Une courtisane vénitienne devient une héroïne pour sa ville, mais devient plus tard la cible d'une inquisition de l'Église pour sorcellerie.Une courtisane vénitienne devient une héroïne pour sa ville, mais devient plus tard la cible d'une inquisition de l'Église pour sorcellerie.Une courtisane vénitienne devient une héroïne pour sa ville, mais devient plus tard la cible d'une inquisition de l'Église pour sorcellerie.
- Prix
- 2 nominations
Histoire
Le saviez-vous
- AnecdotesThe Veronica Franco depicted in the film was a real person. She was born in 1546 and died in 1591, at the age of forty-five. She was the most famous courtesan in Italy, but she was also famous for her satire and for her poetry.
- GaffesThe books shown in the movie are printed on paper that is too thin and too white for 16th century. Also, the typeface is too small. Until 1843 paper was made exclusively from rags and this resulted in paper having large fibers and rough surface. Printing ink smeared on the fibers and so printers had to use large typefaces (equivalent to modern 16-18 points at least). White color of paper required and still requires copious use of sulfuric acid that was not available before industrial revolution too. It was not until late 19th century then modern quality paper, such as the one shown in the movie, was developed.
- Citations
Veronica Franco: I confess that as a young girl I loved a man who would not marry me for want of a dowry. I confess I had a mother who taught me a different way of life, one I resisted at first but learned to embrace. I confess I became a courtesan, traded yearning for power, welcomed many rather than be owned by one... I confess I embraced a whore's freedom over a wife's obedience... I confess I find more ecstacy in passion than in prayer. Such passion is prayer. I confess - I confess I pray still to feel the touch of my lover's lips, his hands upon me, his arms enfolding me... . Such surrender has been mine. I confess I hunger still to be filled and enflamed. To melt into the dream of us, beyond this troubled place, to where we are not even ourselves. To know that always, always, this is mine... If this had not been mine - if I had lived any other way - a child to her husband's whim, my soul hardened from lack of touch and lack of love. I confess such endless days and nights would be a punishment far greater than you could ever mete out... You, all of you, you who hunger so for what I give but cannot bear to see that kind of power in a woman. You call God's greatest gift: our selves, our yearning, our need to love - you call it filth and sin and heresy... I repent there was no other way open to me. I do not repent my life.
- Bandes originalesUngaresca e saltarello
in "Artificio Scientia La Selena"
Composed by Giorgio Mainiero
Per S. Naria Della Pace
A story of some historical sweep, wit and romance, we are first drenched in the sunlight and beauty of Venice. As the film builds I was impressed by the talent, charm and strength of the hero, Veronica Franco, poet and courtesan.
Through two amazing events she saves Venice twice first by getting help to defend itself from invasion and later by standing up for its spirit of independence. Intertwined with this is a touching romance made bitter sweet by the pressures of arranged marriages, the terrible limitations upon women and the twisted power of envy.
This film works on many levels, the photography and music are top notch as are the settings and costumes. The acting is fine including the main roles played by Catherine McCormack and Rufus Sewell. (Just don't expect Blanchette and Joseph Fienes.)
If you like historical dramas with romance, intrigue and lovely scenery then I strongly recommend Dangerous Beauty.
- BB-15
- 7 août 1999
- Lien permanent
Meilleurs choix
- How long is Dangerous Beauty?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Dangerous Beauty
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 8 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 4 553 271 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 105 989 $ US
- 22 févr. 1998
- Brut – à l'échelle mondiale
- 4 553 271 $ US
- Durée1 heure 51 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1