Dans la peau de John Malkovich

... but without it you'd be unconscious or you wouldn't be you, or are you, you? Exploring identity, appearance, choice and fame in the most original and entertaining of ways, this esoterically amusing vision of what makes us who we are manages to keep you engaged and amused while encouraging a little self reflection upon completion - that is if it is you doing the reflecting, pulling your own strings, grinding your own organ, dancing to your own tune.

BEING JOHN MALKOVICH (1999) ****

Starring: John Cusack, Cameron Diaz, Orson Bean, Catherine Keener, John Malkovich, and Charlie Sheen Director: Spike Jonze Running Time: 113 minutes Rated R (for sexuality and language)

By Blake French:

It is not every day that I use words in my movie reviews such as unique, creative, inventive, imaginative, original, fresh, mesmerizing, and unmatched. Under the circumstances of "Being John Malkovich," a wonderfully hilarious presentation of an incomprehensible idea, I find myself using every one of those phrases and then some more being deserved. Everything about it is labyrinthine, intriguing, and very funny. It is one of the years best films, and should be well presented come Academy Award time.

"Being John Malkovich" details the relationship between Craig and Lotte Schwartz. They basically live an old fashioned life in a small apartment with a miniature zoo of pets and a puppet factory inside. Lotte is a typical, unattractive homemaker while Craig holds that unusual occupation of being a professional puppeteer. Desperately searching for employment, Craig soon visits a business for an interview as a filer when he discovers for some odd reason the construction of the office floor is all but several feet tall, forcing all employees to bend over backwards just to walk around.

One of those employees is named Maxine, a highly seductive co-worker of Craig's. When he asks her out for a beer one night, Craig experiences lustful thoughts about her, and nearly begins an affair as his seemingly loving wife wonders around her happy little apartment all by herself.

As you can see, the household isn't exactly a joyful situation. All things change, from blossoming sexual confusion to inner self-esteem, when Craig uncovers a small door behind a filing cabinet in his office. It is tucked away, hidden acutely well in a dark corner, which is found mysteriously by accident when Craig droops a paper behind the cabinet. After Craig explores this deep miniature, seemingly endless hallway, he discovers this secret door leads to the brain of actor John Malkovich for fifteen minutes, then spits you out along the roadside afterwards.

Wow, sounds like "Alice in Wonderland," doesn't it...well, sort of. Craig first tells his co-worker about his discovery, who continues to think he's nuts. Then, after explaining and showing this portal to his wife, who is hysterical, Maxine begins to believe Craig, and concoct a devilish idea. To sell tickets allowing a pedestrian to enter the mind of a famous celebrity. The tagline: Ever wanted to be someone else? Now you can.

It is very intriguing how the narrative point of view is juggled between Craig and then Lotte after the problem is introduced and then solved: the couples dead-end lives are lifted in glory. This creates a second conflict moving us smoothly into the second act. Perfect internal problems are created with the two female leads; Lotte and Maxine find themselves physically attracted to each other in unbelievable character twists. The two end up having a femininity sexual relationship while one is entrapped in the mind of Malkovich, and the other experiences the actual Malkovich. It is a beautifully crafted structure, with act breaks so clear and complications so faultless it is no wonder while this is such an effective picture.

Also first rate here are the performances. Although the film offers strange types of roles for these actors to indulge themselves in, they do a wonderfully energetic job. Cameron Diaz is flawlessly cast as Craig's sexually and mentally uncoordinated wife, and delivers us a comically riotous character. John Cusack as Craig himself is superior and believable as a down on his luck puppeteer, and possesses a perfect blend of humor and unpredictable qualities with his character. Also quite good here, John Malkovich, who has much more of a difficult role than one would think. He has some hard scenes where Craig controls him while inside his mind, which requires great skill to perform.

However, better than any performance, and more amazing then any flawless characters or plot, is the concept of a human being thinking up such an absurd idea as the imagination behind the beauty of "Being John Malkovich." With such a penetrating, magical atmosphere to it, it is kind of a shame that the filmmakers created this film in the form of a black comedy instead of something more harrowing. Although comedy is simply the most logical choice to categorize this type of film, wouldn't it have been interesting to see this movie as a drama, or perhaps as a spiritual awakening picture.

