ÉVALUATION IMDb
7,0/10
1,4 k
MA NOTE
Ajouter une intrigue dans votre langueA cinematic portrait of the famous fight promoter and boxing manager.A cinematic portrait of the famous fight promoter and boxing manager.A cinematic portrait of the famous fight promoter and boxing manager.
- Réalisation
- Scénaristes
- Vedettes
- A remporté 2 prix Primetime Emmy
- 11 victoires et 22 nominations au total
7,01.4K
1
2
3
4
5
6
7
8
9
10
Avis en vedette
Not A Pretty Picture Of A Flamboyant Man
Kudos to Ving Rhames for a job well done as the flamboyant boxing promoter Don King, who is still with us in the boxing game, although he's toned down quite a bit. I'll bet Rhames had a lot of fun playing this role. King, meanwhile, will always be King, and you ring fans know what I mean by that. Still, I wonder if he doesn't cringe watching this biography of him.
As interesting a career as Mr. King has, that doesn't mean I enjoyed watching this movie. It's extremely racist, at least in the first half which turned me off so much I don't recall if even finished the film. All white people were portrayed as bad people. How is that permitted, when the opposite is not. Just the typical double standard employed by most filmmakers.
However, to be fair, King was a bad, bad dude in his early days and the film is portraying that. He's a much different person today. It's just that it's not fun to watch, nor is the profanity in here fun to hear. I don't mind "language" since I'm no choir boy, but this is ridiculous in here. Don't let the "made-for-TV" label fool you. It was made for HBO, and anything goes on that network.
As interesting a career as Mr. King has, that doesn't mean I enjoyed watching this movie. It's extremely racist, at least in the first half which turned me off so much I don't recall if even finished the film. All white people were portrayed as bad people. How is that permitted, when the opposite is not. Just the typical double standard employed by most filmmakers.
However, to be fair, King was a bad, bad dude in his early days and the film is portraying that. He's a much different person today. It's just that it's not fun to watch, nor is the profanity in here fun to hear. I don't mind "language" since I'm no choir boy, but this is ridiculous in here. Don't let the "made-for-TV" label fool you. It was made for HBO, and anything goes on that network.
Don King is a monster
Ving Rhames is a truly amazing actor and always gives a wonderful performance. I always think of him as electronic expert Luther Stickell in the Mission Impossible movie series with Tom Cruise. In this film, he tackles a very challenging role and pulls it off magnificently! He should have gotten an Emmy for his outstanding work as a true American monster Don King. Don King was inducted into the boxing hall of fame recently, can you believe that? Someone said that is like burying Benedict Arnold in Arlington Cemetary. Don King did not hold anything remotely resembling an honest job until he was 40 years old and went into boxing promoting. He was nothing but a common criminal. He was a numbers runner for the Clevland syndicate and killed two men. In the first case, it was ruled justifiable homicide, in the second case it was more despicable. This man beat another man to death on a public street in front of many eyewitnesses. He literally kicked him to death until his brain ruptured. For this crime he only served a few years in prison. Rhames made me laugh in this film with his amusing portrayal of King's flamboyance and colorful use of words, but there is nothing funny about this man and the damage that he did to boxing. The most horrible thing that he did, and I WANT EVERYONE READING THIS ON IMDB TO HEAR THIS!!!LISTEN TO WHAT I AM SAYING. In 1980, Muhammad Ali came out of retirement to fight Larry Holmes in an effort to become the only man to ever regain the title three times. Before this fight, Ali had to have a physical at the Mayo clinic which is one of the finest clinics in the US. They sent a report of their findings to Don King and he supressed this report and let the fight go on. They found out that Ali literally had a hole in the membranes surrounding his brain. He admitted that he had tingling in his hands and slurring of his speech. All they would have to do is listen to tapes of him from ten years before to hear how his voice had changed. He couldn't do simple things like hopping or touching his nose with his finger (the things police have people do to take a DUI test). Don King talked of how much he "loved" Ali. IF HE LOVED HIM SO DAMN MUCH WHY OH WHY DIDN"T HE CANCEL THE FIGHT. King was so powerful do you think that he couldn't have done it. Eddie Futch was one of the legendary trainers in boxing. He trained Joe Frazier and said he loved him like a son. In the third fight he had with Ali in Manilla, Eddie stopped the fight because he knew Frazier was blind and couldn't defend himself. Keep in mind, he thought Frazier was ahead on points and it was the last round. That is a true gentleman and that is what Don King should have done with the Ali Holmes fight. Ali suffered a horrible beating that was unbearable to watch. Sylvester Stallone said it was like watching an autopsy on a living person. Ali was damaged even more by this fight and it was all because of a scumbag named Don King. Don King is a monster and he is like a Frankenstein monster because we made him and we let him get away with it. Joe Louis must be turning in his grave!!!!!
A compelling, riveting and humourous drama
Ving Rhames, a largely unknown actor, whom most would remember from Pulp Fiction, gives his role of Don King all he's got, and it really does pay off. It results in one of the decade's best telemovies, leaving the viewer hating yet strangely drawn toward the eccentric King.
It revolves around King's rise to stardom through strongarm tactics. His violent itchy trigger finger deals it's wrath to anyone who gets in the way, and it's his no nonsense approach to boxing which gets him where he is.
The story is revealed through flashbacks, being narrated by an older King. Those are the film's funniest moments. Watching Rhames strut around the ring, whilst smoking a huge cigar and speaking in a near-scream make for extremely humourous moments. Rhames' conviction to the part makes King a character that's both funny and threatening at the same time. He relishes in hyperbole, taking the good with the bad and seeing what you get.
