Le docteur Ellie Arroway, après des années de recherche, trouve des preuves radio montrant l'existence d'une intelligence extraterrestre, qui envoie les plans d'une mystérieuse machine.Le docteur Ellie Arroway, après des années de recherche, trouve des preuves radio montrant l'existence d'une intelligence extraterrestre, qui envoie les plans d'une mystérieuse machine.Le docteur Ellie Arroway, après des années de recherche, trouve des preuves radio montrant l'existence d'une intelligence extraterrestre, qui envoie les plans d'une mystérieuse machine.
- Réalisation
- Scénaristes
- Vedettes
- Nommé pour 1 oscar
- 15 victoires et 32 nominations au total
Max Martini
- Willie
- (as Maximilian Martini)
7,5308.3K
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Avis en vedette
The 90s was the era of great thought provoking scifi
I had the luck of watching contact at the cinema when it came out . Being young meant that watching a movie of this grandure in a grand movie theatre with massive screen (something that was dying out at the time) means that this movie has been engraved in my mind .
But it is not due to nostalgia or corrupt memory .
Contact is a thought provoking mind bending movie ahead of its time .
In fact it is the Interstellar of the 90s .
Stunning gorgeous visuals , and a storyline and plot asking some hard questions and providing answers that many might not want to accept as the movie battles between science fitction , science fact and religion in a way that in the end no one is left wanting .
This is not just a movie , this is an event !
Stunning gorgeous visuals , and a storyline and plot asking some hard questions and providing answers that many might not want to accept as the movie battles between science fitction , science fact and religion in a way that in the end no one is left wanting .
This is not just a movie , this is an event !
10ada-p
Diamond in the Rough
So many movies out there are pure drivel. They use sex, or shock, or sex to sell two hours of something that in no way contributes to our existence; be it inspiration, knowledge or spiritual awakening.
Contact is an exceptional example of a movie that DESERVES to exist. From the spectactular beginning shot that shows us just how small we are in a world that once thought the universe was made for, and around, mankind; to its realistic conclusion that any X-Phile would expect to happen: this movie appeals to our humanity, intelligence and sense of adventure.
One of the greatest realisations that the movie will guide you to is that what we search for in outer space is actually in our own backyards. We are cut off from each other and sci-fi tries to quell our loneliness with ideas that we'll meet E.T. and wont feel so lonely in our existence. But were AREN'T alone... we have each other.
I never get tired of watching this movie, though I wish they brought out a packed special edition DVD full of behind the scene effects and the like.
Contact is an exceptional example of a movie that DESERVES to exist. From the spectactular beginning shot that shows us just how small we are in a world that once thought the universe was made for, and around, mankind; to its realistic conclusion that any X-Phile would expect to happen: this movie appeals to our humanity, intelligence and sense of adventure.
One of the greatest realisations that the movie will guide you to is that what we search for in outer space is actually in our own backyards. We are cut off from each other and sci-fi tries to quell our loneliness with ideas that we'll meet E.T. and wont feel so lonely in our existence. But were AREN'T alone... we have each other.
I never get tired of watching this movie, though I wish they brought out a packed special edition DVD full of behind the scene effects and the like.
A movie for the future generations
The 90's movies have a certain charm you can not replicate. It makes you belive in better things, makes you want to be better. I liket this movie because it focused on mankind, and not just America. Do not take me wrong. I dont have any problem with America, but there are a lot of things you have to consider besides that nation. I liked the how it made me think about the everlasting parallel between belief and technology. It gives you the right to choose, what you want to belive in. That is a very nice thing nowadays.
"For Carl"
Reading other peoples' reviews, I see a split 50/50 argument where one side loves the movie and the other hates it. I am not one bit surprised, due to the importance of the film, and I feel this is proof that Contact is one of the most powerful movies of the decade. Like the reaction from the civilians to the machine, a movie with this much heavy firepower is likely to get both loathing and praise from its viewers. I for one praise the film, for its toughness and sensitivity, symbolism and passion, and the fact that it is a rare science fiction film, a gem which was released in a time where scientific intelligence in film has become a nothing short of a joke as the wonder of the universe has been ignored and the mystery of alien life have become a neverending trail of movie villains.
