Avec l'aide du capitaine Kirk, présumé mort depuis longtemps, le capitaine Picard doit arrêter un scientifique dérangé prêt à tuer à l'échelle planétaire afin de pénétrer dans une matrice sp... Tout lireAvec l'aide du capitaine Kirk, présumé mort depuis longtemps, le capitaine Picard doit arrêter un scientifique dérangé prêt à tuer à l'échelle planétaire afin de pénétrer dans une matrice spatiale.Avec l'aide du capitaine Kirk, présumé mort depuis longtemps, le capitaine Picard doit arrêter un scientifique dérangé prêt à tuer à l'échelle planétaire afin de pénétrer dans une matrice spatiale.
- Réalisation
- Scénaristes
- Vedettes
- Prix
- 2 victoires et 4 nominations au total
Avis en vedette
First and only reunion of the mythic Kirk and Picard in an exciting motion picture
Idealism , humor , humanity , several agreeable characters and trademark effects abound and will please the enthusiasts and the neophytes . The writing is concentrated upon characters as well as the action and magnificent special effects by ILM (courtesy George Lucas) and a spectacular production design . Atmospheric and sensational music by Dennis McCarthy , habitual of TV episodes . Colorful cinematography by the classic cameraman John A. Alonzo . The motion picture was well directed by David Carson . The movie was made in the typical professional manner of the franchise and in the nostalgic mode of its predecessors . Yarn will appeal to hardcore trekkers as well as the initiated.
"I was out saving the galaxy while your grandfather was still in diapers."
"Generations" initially comes off as a great gimmick, of uniting two generations of Enterprise crews, but this never really pays off, as the only two who meet are Picard and Kirk. "Generations" is NOT one of the stronger entries in this film series, with an engaging but uninspired story. The main attraction for veteran fans is likely to be the prospect of Picard and Kirk teaming up for the final half hour, engaging in fisticuffs with the maniacal Soran and hurrying to prevent him from destroying a star.
This viewer can't speak as one who has necessarily been a big Trek fan from the start, so he basically views this as pretty fun, all things considered. Certainly all the series regulars are in very fine form, with the android Data (Brent Spiner) getting the lions' share of the comedy relief, as he has inserted a special computer chip that allows him to experience emotions. This presents a problem at times, because either *everything* is amusing to him, or he gets scared easily.
It's nice to see old hands James Doohan and Walter Koenig, however briefly; Shatner brings the final part of the film to life. Not such an easy task, given the talents of Stewart (Picard has some key emotional moments) and the delicious, hammy villainy of McDowell. In addition to the regulars from the 'Next Generation' series, other familiar faces like Alan Ruck, Jacqueline Kim, Jenette Goldstein, Glenn Morshower, Tim Russ, and Brian Thompson turn up. An unbilled Whoopi Goldberg reprises her role of Guinan.
Wonderful music by Dennis McCarthy and some impressive visual effects by ILM help to make this a reasonably entertaining series entry.
Seven out of 10.
The Two Captains
This opens with William Shatner along with Walter Koenig and James Doohan out of retirement to take a short spin on the inaugural voyage of a new Enterprise. The ship gets called on a rescue mission but James T. Kirk is lost and presumed dead.
A century later Patrick Stewart and his Next Generation crew are involved with chasing a renegade scientist Malcolm McDowell whom you can usually find playing disturbed people. He's got some kind of mad scientist scheme to get to a place called the Nexus where time and space have no meaning. To do that he has to launch a missile into a star and have it explode. That it will kill all life in its solar system has little concern. As mad a scientist as you will ever find.
So there's Jean-Luc Picard in pursuit and he gets help from an unlikely source.
That's as far as I go. McDowell is a great villain, always is. It's not the greatest of science fiction plots I've seen. But Trekkies around the globe will love this summit film from the Star Trek franchise.
Entertaining send-off for Captain Kirk. William Shatner was brave to take this role
I find this to be very underrated among Star Trek goers. I mean, how cool is it to see the two greatest Star Trek characters in history Shatner's Kirk and Stewart's Picard team up to face evil adversity. It was a real treat to watch. I'm well aware Patrick Stewart had already started Trek previously before this with the TV series, Star Trek: The Next Generation, but it was still cool. I also thought the opening tribute to Kirk was well-done, and neat to see, considering he did so much for keeping Star Trek alive. This movie also benefits from one of the most underrated madman's of cinema Malcolm McDowell playing crazy like only he can, going up against the two memorable Star Trek icons. The finale is intense, emotional, and in my opinion a fitting send off for Kirk.
