The Land Girls

Charming, nostalgic period piece, but this is basically a pretty meat and potatoes film which just about holds the attention. The three actresses in question, Catherine McCormack, Rachel Weisz and Anna Friel are all three superb stage and film actresses, rather wasted on this lightweight stuff.

The plot is predictable, the Dorset scenery is stunning. Worth seeing if you get off on 1940s period and/or English countryside of old. On to the next film.

Whenver I think of women on the home-front during WWII, I picture them in factories taking the place of the men who went to fight. I never really thought that someone had to keep the farms going to feed the people.

Over 30,000 women left the cities in England to form the Land Army and milk the cows and plow the fields while the boys were gone off to fight the Germans.

Having said that, this was basically a Lifetime movie with a couple of laughs. The funniest part was when Ag (Rachel Weisz) decided to lose her virginity.

It was good for a story about the effects of the war on peoples lives, especially their love lives, but there just wasn't a lot there.

Besides Weisz, there was Catherine McCormack (28 Weeks Later) and Anna Friel, who had a bigger WWII role in The War Bride. Of course, we also have to mention Lucy Akhurst, who was a zombie in Shaun of the Dead.

Recommended for Lifetime fans.

We've seen this kind of story countless times in BBC imports or Danielle Steel novels. There's nothing new about the plot or the characters: saucy working class girl, sensible"head girl" type, and sensitive British lass with eyes for the equally sensitive farmhand. The plot isn't executed in a novel fashion, either, and we can see the rather abrupt ending coming miles away. Still, the leads are quite attractive, with Anna Friel, Catherine McCormack, and Rachel Weisz as the three main land girls of the title and Stephen Mackintosh as the sensitive Dorset lad. Enough so to make it worth a rent on a weekend when all the new releases are checked out!

Land Girls is about a British program during World War II that trained women from all over the country to work on farms while the men were at war. Stella, Ag and Prue are three young women from different areas and different classes who go to work on an old farm in south-coastal England. But this isn't a "fish out of water" kind of film - the women adjust reasonably quickly and become part of the family. There is a the crotchety farmer, helpful farmer's wife and good looking son who plans to join the RAF. The war feels generally a bit remote - the young women can see bombing from a hilltop, but aren't in the middle of the fighting.

The movie focuses on Stella, who's engaged to a young man at a nearby naval station. Prue is the somewhat adventurous hair stylist-turned-cow milker, and Ag is a university student off to help her country. Strongly recommended for folks who enjoy realistic settings and anything about World War II home life.

I found the movie to be a well-acted warm, personal story of three women and the English farming family that they work for as members of the Ladies' Land Army during World War II. However, at times it makes chronological leaps without much warning and it may take a few minutes to figure out exactly what has happened and what the new season is or how much time has elapsed.

It was a very interesting insight into a period of England and the life-circumstances of the country in early World War II. At times though, I had a difficult time distinguishing the subtle English accents and found myself backing up to attempt to re-hear what had been said. Sometimes I still couldn't make sense of the accent, and I'm not referring to the usual colloquial British terms that are at times foreign to Americans, although the movie is full of those as well, which adds a very quaint touch.

All in all, it was a sort of feel-good movie that possibly could have had a little more punch in the ending. I was left with the feeling that it was a nice experience emotionally and educationally, but which falls a bit short of some movies of the genre, more so probably because of the production.