The film of course centers around the science vs. religion theme, the oldest and most frightening of all school debates. Instead of taking the more independent path the book takes, the film takes the more sensitive on the science vs. religion argument throughout the film by telling us that science and religion points to the same direction (the "pursuit of truth") but are misunderstood when studying the nature of their WAY of finding the truth (science uses evidence and answers, religion uses love faith). At the end of it all, the film lets us know that if science and religion stops colliding with each other and starts to combine and compliment each other (listen to Ellie's final words in her testament) the human race might achieve things we can only dream about now.
A perfectly refreshing film, with lots to say, great acting and directing, sound and special effects. Robbed by the Academy.
The film of course centers around the science vs. religion theme, the oldest and most frightening of all school debates. Instead of taking the more independent path the book takes, the film takes the more sensitive on the science vs. religion argument throughout the film by telling us that science and religion points to the same direction (the "pursuit of truth") but are misunderstood when studying the nature of their WAY of finding the truth (science uses evidence and answers, religion uses love faith). At the end of it all, the film lets us know that if science and religion stops colliding with each other and starts to combine and compliment each other (listen to Ellie's final words in her testament) the human race might achieve things we can only dream about now.
A perfectly refreshing film, with lots to say, great acting and directing, sound and special effects. Robbed by the Academy.
Ms. Foster's finest work, and the most thoughtful, scientifically accurate film since Kubrick's 2001
In my 61 years, I have seen many science fiction films. Few have exceeded my expectations as this film did. I remember seeing it in a theater (something I rarely trouble myself with these days), and finding myself at times gripping the armrests in excitement. This film builds like great stories should. However, even the best stories can collapse under the weight of a bad script, poor acting, or shoddy editing. I'm happy to say that none of these issues plagued this film. Ms. Foster delivers an extremely powerful performance and is a wonderful role model for women in science. All of the other actors also deliver memorable performances, but make no mistake, it is Ms. Foster's polished performance you will be thinking about when this film ends.
Much has been made of the last 1/4 of this film, with many viewers feeling a let down. I get that. The amazing build up and tension in the third quarter of the film is quite unexpected, but if you approach the final quarter thoughtfully, you'll see that it makes perfect scientific sense. That's rare in any science fiction film pitched to mass audiences. As such, this film makes an amazing contribution to the entire genera.
Much has been made of the last 1/4 of this film, with many viewers feeling a let down. I get that. The amazing build up and tension in the third quarter of the film is quite unexpected, but if you approach the final quarter thoughtfully, you'll see that it makes perfect scientific sense. That's rare in any science fiction film pitched to mass audiences. As such, this film makes an amazing contribution to the entire genera.
Blocage sonore
Prévisualisez la bande originale ici et continuez à écouter sur Amazon Music.
Le saviez-vous
- AnecdotesAuthor and producer Carl Sagan died during production. He was reportedly taking great care to ensure that science was accurately depicted in this movie.
- GaffesWalkie-talkies and cell phones are not allowed near a radio telescope array. They would overpower the array, making it useless.
- Générique farfelu"For Carl"
- ConnexionsEdited into Zaum - Andare a parare: Lo spazio dell'orbita (2011)
- Bandes originalesWho Needs Wings to Fly
Written by Dominic Frontiere and Sid Wayne
Meilleurs choix
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Contacto
- Lieux de tournage
- Arecibo Observatory, Arecibo, Porto Rico(large radio telescope)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 90 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 100 920 329 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 20 584 908 $ US
- 13 juill. 1997
- Brut – à l'échelle mondiale
- 171 120 329 $ US
- Durée
- 2h 30m(150 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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