The idiosyncrasies and mannerisms of King are all portrayed masterfully, right down to the wavy Kramer hairstyle. Each of the supporting characters are great, but, watching Jaleel White (that guy from 'Family Matters') play Muhammed Ali just reminds you too much of his sitcom character.
It's a highly satisfying, yet powerful movie. One of the telemovies which can be recommended, which is a rare occasion. This would be a wise choice if Saturday night's viewing is not up to standard.
Nine out of ten.
It revolves around King's rise to stardom through strongarm tactics. His violent itchy trigger finger deals it's wrath to anyone who gets in the way, and it's his no nonsense approach to boxing which gets him where he is.
The story is revealed through flashbacks, being narrated by an older King. Those are the film's funniest moments. Watching Rhames strut around the ring, whilst smoking a huge cigar and speaking in a near-scream make for extremely humourous moments. Rhames' conviction to the part makes King a character that's both funny and threatening at the same time. He relishes in hyperbole, taking the good with the bad and seeing what you get.
The idiosyncrasies and mannerisms of King are all portrayed masterfully, right down to the wavy Kramer hairstyle. Each of the supporting characters are great, but, watching Jaleel White (that guy from 'Family Matters') play Muhammed Ali just reminds you too much of his sitcom character.
It's a highly satisfying, yet powerful movie. One of the telemovies which can be recommended, which is a rare occasion. This would be a wise choice if Saturday night's viewing is not up to standard.
Nine out of ten.
Boxing bio-pic that punches above its weight
The life of boxing promoter Don King was/is so varied and complicated that I would have thought that a low budget TV movie would struggle with it. But hats off to the producers and HBO, while not having fortunes to spend they have covered most of it competently and in Ving Rhames they have a fantastic star performance. In fact it is hard to tell him from the real thing!
As we know, boxing has a seamy side, but King seems to the kind of person that pushes the boundaries of even this biz. His silver tongue (he did a lot of reading in prison) tricks many a young boxer in to signing or doing what he wants.
From jailhouse to courthouse to penthouse Don has a quality that many an eel would admire. Somehow he always comes back from any setback and seems to be able to actually to turn anything to his own advantage. If you didn't know a lot of this was true you would call it over-the-top!
His early life as a numbers runner is not glossed over, although he portrays himself as being in the "hope business" and doing people a big favour. Even in charity he thinks of only one thing - himself.
This is great black (in more senses than one) comedy and provides many belly laughs - his treatment of Larry Holmes is a gem, even turning up with a contract on this honeymoon!
You don't have to be a boxing fan to enjoy this movie, but it helps. Boxing scenes are well recreated and the star performance by Rhames (who usually plays straight-ahead bad guy roles) is worth tuning in for all by itself. Very enjoyable and far more entertaining than many boxing films with several times the budget.
As we know, boxing has a seamy side, but King seems to the kind of person that pushes the boundaries of even this biz. His silver tongue (he did a lot of reading in prison) tricks many a young boxer in to signing or doing what he wants.
From jailhouse to courthouse to penthouse Don has a quality that many an eel would admire. Somehow he always comes back from any setback and seems to be able to actually to turn anything to his own advantage. If you didn't know a lot of this was true you would call it over-the-top!
His early life as a numbers runner is not glossed over, although he portrays himself as being in the "hope business" and doing people a big favour. Even in charity he thinks of only one thing - himself.
This is great black (in more senses than one) comedy and provides many belly laughs - his treatment of Larry Holmes is a gem, even turning up with a contract on this honeymoon!
You don't have to be a boxing fan to enjoy this movie, but it helps. Boxing scenes are well recreated and the star performance by Rhames (who usually plays straight-ahead bad guy roles) is worth tuning in for all by itself. Very enjoyable and far more entertaining than many boxing films with several times the budget.
Compelling Performance by Ving Rhames
While there are a number of good points about the film "Don King: Only in America"--the script, the direction, the supporting cast--by far the best reason to watch it is Ving Rhames' stunning performance as Don King. Ironically, although King is an extremely gregarious personality, Rhames' performance wins through its subtlety. Through the slightest gestures and facial expressions, Rhames paints a portrait of a man who is both repellent and compelling. The best touch of genius in the script comes in the scenes when Rhames as King comments upon the actions and events depicted in the regular film, actually "talking back" to the camera, filmmakers and audience. (At one point, he even calls HBO hypocrites.) I have never cared much for boxing, but there is no denying Don King is one of the most influential and colorful personalities of our century, and this film gives us an insight into his life we would did not have previously.
Le saviez-vous
- AnecdotesWhen accepting the Golden Globe for "Best Actor In A Miniseries or Made For TV Movie" a tearful Ving Rhames called fellow nominee Jack Lemmon onstage and praised him for being such an inspiration. He then shocked the audience, as well as Lemmon, by giving him the award.
- Citations
[in a restroom]
George Foreman: Aren't you gonna wash your hands?
Don King: I wash my hands *before* I touch my dick.
- Générique farfeluThe credits end with Don King proclaiming "It's me, baby!".
- ConnexionsFeatured in The 55th Annual Golden Globe Awards (1998)
- Bandes originalesStagger Lee
Written by Harold Logan and Lloyd Price
Performed by Vondie Curtis-Hall
Produced by Anthony Marinelli
Arranged by Anthony Marinelli
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Don King: Only in America
- Lieux de tournage
- Lincoln Heights Jail - 401 N. Avenue 19, Lincoln Heights, Los Angeles, Californie, États-Unis(When Don King walks out of Ohio State Prison)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant







