ÉVALUATION IMDb
6,4/10
10 k
MA NOTE
Ajouter une intrigue dans votre langueAfter murdering an undercover DEA agent, two corrupt cops scramble to cover up what they've done.After murdering an undercover DEA agent, two corrupt cops scramble to cover up what they've done.After murdering an undercover DEA agent, two corrupt cops scramble to cover up what they've done.
- Director
- Writer
- Stars
Jim Belushi
- Det. Frank Divinci
- (as James Belushi)
Tom Lister Jr.
- Cutlass Supreme
- (as Tommy 'Tiny' Lister)
Histoire
Le saviez-vous
- AnecdotesThe spiky onscreen relationship between Jim Belushi and Tupac Shakur was helped offscreen by the fact that Shakur liked to nail his scenes in one or two takes, and was annoyed by Belushi preferring to do it in multiple takes.
- GaffesBefore Frank pulls up to Manny's for the first time, you can see a blue sandbag on the curb, marking the spot where Jim Belushi is to stop the car at the proper spot so as to be within the camera frame.
- Citations
[Baylor is questioning Cynthia Webb in court]
Helen Eden: Objection! Mr. Baylor is purposely trying to confuse the witness.
Arthur Baylor: I am *not* trying to confuse the witness; the *witness* has been trying to confuse *this court*!
- Générique farfeluDedicated to Tupac Shakur (1971-1996)
- Bandes originalesLost Souls
Written by Tupac Shakur, Noble and E.D.I., D. Frank & M. Murphy
Performed by 2Pac featuring Noble and E.D.I.
Artists courtesy of The "Untouchable" Death Row Records
Contains an interpolation of "Don't disturb this groove"
Commentaire en vedette
Detectives Divinci and Rodriguez are crooked cops involved in dealing drugs and murdering the competition. When one of their victims turns out to be an undercover DEA agent, they are put on the case to find the murderer. With DEA agent Richard Simms desperate to get the killer, Divinci and Rodriguez realize that they have to frame someone else for the crime. Settling on homeless man 'Joe', they give him drink, get him to sign a statement and falsify the evidence to make a strong enough case to convict.
I had half wanted to see this film for a few years simply because I am keen to take the few chances I have to try see Tupac acting for me he was the saviour of Poetic Justice and he is much better than the vast majority of the hip hop 'actors' we have seen recently. The plot here is pretty much a standard thriller plot based around two dirty cops and, although it lacks real flair or imagination, it still manages to do its job and be an enjoyable and occasionally quite gritty little thriller. It could have done with a greater sense of tension though, for the majority of the time it merely unfolds as opposed to being fast paced or very exciting but it is still an enjoyable enough little film even if it pretty much goes where you expect it to.
The cast is a big factor in making this film more interesting and making it rise above the other genre films that it will be competing with on the bottom shelf. Belushi has been in more than his fair share of sh*t video thrillers but here he is actually quite good and seems comfortable with material that, although not great, is certainly nowhere near the low level that he is getting used to. In his last film, Tupac is great and he should be a role model for all hip hop stars who want to act even just in the choice of role he gives a great example can you imagine many other rappers playing a corrupt cop with as little glamour as Tupac had? Snoop is a fine example, his last few roles have been versions of the caricature he plays in his music and many other rappers do the same trading on their image rather than acting. Tupac is far from his gangsta image and he delivers a very down to earth performance as with several other of his films he made this better by his presence. The gorgeous Lela Rochon is given an eye candy role at the start but she is able enough to make a good performance out of it (as well as having a body and looks to die for!). The smaller roles add the feeling of cast depth even if some of them add little else. Quaid for example has so little to do you wonder why he bothered he feels like he should be a bigger part of the film but he isn't. For the opposite reason Jones, Cole and Paymer are all quite good because they are minor roles and they just feel like quality padding.
Overall this is not a particularly earth shattering thriller but it does its job well enough and I found it pretty enjoyable. A well-known cast certainly helps to make the material rise slightly above the rest of its genre but it is a great performance by Tupac in a different role that made it for me; if only other rappers were less afraid of their image when making role choices then we may not be experiencing a wave of awful blaxploitation films all over again.
I had half wanted to see this film for a few years simply because I am keen to take the few chances I have to try see Tupac acting for me he was the saviour of Poetic Justice and he is much better than the vast majority of the hip hop 'actors' we have seen recently. The plot here is pretty much a standard thriller plot based around two dirty cops and, although it lacks real flair or imagination, it still manages to do its job and be an enjoyable and occasionally quite gritty little thriller. It could have done with a greater sense of tension though, for the majority of the time it merely unfolds as opposed to being fast paced or very exciting but it is still an enjoyable enough little film even if it pretty much goes where you expect it to.
The cast is a big factor in making this film more interesting and making it rise above the other genre films that it will be competing with on the bottom shelf. Belushi has been in more than his fair share of sh*t video thrillers but here he is actually quite good and seems comfortable with material that, although not great, is certainly nowhere near the low level that he is getting used to. In his last film, Tupac is great and he should be a role model for all hip hop stars who want to act even just in the choice of role he gives a great example can you imagine many other rappers playing a corrupt cop with as little glamour as Tupac had? Snoop is a fine example, his last few roles have been versions of the caricature he plays in his music and many other rappers do the same trading on their image rather than acting. Tupac is far from his gangsta image and he delivers a very down to earth performance as with several other of his films he made this better by his presence. The gorgeous Lela Rochon is given an eye candy role at the start but she is able enough to make a good performance out of it (as well as having a body and looks to die for!). The smaller roles add the feeling of cast depth even if some of them add little else. Quaid for example has so little to do you wonder why he bothered he feels like he should be a bigger part of the film but he isn't. For the opposite reason Jones, Cole and Paymer are all quite good because they are minor roles and they just feel like quality padding.
Overall this is not a particularly earth shattering thriller but it does its job well enough and I found it pretty enjoyable. A well-known cast certainly helps to make the material rise slightly above the rest of its genre but it is a great performance by Tupac in a different role that made it for me; if only other rappers were less afraid of their image when making role choices then we may not be experiencing a wave of awful blaxploitation films all over again.
- bob the moo
- 26 juin 2004
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Détails
Box-office
- Brut – États-Unis et Canada
- 5 906 773 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 2 443 237 $ US
- 12 oct. 1997
- Brut – à l'échelle mondiale
- 5 906 773 $ US
- Durée1 heure 56 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Erreur sur la victime (1997) officially released in India in English?
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