Un empereur nouveau genre

When most people think of fantastic Disney movies people often let this one slip by. This is by far one of my favorite Disney movies. 18 years after release and multiple viewings I can still laugh at the jokes, as they still are fresh to this day. Kids will love this and adults too. Just do yourself a favor and watch this and prepare to laugh yourself out of your seat.

Although my affection for other Disney movies of the 1990s has decidedly waned, my love for "The Emperor's New Groove" is still as strong as ever. In fact, I'm now beginning to think it's a work of genius. It's clever, unpretentious, fast-paced, and- like "Lilo and Stitch"- you don't feel that the vision of the film was muddled up by the suits. The characters are not constantly breaking into song, and there is a welcome lack of cloying sentiment. No cutesy talking teacups here! The lightning- fast comic timing, sharp writing and constant loony non sequiturs (i.e. "For the last time, we did not order a giant trampoline!") improves upon each viewing, and the voice work is uniformly excellent, from David Spade's hilariously bratty emperor to Patrick Warburton's dim boy-toy Kronk to Eartha Kitt's Yzma (an over-the-top screeching Erte-style villainess with an alleged "secret lab" who is also "scary beyond all reason"). You get the impression that everyone involved had lots of fun making this. The art direction, with its whirling cartoon Inca motifs, is simultaneously goofy and gorgeous- and it shows what marvels can be done with nary a pixel in sight. I even love all the local L.A. humor, with even Bob's Big Boy making an appearance. Although I was initially dismayed when I heard that the project, originally entitled, "The Kingdom of the the Sun," was to be changed to "The Emperor's New Groove," I think in the end the changes were a good thing. Did the world really need yet another bombastic Disney musical?

No, I didn't think so either.

A radical departure from Disney's standard approach, this movie will appeal to everyone in all age groups. My 3-year-old daughter loves it, and so do I. This couldn't be a Disney movie, there are no princesses! I would pass up all the classics to watch this movie. I suppose that technically the animation isn't as good as Snow White. All other aspects of the movie are much better. I laughed so hard I cried.

Get the DVD with all the extras.

"The Emperor's New Groove" is stylistically a break from Disney tradition - it's closer in tone to the Genie in "Aladdin" or some of their TV shows than most of their movies, making a refreshing change. In fact, you could be forgiven for thinking that this isn't a Disney movie at all... the only talking animal has a good excuse for yapping in the voice of David Spade, the only romantic relationship is that between Pacha and his wife (and even there it's more the sign of a happily married couple), and apart from the Emperor's Theme Song Guy ("He's the hippest cat in creation...") - and Sting over the end credits, but we'll forgive that - no one bursts into song. Plus the emphasis is more on Warner Bros-type energetic humour than usual. No wonder it was a disappointment at the box office; not your traditional Disney movie.

Then again, "The Rescuers Down Under" was an underrated pleasure as well.

The story isn't particularly different - you've got the ruler who has to change externally before he can change internally ("Beauty and the Beast"), Kronk, the good-hearted sidekick of the villain (Yzma) who can't bring himself to kill the hero ("Snow White and the Seven Dwarfs"), and so on - but as is often the case it's not so much what the plot is as how it's handled. Although the movie suffers from "Is-that...?" syndrome - it's too hard not to see Finch from "Just Shoot Me!" every time Kuzco speaks (strangely enough, even though Pacha's wife has the voice of Wendie Malick from the same show, I never pictured Nina Van Horn... which isn't the case with "Fillmore!", where Miss Malick voices Principal Folsom. Go figure) - the movie's speed, energy and high humour rate make it easy to forgive, with Kuzco and the bad guy's sidekick as standouts. The movie's also a bit more self-reverential than other Disney movies, notably in our hero's narration (plus at one point Yzma and Kronk notice they're leaving a blue trail behind them, which turns out to be the trail they leave on the map to the palace illustrating the race between them and our heroes).

The surprising thing is that it even works with character - though the Emperor is enough of a self-absorbed hedonist (to a prospective wife: "Let me guess - you've got a really great personality") to turn off Paris and Nicky Hilton, he and Pacha have a believable relationship throughout the movie, so that by the end we're rooting for him to get turned back into a human. Too bad Marc Shaiman's score was thrown out (he'd have been a natural, as opposed to John Debney), but no sense whining over what might have been. An adventure, a comedy and a drama all in one, "The Emperor's New Groove" has everything that was notably absent from DreamWorks' own South American-set cartoon "The Road to El Dorado" (charm, interest, no Elton John overdose and so on) and is the funniest movie from the House of Mouse since "Aladdin." It's easier to forgive them for giving the world "Dinosaur" in 2000 as well.

Why DOES she have that lever, anyway?

You've often heard the sales pitch, "adults will love it, too!" almost always referring to a kids' movie and in particularly, an animated movie for children. Well, in this case I agree. Even as a middle-aged adult, I enjoyed this.

The dialog is adult-friendly but at the same time not coarse or crude with no sexual innuendos, no profanity or even a hint of it. Yet, it's hip with some very clever lines.

The story is interesting and offers a few unique twists. David Spade does a fabulous job narrating, has a very pleasing voice, one that's fun to hear. I actually do think adults would like this more than children.