Panne fatale

"Breakdown" is a twist of a thriller and a horror-movie. The story is very good, and you keep asking yourself, what will happen next. Russell and Walsh are making stunning performances, and the movie keeps you attracted for every second.

This is one of the most intense high-octane movies from start to finish that you will see.

Not one single boring moment and the runtime and the pacing are just perfect.

Kurt Russell really shines in this movie and does a really good job in this role. All the actors do a great job honestly, but Russel is the star of the movie.

Though the action is really well-done, especially for the second half, along with some improbable things that happened, I think it kinda made the movie more "Hollywood action"-y and maybe a little less realistic. Though nothing against that, but I kinda expected this movie to take the more realistic approach and not the Hollywood action-hero route. It's not exactly that, but in the second half, it kinda borders on being an unrealistic Hollywood action film.

But nonetheless, this movie is a really good time and you will not get bored. It's intense through and through and a great thriller overall that doesn't overstay its welcome. Definitely check it out, you won't regret it.

In my opinion, Breakdown is one of the best thrillers of the 1990's. It has everything, great scenery, great acting, aand a great plot too! This one will keep you guessing for quite a while, and even after you figure out the ending, you'll still be guessing who's gonna come out on top, Kurt Russell, or the bad guys. I highly recommend this movie, if for nothing more than to pay tribute to the late great, J.T. Walsh.

Jonathan Mostow, before he went on to helm the big-budget U-571 and the even bigger budgeted Terminator 3, brought out this taut little thriller and cemented a reputation he's yet to really live up to (though some would disagree about that). His film has that tag-line, but it's not entirely accurate, even though it has a very familiar and eerily recognizable threat at the core: the outsiders coming in to a territory that is very close knit and practically inbred, where one wrong step could cost you and/or your loved ones lives. In this case, Kurt Russell and Kathleen Quinlan are the married couple caught in the cross-hairs of kidnapping, blackmail, and ultimately vengeance. They're moving from Massachusets to San Diego, and driving on through the desert they get side-swiped by a car, then later on after a near-altercation at a pit-stop, they move on only for the couple's car to breakdown. Help comes in the form of a trucker, who offers help for to drive the wife to get a tow-truck. No need for the truck, anyway, because the car didn't have much wrong with it...but what about the wife, Amy?

From there on in, Mostow takes Breakdown into the realm of paranoid thriller, then into just full-on chase/action/revenge/chase again picture. One might wonder if there could be a more noirish quality to it if the wife actually left for a reason other than abduction, though the path that Mostow takes the story is fine as it is. He keeps things simple in the story sense, with elements of the Western thrown in, but also makes it very much character-based as well. Russell's performance as Jeff Taylor is kind of the opposite of his recent turn as Stuntman Mike in Grindhouse: starting off as the average-Joe who tries to be polite, albeit from a yuppie background, he gets put to the test by the enormity of the situation, and finally becomes a real take-no-prisoners hero. Towards the very end it almost reaches the point of being TOO much of hitting over the head with payback, and there are little things regarding the nature of Red Barr (JT Walsh, great villainous presence in a real sinister, calm way) and his ties to the town as to whether or not things are really as controlling as they might be (i.e. the bank scene, which is perfectly acted, though not entirely feasible in the paranoid sense).

But all this aside, what Breakdown remains ten years after is a competent, un-pretentious thrill-ride where the dialog is never too heavy, the action is packed with real stunts and few special effects, and some of the brighter moments for Russell in recent years (or rather, the last ten). It knows what it is, and has the professional temerity of a cult effort.

Kurt Russell and Kathleen Quinlan play Jeff & Amy Taylor, who are traveling by car across country to California. After stopping at a gas station, they develop engine trouble in the middle of the desert. Desperate, his wife agrees to a ride with a friendly trucker(played memorably by J.T. Walsh), who promises to get them help. When she doesn't return(and after the car starts working again) Jeff drives back into town, only to find to his dismay that not only isn't his wife there, but that they never showed up at all. He does find the trucker, only to be shocked when told by him that he doesn't know what he's talking about! Thus begins a game of cat and mouse, hunter and hunted between Jeff and a particularly nasty gang of kidnappers, demanding ransom.

Extremely exciting film involves the viewer with the couple's plight right away, and seldom goes wrong. Direction by Jonathan Mostow is efficient and inspired, and the performances really ring true, as does the smart script, leading to a cliffhanging climax.

Cautionary tale about not going along with strangers works well as a variation on "Duel". Not to be missed.