En 1932, deux étrangers sont condamnés à tort et développent une forte amitié en prison qui durera tout au long du 20e siècle.En 1932, deux étrangers sont condamnés à tort et développent une forte amitié en prison qui durera tout au long du 20e siècle.En 1932, deux étrangers sont condamnés à tort et développent une forte amitié en prison qui durera tout au long du 20e siècle.
- Réalisation
- Scénaristes
- Vedettes
- Nommé pour 1 oscar
- 1 victoire et 6 nominations au total
- Goldmouth
- (as Michael 'Bear' Taliferro)
Avis en vedette
Underrated
Throughout their time there, their friendship is tested in various ways. From failed escape plots, constant antagonism by the warden and his self-hating guard, to bitterness on how they came to be in this awful position. During they sentence, they meet a befriend a colorful cast of characters.
Who knew Eddie Murphy and Martín Lawrence would make a great comedy duo? They play off each other well. Them and the supporting cast.
In regards to the commentary, there're some themes that still resonate today: Homophobia, racism, and resilience in the face of hopelessness and adversity. As funny as it is, it still has a great amount of heart and characters we grow to like too (most of them). I have to admit, they never came off as friend last as the film would like you to believe though. That's just my opinion.
Bottom line, this movie's underrated. Another film the critics got wrong. With that being said, check it out if you have time.
I Liked It
Life is a serious matter
I was surprised at how good Murphy is in this flick.Not one of my favorites, he convinces as he ages and grows under the burden his character carries, that of an entire life stolen from him. And he survives with a certain dignity. Lawrence is almost as good, but he does labor a bit with the dramatic parts, seeming a bit uncomfortable shedding his comic bent. Note that when these characters are shown as old men, Murphy actually becomes an old man, Lawrence is still a young man in oldster's make-up.
Let's not overlook an interesting small role expertly understated by Ned Beatty, and the charm of Bokeem Woodbine as Can't Get Right. Life is well-mounted and the sets are as convincing as any I've seen. Comedies are rarely as dirty and sweaty as this movie.
I thoroughly enjoyed this picture, realizing early on that it was a very serious movie wrongly hyped as a comedy.
life's what you make it!
I din't understand why this gets such a low score!
One of the most funniest films I have seen.
I have seen this so many times and I don't understand why it has only scored a 6/10!
I always think that story lines that cover a large chunk of the characters' lives are always very interesting as the audience gets to see how they evolve and change with age. All of the characters pull this off - over the years we see Ray (Eddie Murphy) change from a young confident individual who never gives up hope to a tired old grouchy man who is hard of hearing; but its never sad. Even when the characters are riddled with old age the humour is still fantastic.
Le saviez-vous
- AnecdotesWhen Ray and Claude are standing on a box of bottles, Claude mentions that a one of his toes has slipped into one of them. This actually happened during the take, but Martin Lawrence kept going, despite Eddie Murphy's laughing, which is genuine.
- GaffesWhen Ray and Claude are older in the superintendents house talking in their room. You can see that Ray is fixing his bodysuit. He is pulling down his stomach.
- Citations
Goldmouth: Maybe I oughta eat *your* cornbread.
Rayford Gibson: Motherfucker, you can't have my cornbread. That's for damn sure. Cause if you try and take my cornbread, Part 2 of my killing spree is gon' begin up in here on your ass, right now. You thinking about my cornbread, better get the taste out your mouth. That's for damn sure.
Claude Banks: Ray, chill out...
Rayford Gibson: No, fuck him. Fuck that, 'cause I'm from New York City, goddammit. Nobody take no cornbread from me. That goes for anyone of you motherfucking farmers who wanna start some shit. You fuck around with me, there's gonna be consequences and repercussions.
- Générique farfeluBloopers are shown during the closing credits.
- ConnexionsFeatured in Maxwell: Fortunate (1999)
- Bandes originalesWake Up Everybody
Written by Gene McFadden, John Whitehead, Victor Carstarphen
Produced by Wyclef Jean and Jerry 'Wonder' Duplessis
Performed by Robby Pardlo
Courtesy of Booga Basement Records
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Life
- Lieux de tournage
- Locke, Sacramento, Californie, États-Unis('Natchez-under-the-Hill')
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 80 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 64 016 268 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 20 414 775 $ US
- 18 avr. 1999
- Brut – à l'échelle mondiale
- 73 475 268 $ US
- Durée
- 1h 48m(108 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1







