tackling the tackiest of subject matter, with both a wry smile and respect. Brillantly cast and wonderful character development, the performances somehow combine the best of stage acting with improvisation within a cinema verite style.

The plot proved richer than I expected and the underlying themes are teased out quite profoundly as each "B grade" human being is brought, through crisis, into perspective.

A sociologist's dream case study, the film resonates the raw truth of what we all know about self-esteem, parental love and lack of it, attention/love deficit and its manifestation in adulthood, the desperate need to belong. Something for everyone here.. almost camouflaged as issues of untouchables and their separate milieu but of course they are universal.

The film works on a number of levels. The ironic loop is that the milieu portrayed exists only because of the voyeur, who happens to be watching the film...

Boogie Nights is non judgmental of its subject matter and characters, a rarity. It deserves every accolade it has achieved and more.

Boogie Nights is perhaps one of the greatest examples any would-be filmmaker should take a long hard look at. Sure, you could spend loads of quality time reviewing the clasics from Hitchcock to Scorsese; but lets follow suit for the modern generation and study half-heartedly.

Where to begin, I suppose one could look at the film as simply a story, perhaps even docudrama which focuses on the late 1970's porn industry-and what an industry it was! The other half could focus on the incredible detail one brillant filmmaker can achieve simply by using polyester and *ahem* rubber. But honestly, Boogie Nights brings back the pure, no-bul!shi$, in your face kind of cinema I haven't experienced since the film greats of the 1970's...ironic...or stroke of genius. The story is full of richly detailed characters, all of which you either can relate too, love, or hate; but the impact is clear-you are feeling something for them. Among the characters the two performances which stand out are: Burt Reynolds as Director Jack Horner, and Mark Wahlberg as Eddie Adams/Dirk Diggler. Julianne Moore is also brillant, as is Heather Graham...but if I focus on any one actor it would have to be John C. Reilly. John's performance is a perfect balance of comedic timing and character driven emotion...I'm a sucker for the line "Ever see the movie Star Wars?...People say I look like Han Solo." Anyway, the look of the film is incredible, the Director of Photography and Director/Writer/Producer, have come up with a vibrant colour, and flashy style that compares to Martin Scorsese, and Stanley Kubrick(in terms of his perfection of his craft); but with creating his own unique look, and pushing the edge with the longest single shot I'ver ever seen...that being the New Year's party sequence.

The music, like in any great film, is a character of its own. At times, it consumes oneself with sorrow or grief...but mainly its all about fun, dancing, and having a good time; the spirit of the 1970's. OK, back to the performances.

Burt Reynolds plays the character of Jack Horner, a porn director who feels the burden of what the future of "film" means to his genre. The awful transition from shooting on film to recording on magnetic tape. The lose of his art, as it were...and the changes in mentality to the people he works with. Walhberg adds the perfect blend of innocense and sexual bravado needed for the character. For all those individuals who have seen Burton's Planet of the Apes, pay no attention to the performance of Wahlberg in that film...rent boogie nights and see what a difference a good script can make!

Julianne Moore plays the would-be mother to all, and with that comes the torment and anguish she feels, as life imitates art; and she loses all those close to her. Heather Graham is the eye-candy, but later holds her own, and steals some of the scenes from even the great Mr. Reynolds himself. Each character is multidimensional, rich with life, and performed by actors that seem to be picture perfect for the part.

The film itself is often funny, tragic, exciting, and provides a uncompromising look into the turblulant lifestyle of the fast-pace 1970's. It makes no excuses, and tells no lies; and offers the audience a trip back. But even more importantly, the movie gives us a grand example of how films should be made; and a new director whose bold visions bring back art in film.