Un psychologue agoraphobe et une femme détective doivent travailler ensemble pour éliminer un tueur en série qui copie les tueurs en série du passé.Un psychologue agoraphobe et une femme détective doivent travailler ensemble pour éliminer un tueur en série qui copie les tueurs en série du passé.Un psychologue agoraphobe et une femme détective doivent travailler ensemble pour éliminer un tueur en série qui copie les tueurs en série du passé.
- Réalisation
- Scénaristes
- Vedettes
- Prix
- 2 victoires et 1 nomination au total
- Cop 1
- (as Scott De Venney)
Avis en vedette
Not a terrible film, but 'lightweight' and dated
Basic outline - Sigourney Weaver plays a serial killer expert, haunted by her past, who is roped in by the police to guide them towards a serial killer operating in the city. The murderer is copying the M.O. of famous serial killers from the sixties, seventies and eighties.
The problem is that even though it is ostensibly - as its title suggests - a film about Copycat killers, it feels somewhat lightweight in the amount of 'copycatting' - it feels like a tame half-baked plot line, which is more focused on Sigourney Weaver's character's past horrors. The 'copycat' idea just feels so, so underplayed - the director doesn't really work off it, it's just a vaguely interesting aside by the final reel.
However, it must be said, Sigourney Weaver acts her socks off - she really does play an excellent role as an agoraphobic suffering with a chronic (understandable) case of PTSD. Holly Hunter also plays her role with gusto.
However, disappointingly, the perpetrator is 2d and meaningless; after the film spent the first 10, 20 minutes explaining that a serial killer can be 'just like you and me' they didn't then justify that at all, they just roped in a cartoon (overacted) nutter.
Too much is 'stock' - there is quite a jarring, wasted death which feels put in for the sake of ticking that Hollywood plot box. Police guards are literally the most useless in any film, ever. The scenes of the internet in its infancy are quite endearing, but do date the film terribly.
Yeah, overall, it just feels like a missed opportunity. It's hard to believe that this and the majestic 'Se7en' came out within a month of each other; one looks, feels and plays like mid-nineties Hollywood, the other is so much more.
Well Thought out Serial Killer Movie
The characters build nicely as the story moves along at a steady pace, Weaver and Hunter both capture their characters very well and they are supported convincingly by Dermot Mulroney, William McNamara, Harry Connick Jnr. and Will Patton.
Copycat is full of suspense and intrigue, and it is a really solid film in every respect; it doesn't have the style or the punch of films like Seven and Silence of the Lambs, but it is definitely well worth watching.
7/10
Wow, people are really overrating this one.
Chilling, thriller diller about a serial killer!
It remains an effective thriller after thirty years.
I haven't seen this film in over twenty years, and it remains an exciting and tense thriller. If you have a good knowledge of serial killers, it'll be a bonus, as it'll help you understand some of the references.
Pacing and tension are two of the show's strengths, but best of all is the excellent leading performance from Sigourney Weaver, who shines in the role of the troubled psychologist.
The acting throughout is very good, especially Holly Hunter's performance.
Made back in 1995, I wish it had gone a little further; only in the latter stages of the movie do we get to understand what the killer's M. O. and motives are.
7/10.
Le saviez-vous
- AnecdotesYears later, Sigourney Weaver would state that she was most proud of her work in this film. She worked hard to portray the mindset of an agoraphobic, and has regretted that the movie was lost in a shuffle of thrillers at the time and is not better remembered.
- Gaffes(at around 1h 30 mins) When the copycat killer does the "Dahmer" crime, he dumps the decapitated body into the river. Jeffrey Dahmer would've never done this, as he kept all the bodies in his apartment for further sexual gratification, then he dismembered them and submerged them in acid, sometimes he ate parts, also he boiled the heads and kept the skulls for a sculpture he was planning to do. He killed for companion, to have a submissive partner by his side, he killed men he felt attracted to and he would've never gotten rid of a body.
- Citations
Helen Hudson: Fuck you.
Peter Foley: What?
Helen Hudson: You heard me, you little twerp. Do you think I'm afraid of you?
Peter Foley: I know you are.
Helen Hudson: I know all about you. You're just a sad, second rate, boring, impotent little copycat.
[laughter]
Peter Foley: Watch it, bitch, or I will slice that smile off your face, do you hear me?
Helen Hudson: Daryll Lee couldn't get it up either.
Peter Foley: DO YOU HEAR ME?
[Helen spits in Peter's face]
Peter Foley: Okay, I see, Helen. Nice try. You wanna know a little secret? Huh? I'm on to your trick. I won't kill you fast no matter how much you're gonna want me to.
- Autres versionsItalian video version tones down most of the violence; most notably, Darryl Lee Cullum is not shown slitting the policeman's throat in the prologue.
- ConnexionsFeatured in Siskel & Ebert & the Movies: Get Shorty/Now and Then/Mallrats (1995)
Meilleurs choix
- How long is Copycat?Propulsé par Alexa
Détails
Box-office
- Budget
- 20 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 32 051 917 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 5 170 522 $ US
- 29 oct. 1995
- Brut – à l'échelle mondiale
- 32 051 917 $ US
- Durée
- 2h 3m(123 min)
- Mixage
- Rapport de forme
- 2.39 : 1








