eXistenZ

Antenna Research is testing a new game system eXistenZ created by great game designer Allegra Geller (Jennifer Jason Leigh). An assassin shoots her with an undetectable organic gun. She is injured and marketing trainee Ted Pikul (Jude Law) takes her away from the danger. Her pod contains the only copy of eXistenZ and she has to test it. Ted is forced to get a bio-port installed by underground installer Gas (Willem Dafoe). However he turns out to be out for the contract on her life. It's a long road where reality is questionable and the world is full of danger.

It's a lot of ooey gooey organic effects and perverse sexuality. I'm not sure if Cronenberg is actually making a point but it seems to be warning a merging and confusion between reality and game. It's a lot of weird stuff going on. It's not scary or even disgusting. It's just oddly fascinating.

"We're both stumbling around together in this unformed world, whose rules and objectives are largely unknown, seemingly indecipherable or even possibly nonexistent, always on the verge of being killed by forces that we don't understand." So says Ted Pikul in the film. Which for some people sums up life and 'eXistenZ' probably is a film about existence. What is real and what is unreal and how you tell the difference. Or not. The last line of the film is superbly ambiguous.

The film seems like a shaggy dog story (indeed it has a real shaggy dog in it) but it takes you along on an interesting ride, full of provocative Cronenberg touches that will make you look at amphibians, game pods, fish, spines and bones in a new light. Some bits are quite icky. It takes place in a rural setting where the gas station is called 'GAS STATION' and a Chinese restaurant is called 'CHINESE RESTAURANT.'The film has an engrossing texture that is leagues away from your usual big budget science fiction movie.You can read many things into the film and it repays watching more than once.

The main actors are Jude Law who is OK and Jennifer Jason Leigh who is great. Some roles don't suit this very talented actor but when she has a good role like this she is unmatchable. Her unconventional beauty and fascinating voice suits the part of Allegra. (Looks great in a short black skirt too.) There are other familiar actors but they are not given much to do. It looks good, sounds good and a Howard Shore score complements the film very well. Cronenberg is possibly the Alfred Hitchcock of the sci-fi/horror genre. No matter what film he makes he is always worth watching.

In a near future, the Antenna Research and the Cortical Systematics Corporations dispute the market of games. When the designer of the game eXistenZ Allegra Geller (Jennifer Jason Leigh) comes to a lecture to demonstrate and test her game, she is attacked by a fanatic terrorist. However,the marketing trainee of Antenna Research Ted Pikul (Jude Law) saves Allegra and flees with her in his car.

When Allegra awakes, she requests Ted to let her connect in his bio-port to check the damage in her pod with the original version of eXistenZ. Ted does not have bio-port since he is afraid of any possible infection, but Allegra convinces him to go to the gas station, where she asks the attendant Gas (Willen Dafoe) to make a hole in Ted's spine and install a bio-port. Soon she learns that Gas works for the enemy, but Ted and she play eXistenZ, in a bizarre virtual world. When the game merges in the real life, Ted and Allegra question whether they are still playing the game or whether the game has been transported to the real world.

"eXistenz" is another bizarre and original film by David Cronenberg, with a weird and gruesome concept of virtual reality. The twisted story has similarities with "Matrix", entwining virtual world with reality, but both were made in the same year (1999); therefore it seems that there is no plagiarization of the idea. Jennifer Jason Leigh and Jude Law show a great chemistry and the plot has many twists. Surprisingly, "eXistenz" has not been released in Brasil neither on DVD nor in blu-ray. My vote is eight.

Title (Brazil): "eXistenz"

Note: On 28 March 2021, i watched this film again in a recently released Brazilian version.

Wouldn't it be great, if you could really recreate, a world inside a simulation, to release imagination, everything feels like it should, you just need to have a plug, connected into your back socket, a human docking kind of pocket, then enact against your friends, a myriad of worlds to blend, conjure up crazy locations, solving puzzles and creations, couldn't tell which world you're on, reproduction or the one, perhaps you're visiting there now, but haven't worked out why or how.

An innovative and perpetually relevant story of how we'll all be hoodwinked in the end. Let's just hope we have the chance to pause or cancel while we still can.

From the brilliantly twisted mind of director David Cronenberg comes "eXistenZ." What is "eXistenZ," exactly? A new male enhancement product? No, rather, it's a reality enhancement product; a new type of video-game/virtual reality experience, to be even more specific. Jennifer Jason Leigh plays the programmer of said video game, while Jude Law plays her hapless protector and our surrogate as the audience. The further down the rabbit-hole Law's character goes, so too do we, until we are left dizzy and without words to describe what we just saw.

Early in the film, our characters are on the run from somebody who wants to do away with this ground-breaking technology. They'll have to deal with a creepy Willem DeFoe character and deadly spores along the way, while still finding time to explore their new reality and test their limitations. Cronenberg's film pretty much hits the ground running and doesn't allow us the chance to catch our breath as it levels up. Because this is vintage Cronenberg, of course there is plenty of gooey grossness to go around, the least of which are the "portholes" that allow would-be gamers to plug in. Those crushing on the lovely Leigh may find themselves feeling somewhat conflicted about whether the "porthole" exploring is sensual or nausea inducing.

Plot-wise, the film draws comparisons to other late '90s tech- thrillers like "Dark City" and "The Matrix." Heck, even the DVD box- art states that "eXistenZ" "makes 'The Matrix' look like 'Child's Play.'" Well, I don't know about all that, seeing as how I personally don't ever recall seeing a killer doll dodging bullets in that movie, but no matter. What sets "eXistenZ" apart is that it is less focused on its dystopian future and more focused on our present quandary in balancing technological advances with good old down-to- earth human experience. Like the best Cronenberg films, "eXistenZ" has a lot to say about that subject, but doesn't bludgeon or bore his audience with it. Trade the giant placenta-like sacks of skin in this film for the latest iPhone, and it's safe to say that "eXistenZ" was ahead of its time, to say the least.