Espoir retrouvé

I went into this movie last night expecting nothing but mush, and maybe a few laughs. Which I got. I did not expect the pure corny-ness of it. It was like it was following a set guideline for the cliche of this type of movie. Everything happened in the places you'd expect it to. People dying, people breaking up, bad things happening, lahdy dah, no surprises. It started off really well but when downhill from there and dragged. Don't get me wrong, I enjoyed it for what it was. Just don't be expecting anything more than mush. Powerful? Huh? Were we watching the same flick? Worth crying over? Hardly.

Sandra Bullock, Harry Connick, Jr., and Gena Rowlands star in "Hope Floats," a 1998 film directed by Forest Whitaker.

Bullock, who 13 years ago looks exactly as she does now, plays Birdee Pruitt, a small town beauty queen and cheerleader who married the star of the football team, Bill (Michael Pare) and left for the big city. They have a daughter, Bernice (Mae Whitman).

When Birdee is invited on a talk show, she is led to believe it's for a makeover. However, it's a Jerry Springer type show, and when she gets there, her best friend tells her that she's been having an affair with Birdee's husband - and they're in love. Bill verifies it.

Angry and hurt, Birdee packs up her daughter and moves back to Texas with her outspoken taxidermist mother (Gena Rowlands). An old flame (Harry Connick Jr.) reappears, but Birdee is unable to move forward. She's in love with her husband and wants him back.

This film seems to have low scores on IMDb, giving validation to my theory that a) reviewers on IMDb are mostly men; and b) young men; who c) like action, special effects, futuristic, and science fiction films.

"Hope Floats" is actually a very sweet movie with lovely performances from everyone involved. Bullock is warm and likable as a depressed woman who comes back to town in disgrace and has to face up to people she wasn't particularly nice to in high school. Connick is handsome and charming.

Rowlands does a terrific job as Birdee's confident and sometimes overbearing mother who deeply loves her daughter and granddaughter. Mae Whitman as the child Bernice is fantastic as a hurt little girl waiting for her daddy to take her home.

Some of the best scenes occur when Birdee visits her demented father in a nursing home.

I thought this was an effective film. No bombs, no violence, just some poignant real life - a single mom, a father with dementia, and what it's like to go home and start over.

I love films like "Speed," "Inception," "Salt" and films of the classic era. There's room for all kinds of films, and there is room for an actress with the warmth and charm of Sandra Bullock. If you're not a fan, skip it. If you are, you'll love it.

I actually liked this movie. Neither because of the slow development nor of the fair acting of Bullock/Connick Jr. The brilliant performance of Mae Whitman as Bernice made this whole movie worthwhile. I've never seen a child outperform her "co-stars" like that. She sure would deserve the Academy Award for best supporting actress. So if you want to see a slow love story with a very good child performance (German magazine "cinema" wrote: "...she has the potential of Oscar winning Kathy Bates ("Misery")...") this is yours. If you are a fan of high paced action movies, don't bother to see this, you wouldn't like it anyway.

Lensed by the great Caleb Deschanel, this buttery tale of love lost and hope found actually manages to rise above the excesses of its emotionally bombastic script. This is a weeper and the dirty tricks of the trade are apparent in all its manipulative confrontation, revelation and redemption scenes. Sweet like ice cream and sickening like a chocolate overdose, HOPE FLOATS is a delicious exercise in viewer survival.

The sun-dappled cinematography, though reliant on soft-focus, is beautiful like Romantic American oils. Shot in gorgeous earth tones, HOPE FLOATS is a stunning series of postcards, the better onto which graft the sickness of relationship disfunctions. The painterly still shot of the main character taking a photograph through a window still haunts me, as does the magnificent late sequence drenched in rain.

Thankfully for the viewer, the manichean script is brought to life with a breezy confidence by Forest Whitaker. This assured artist has worked with the likes of Jim Jarmush and Clint Eastwood, and it shows in his cool camera work and straightforward approach to material that is little better than the "reality talk shows" it twice decries. Himself an actor, the director pulled bravura performances out of his main cast.

For the real star of this show is the acting: from Harry Connick Jr's solid performance to the great Gena Rowlands spot-on delivery, it's all good. Mae Whitman devastates in her "money shot" and even the bit parts are interesting to watch. But with a glance, a crooked smile and a much improved body language, it is star Sandra Bullock who proves the real gem in a movie that sparkles with all the pretension of a jewellery store. The underplayed, devastating opening scene is worth a dozen scenery-chewing showpieces - and then some.

There is quite a bit of emotional baggage borrowed in PRACTICAL MAGIC here, but the underpinnings are far better. Fearless, engaged and precise, Bullock's performance is a virtuoso piece that makes watching HOPE FLOATS a real treat; I have never seen her more bold or more beautiful (even as a vamp in MISS CONGENIALITY) - she is absolutely gorgeous here.

Manipulation and honesty mixed in an effective, emotional pressure-cooker, HOPE FLOATS may just make you sick like a roller-coaster. But for anyone interested in Sandra Bullock, it is required viewing . ..

I'm surprised at the harsh reviews and low rating of this movie!

Unlike other so-called "chick flicks", this movie has an authentic appeal to it and a real heart. Sandra Bullock is a shamed and distraught mother returning to her hometown after being dejected by her husband on national television. She is the beauty queen turned humiliated housewife and her old neighbors don't hesitate to rub it in. Sandra's strong-willed and adorable daughter is played wonderfully by Mae West. Their dysfunctional relationship is a central plot element throughout the film. Sandra finds strength in her own mother and finds new romance with a strong, sensitive cowboy type played surprisingly well by Harry Conick Jr.

Sandra must come to terms with her changing identity and role as mother while her daughter fights for a false allusion of Sandra's husband. An impending divorce between Sandra and her husband and the struggles of Sandra's daughter and nephew, create many heartbreakingly touching moments and at last - an intriguing story with a sense of humor.

Living in Texas and having visited a few small towns, I can state that the movie's portrayal of small town life is a very realistic one which only adds to the films' effectiveness.