Kiss the Sky

Kiss the Sky is about two buddies Jeff and Marty who decide to go to the Phillipines to escape the wives and recapture the "freedom" of their youth. They end up becoming involved with a young Australian Girl played by Sheryl Lee of Twin Peaks fame. William Peterson plays Jeff, the more confident, outspoken, and dashing one and Marty is played by Gary Cole who is more emotionally shattered, but more into the religion of Buddhism.

Although the movie has some unnecessary sex scenes, it has some smartly written dialogue about the middle aged crisis that some men go through. It also shows kind of in a brutal way of what men want in a relationship and what a woman wants and how hard it is for the two sexes to communicate involving the emotions of the heart.

In their attempt to create their own Utopia, Jeff and Marty discover it is harder to turn to reality, then just holding onto the idea itself.

Terence Stamp gives the best performance playing a witty buddhist monk who gives advice to the two men. Patricia Charbonneau gives a great performance and still looks fantastic to this day.

This movie is definitely not for the whole family and I believe will cause discomfort for some men and women who watch due to honest dialogue of the movie and also because it deals with problems that I think a lot of married couples can relate to.

It is no secret that many forty-something men are dissatisfied with their lives. And it is no big new plot story for them to run off from their married lives to pursue some new life of enlightenment and adventure. For those reviewers that panned this movie, that's all they got out of it. And if that's all there were to this movie, they'd be right to pan it.

Jeff and Marty are very close to each other. It would be impossible for either one of them to act without the other, at least when they start out. They have such a bond that when the much younger love interest shows up, they find a way to share her. The three way sex scenes are tastefully done, and Andy (the delicious Sheryl Lee) is clearly seduced by the idea of having two men in a sense of fun.

But they aren't the same guy. This movie is all about how they play off each other. The self-assured Jeff shows just the right amount of vulnerability, and the diffident Marty shows the right amount of insight. These two guys are different parts of a conflicted soul, too complex for a friendly Dutch monk (Terence Stamp) to guide.

A movie for adults.

Wrenching depiction of the male midlife crisis, in full bloom - completely acted out, with a kiss-off to the proverbial "American Dream." Well-cast with great scenery and direction, this film brings the audience into the internal struggle of two 40-something men trying to figure out what they and women really want out of life and relationships. With hopes and desires crumbling all around them, the American Dream not satisfying them, they accept the notion of process and continuous unsettlement, whether back with their families or off in a Buddhist monastery. The problem is not in what they have or do not have - it is with themselves. Very poignant angst captures the postmodern mindset.

I accidentally watched this movie around four or five years ago on TV as I spent my time away searching for something to watch on a friends house in the Middle East. I wasn't even focusing much on the plot then or whatsoever though the few naked scenes which I had the luck of seeing first of all the other scenes kept me interested enough so as not to switch channels for a while. I found it not really my type then (because then I was just in my mid thirties?). What interested me more afterward as this movie rolled on was that the language spoken in the background (aside from English) and the scenery seemed to be all too familiar. I'm a Filipino and hey, they were speaking Tagalog and those were places and items from the Philippines..the beaches, the markets, the festivals, the foot-pedaled trikes, passenger jeepneys etc., etc... In particular I was puzzled by their depiction and use of the Taal volcano island on Taal lake which they seemed to call Lake Toba in the film. Well back then, I already had this grand illusion that such place is the most beautiful of all places in the world (and I did travel a lot worldwide). The movie at least jived with my opinion that that place is paradise literally (though of course as the monk has said we create our own paradises or we pursue our paradises in vain?). Anyway these days I searched again for this movie for another value since I turned 40. It really appealed to us mid-lifers- white or Asian perhaps. Enjoy watching- its about you if you are more like my age and male of course. Though of course I don't approve of the threesome. And I love Sheryl Lee, I wonder where she is now.

I don't know who the person was who wrote the summary, but he/she did this movie no justice by dismissing it as a couple of guys on a mid life alcohol/drug fueled crisis. My take: I've been in the video biz for 20 years because I love movies--especially those amazing auteur classics Hollywood somehow let slide for so long in the 70s-- and I'm now 48, comfortable, guilty, confused, and feeling totally misunderstood, misjudged, and about to give up. Then I run across "Kiss the Sky", this incredible movie that actually tries to honestly describe the emptiness inherent in being a successful upper middle class (probably white) American Male. How many buddy movies have you seen like "City Slickers" or "Very Bad Things" that almost get that ineffable feeling of loss and despair right only to cop out with lowest common denominator humor or cheap sentiment? "Kiss the Sky", given the times and given the state of the movie industry is the closest we'll ever get. Deftly sidestepping cliches and easy answers, this tale of 2 middle aged guys who are smart enough to know that their material success doesn't mean that much and isn't really their doing anyway goes bravely if imperfectly where no movie that I have ever seen has gone before. ("Leaving Las Vegas" has some resonance but it's ultimately a one man story, not a generational statement.) I don't know where this movie came from or how it got made or who was nuts enough to think it had any commercial viability (it doesn't except if it's hawked as a hard R straight-to-video cheapie, and the person who wants that will be disappointed by this.) Anyway, if I'm speaking to you, watch this movie!