Regardless, the film still has an oddly powerful message to it, which I will not, nor do I ever directly reveal in any of my reviews. You see, since different individuals come from different backgrounds, and thus see things differently. It is because of this that I do not allow my personal take on a message persuade another filmgoer whose idea of a moral may be much different than my own. But I will say that "Being John Malkovich" might not overtake the box office, but for appreciative movie patrons, this one is sure to be treasured for a long time to come.

Brought to you by Gramercy Pictures.

I give my nine points for originality and the quality of production though, not the likeability of the characters. John Cusack and Cameron Diaz play Craig and Lotte Schwartz, a married couple that are going through the motions and don't seem to realize it. Cameron Diaz is made up to be so dowdy looking that she is initially not even recognizable. They live in a basement apartment crowded with animals (Lotte is an animal lover who works at a pet shop). Craig is a puppeteer who cannot find work in his chosen field and even gets beat up on the street for staging what one beefy dad thinks is a sacrilegious puppet show.

At the suggestion of his wife, Craig goes looking for a regular job, and due to his fast hands he gets a job as a file clerk at LesterCorp. There he meets Maxine, a pretty but sociopathic young woman who, fortunately for society, seems to have no violent impulses, because if she did believe me she would follow them. Craig falls for her. Lotte falls for her. And they both make a play for her simultaneously when she comes over for dinner one night. She rejects them both.

Maxine made it clear from the beginning she considered Craig a pathetic loser, but she needs him to exploit something that Craig discovered - a door that leads to a portal in which anybody who enters gets to "become" John Malkovich for fifteen minutes. At the end of the fifteen minutes the person is spit out on the side of the road at the entry to the New Jersey Turnpike. As a team they reopen Lestercorp at night and charge people 200 dollars apiece to "become John Malkovich". Neither of them knows what this portal is doing there behind a file cabinet and why it leads to Malkovich, but they initially don't care past its monetary value.

It is part drama, part comedy, and even part horror and completely weird. And what the portal is doing there is all wrapped up in Dr. Lester, owner of Lestercorp, who is the only likeable character in the film, and even he has more than a bit of a Dr. Frankenstein/God complex.

Also featuring Mary Kay Place as the object of Dr. Lester's lust who has convinced him he has a terrible speech impediment - he does not, John Malkovich as himself, and Charlie Sheen as himself and Malkovich's friend. It is great seeing Charlie Sheen when he was still healthy.

Very highly recommended. But the plot is so weird you just have to let go of your reason and go with it.

Unemployed puppeteer Craig Schwartz (John Cusack) and animal lover Lotte Schwartz (Cameron Diaz) are in a loveless marriage. Craig gets a job on the low ceiling 7½ floor of a Manhattan office building. He falls for alluring fellow worker Maxine Lund (Catherine Keener) who doesn't return the feelings. He finds a doorway in his office that leads into the mind of John Malkovich. After 15 minutes, the person is ejected into a ditch on the New Jersey Turnpike. Maxine decides to sell tickets at $200 a pop. Lotte is completely changed by the experience and thinks she's a transsexual. Craig's boss Dr. Lester is obsessed with Malkovich.

This is one of the strangest and most compelling ideas ever put on the screen written by Charlie Kaufman and directed by Spike Jonze. It is exciting that everything and everyone is a little off in this movie. Cameron Diaz is ugly. John Cusack is disheveled. Catherine Keener is a sex goddess. The whole movie is off its axis and so much the better for it. It's so weird that it's a lot of fun.

This film was absolutely incredible. Attempting to explain the plot in any way that would do it justice would be an excercise in futility, but let it be said that I see many, many movies, and in my lifetime, I have never seen a movie such as Being John Malkovitch.

The acting is completely brilliant .. Cameron Diaz is nearly unrecognizable, both in behavior and appearance, as is John Cusack. John Malkovich was presented with an interesting opportunity in playing himself, and he seems to have seized the opportunity with relish. He is most definitely not being himself in front of the camera, but instead creates this wonderful character of John Malkovich the vessel.

I've admired Spike Jonez's work for a good long time, and I'm pleased to say that in his first full length feature as a director, he succeeds with flying colors in creating an original, beautiful, humorous, and good natured picture.

See Being John Malkovich, because come Oscar time, you're going to want to know why its winning!