S.F.W.

S.F.W.

Aspect ratio: 1.85:1

Sound format: Dolby Stereo

A feckless young man (Stephen Dorff) becomes an unlikely celebrity after surviving a televised hostage ordeal in his local convenience store, but he's unable to reconcile the tragedy of the siege - in which his best friend (Jack Noseworthy) was killed - with the exaggerated version of events peddled by a ratings-hungry media.

Jefery Levy's cult-movie wannabe pairs Dorff alongside relative newcomer Reese Witherspoon in a vicious assault on the contemporary media, depicted here as a soulless entity concerned solely with ratings and money (yeah, so what else is new?). The message is obvious, but Levy and co-scriptwriter Danny Rubin (GROUNDHOG DAY) revel in their own daring: Dorff and Witherspoon play ordinary characters who emerge from an extraordinary situation and are forced to confront their unexpected (and unwanted) fame. However, Levy's unflattering view of modern journalism (symbolized by John Roarke as a variety of thinly-disguised real-life TV celebrities who feed off other people's misery, and Gary Coleman in a fleeting, self-deprecating cameo) seems a little distorted and misleading, though clearly filtered through the lead character's personal viewpoint. Dorff himself is terrific, as always, playing a charismatic and foul-mouthed Everyman, scornful of the manner in which his personal misfortune has been manipulated to feed the expectations of a mindless, sensation-hungry audience. But there are moments when the screeching soundtrack fades abruptly to silence and Levy concentrates on Dorff's haunted face as he recalls key events - good and bad - from the siege, and the friendships that were forged and destroyed under extreme duress. The movie doesn't say anything new, but the execution is invigorating.

Look out for an early appearance by Tobey Maguire as a young stoner who thinks he's died and gone to heaven when he and his buddy (Dana Allan Young) encounter their idol Dorff on an empty street (a truly hilarious sequence). Steve Antin cameos as a news reporter named after his character in the equally odd INSIDE MONKEY ZETTERLAND, helmed by Levy in 1992.

I just watched S.F.W. and was amazed at how, at least five years before the major trend of 'reality TV' became the in-thing, this movie satirized it, and showed it for how wrong and un-real it is. This movie scathingly commentates on the media's ability to warp and distort truth, and to give the mundane deep meaning. Cliff Spab is a meaningless person trapped in a meaningless society that does not appreciate the horror of his ordeal and ruthlessly tries to cash in on his pain. This film is chock-full of meaning and irony, and it is simply brilliant.

I'm not trying to say that this movie is the greatest movie ever made, but I feel that it is too bad that more people do not know about S.F.W. It's a bit hard to believe the plot, but since when have movie plots played within the guidelines of normal society. Stephen Dorff gives an amazing performance as Cliff Spab. This was the first movie I ever saw him in, and seeing S.F.W. really made me think he is destined for big things. I liked how the story shifted from past to present constantly. This way, you had to wait until the end of the movie to find out what happened at the beginning. Makes it all the more intriguing. I love this movie, and most people would too if they gave it half a chance.

Way, way ahead of it's time (similarly themed films made years after were Natural Born Killers, Mad City, Truman Show), this is, quite simply, a life-altering, mind-altering film which zeroes in on and then embodies the zeitgeist of the nineties. See this film, take a look at the world surround you (especially western popular culture), and think about it. It's also pretty f***in' funny.

A young man becomes famous due to a horrific situation. Now he has to live with the fame and the memories that it brings. There seem to be too many characters, that are developed only to be left with without discussion after their scene. Stephen Dorff does a great job, which is important, since the movie is mostly watching him walk around and deal with the stresses of his fame. The flashbacks seem to do a good job of show his traumatic stress disorder.

The sound track is great, with a special appearance by GWAR.

See it or not. As the main character says "So F**king What?"