Performances. William Shatner is not the star, his screen time is precious, but his bravery to take this part and putting his ego aside is clearly refreshing. He is still charismatic, and iconic as ever. Patrick Stewart's intensity knows no bounds, and he was the perfect choice to take over in the movies. I love the guy. Malcolm McDowell is a great foe for Stewart, and I was glued to the screen every time he was on it. Not many people can play a madman like him. Jonathan Frakes is likable, and enjoyable to watch as Riker. Rest of the cast does fine.
Bottom line. This is an entertaining entry to the Star Trek saga, and many people underrate it as far as I'm concerned. It ranks among my favorites in the series. Recommended
7/10
A childhood favorite of mine.
The first part of the movie seems to pick up where "The Undiscovered Country" left off; and it does so on a somewhat sour note. Retirement does not sit at all well with Captain Kirk, and he hates the idea of being a "legend" and having the namesake of his beloved ship run by a bunch of inexperienced kids and a skeleton crew (the running "tuesday" gag is hilarious). I think Walter Koenig and James Doohan were marvellous in the first part of this movie, and the scene where they arrive on deck 15 and find themselves staring into the void of space is chilling.
After this, it picks up with the Next Generation Crew, and boy, does the camera love the Enterprise D. It's emotional to see the crew going through the changes this movie throws at them, and by the time Geordi's kidnapped and Data's emotions are uncontrollable, my heart was in my throat.
It's also a pleasure to see Whoopi Goldberg reprise her role as Guinan, and as far as humor goes, Data's newfound sense of humor had me on the floor.
I LOVED Picard and Kirk's interactions and the segment in Kirk's cabin is an absolute hoot. (Picard: "This is not your bedroom.") Soran is a great villain, truly ruthless and threatening. Out of all the Next Gen films, this is probably my favorite. It has an atmosphere about it that's very appealing to me, and the only other TNG film that had the same feeling was Nemesis, which I still maintain was a DAMN good movie.
Le saviez-vous
- AnecdotesThis was the first Star Trek film to be produced and filmed after the death of Gene Roddenberry. Following his death, the Star Trek creative team began using story ideas and concepts to which Roddenberry was opposed, which included the teaming up of Patrouille du cosmos (1966) and Star Trek: The Next Generation (1987) characters.
- GaffesOn the Enterprise-B, a science officer says "The Lakul is one of two ships transporting El-Aurian refugees to Earth." If people knew about El-Aurian refugees in the 23rd century, they should have also known about what made them refugees, i.e. they shouldn't have learned about the Borg only in the 24th century. No reason is given as to why all El-Aurians would hide this information for a century.
- Citations
Kirk: Captain of the Enterprise, huh?
Picard: That's right.
Kirk: Close to retirement?
Picard: I'm not planning on it.
Kirk: Well let me tell you something. Don't! Don't let them promote you. Don't let them transfer you. Don't let them do *anything* that takes you off the bridge of that ship, because while you're there... you can make a difference.
Picard: Come back with me. Help me stop Soran. Help make a difference again!
Kirk: Who am I to argue with the captain of the Enterprise? What's the name of that planet? Veridian III?
Picard: That's right.
Kirk: I take it the odds are against us and the situation is grim?
Picard: You could say that.
Kirk: You know if Spock were here, he'd say I was an irrational, illogical human being for going on a mission like that.
[pause]
Kirk: Sounds like fun!
- Autres versionsFox-TV version removes some footage: During the crisis on the Enterprise B, Kirk starts to stand a number of times to offer a suggestion and then thinks better of it, sitting back down. Scotty leans over after this happens a few times and asks if there's something wrong with his chair. Scotty's remark is deleted. After Riker orders the computer to remove the plank, causing Worf to be dumped in the water, his follow-up exchange with Picard is missing - Picard: "Number One, that's 'retract' the plank, not 'remove' the plank." Riker: "Of course, sir. [shouting over the rail] Sorry!"
- ConnexionsEdited from Star Trek VI: La conquête du nouveau monde (1991)
- Bandes originalesTheme from 'Star Trek'
TV Series
from Patrouille du cosmos (1966)
Music by Alexander Courage
Arranged and Orchestra Conducted by Dennis McCarthy (uncredited)
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Star Trek: Generations
- Lieux de tournage
- Valley of Fire State Park - Route 169, Overton, Nevada, ÉTATS-UNIS(Veridian III surface)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 35 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 75 671 125 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 23 116 394 $ US
- 20 nov. 1994
- Brut – à l'échelle mondiale
- 118 071 125 $ US
- Durée
- 1h 58m(118 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1







