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The Woman in White

  • Mini-série télévisée
  • 1997–
  • Not Rated
  • 2h 5m
ÉVALUATION IMDb
7,0/10
1,3 k
MA NOTE
Tara Fitzgerald and Justine Waddell in The Woman in White (1997)
Trailer for The Woman in White
Liretrailer1:33
1 vidéo
15 photos
Drame costuméMystèreThriller

Ajouter une intrigue dans votre langueThe gothic tale of a pair of half-sisters whose lives end up caught in a grand conspiracy revolving around a mentally ill woman dressed in white.The gothic tale of a pair of half-sisters whose lives end up caught in a grand conspiracy revolving around a mentally ill woman dressed in white.The gothic tale of a pair of half-sisters whose lives end up caught in a grand conspiracy revolving around a mentally ill woman dressed in white.

  • Vedettes
    • Tara Fitzgerald
    • Justine Waddell
    • Adie Allen
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,0/10
    1,3 k
    MA NOTE
    • Vedettes
      • Tara Fitzgerald
      • Justine Waddell
      • Adie Allen
    • 19Commentaires d'utilisateurs
    • 5Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
    • A remporté le prix 2 BAFTA Awards
      • 3 victoires et 3 nominations au total

    Épisodes2

    Parcourir les épisodes
    1 saison1997

    Vidéos1

    The Woman in White
    Trailer 1:33
    The Woman in White

    Photos15

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    Distribution principale19

    Modifier
    Tara Fitzgerald
    Tara Fitzgerald
    • Marian Fairlie
    • 1997
    Justine Waddell
    Justine Waddell
    • Laura Fairlie
    • 1997
    Adie Allen
    Adie Allen
    • Margaret Porcher
    • 1997
    Andrew Lincoln
    Andrew Lincoln
    • Walter Hartright
    Susan Vidler
    Susan Vidler
    • Anne Catherick
    John Standing
    John Standing
    • Mr. Gilmore
    Ian Richardson
    Ian Richardson
    • Mr. Fairlie
    James Wilby
    James Wilby
    • Sir Percival Glyde
    Ann Bell
    • Mrs. Rideout
    Anne Etchells
    • Liza
    Timothy Carlton
    Timothy Carlton
    • Glyde's Lawyer
    Simon Callow
    Simon Callow
    • Count Fosco
    Tony Spooner
    • Glyde's Servant
    Sean Gleeson
    • Glyde's Servant
    Kika Markham
    Kika Markham
    • Madame Fosco
    Corin Redgrave
    Corin Redgrave
    • Dr. Kidson
    Nicholas Woodeson
    Nicholas Woodeson
    • Asylum Proprietor
    Eric Carte
    Eric Carte
    • Marian's Father
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs19

    7,01.3K
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    Avis en vedette

    6KIM_HARRIS

    Entertaining enough but lacks subtlety

    This film adaptation is a real missed opportunity. The cast is good and does its best with the screenplay but the subtlety of Collins's novel is largely lost. It is quite possible to see why the format of the original novel would require some structural changes but quite why the makers of the film felt it necessary to change so much in the plot is frankly a mystery.

    It feels like they had decided who they wanted to play the parts and changed the story accordingly. Marian Holcombe is portrayed by Collins as having an ugly and masculine face; Tara Fitzgerald has anything but so they changed the character. Why change her name to Marian Fairlie? Sir Percival Glyde is too young and Fosco too thin.

    Ah well, it's entertaining enough but like so many adaptations, you will be disappointed if you know the book. Out of curiosity I must now try to find copies of the other adaptations to see how they fare.
    9feev

    Rick Grimes BEFORE The Walking Dead!! !!

    Really enjoyed this film..... Rick (known as Walter better) is very solid but definitely much more subdued than in The Walking Dead (TWD). Keep in mind this is just over 10 years before TWD. But you can definitely see how Andrew Lincoln who plays sheriff Rick Grimes in TWD is honing his craft and later became a major international star as sheriff Rick Grimes. Very cool that he even briefly wears a hat in this film quite similar to the famous hat in TWD that he wears while slaughtering zombies. This is a much slower paced drama but still greatly appreciated and highly recommended. Don't listen to the negative reviews it's well worthwhile I promise you!!
    3mickman91-1

    The worst version. Uninspired production. Amends plot to fit short runtime

    I have seen the 1982,2018 and 1997 version and frankly this is by far the worst and doesn't have many merits. It is too short, it amends (not just abridges) the plot significantly to fit the runtime, and totally lacks the tone and atmosphere of the novel. The acting is also nothing to write home about and production low budget and uninspired. It is a shame because I really like Justine Waddell. And while Andrew Lincoln isn't a great actor I quite enjoy watching him. But this was poor. I can't see any reason why I would recommend it. It is also isn't too easily available. Though though is a low quality upload on YouTube if you must watch it.
    Oriel

    Elegant, moody gothic

    Although I still prefer the 1948 film version, which is more satisfyingly developed (in spite of an ending that comes out of nowhere), this newer version of Wilkie Collins's mystery has a lot to offer. Tara Fitzgerald and Justine Waddell are excellent as the two very different heroines, and Simon Callow is, as always, delightful (if not as deliciously repulsive as Sidney Greenstreet in this role). The mystery, romance and suspense begin to take a moody, even depressing turn in the second half, but this is still, overall, a satisfying film for fans of gothics, visually compelling and more than a little haunting.
    9clanciai

    One of the greatest thrillers ever compressed into a TV film without failure.

    This is one of those great novels that cannot be corrupted by the screening of it, no matter how much you alter in the book to fit it into a picture, as the plot itself, the skeleton of the story, is unavoidable and carries it all no matter what you cut out of the flesh or add to it. Tara Fitzgerald and Andrew Lincoln as the main characters are convincing enough, although different from the book, while Simon Callow as Count Fosco, although his appearance is brief in comparison with the book, gets the place in the sun as the central hub of intrigue, one of the most classical and irresistible villains in literature.

    But the main asset of this TV film version is the quiet mood and the excellent composition of the pictures - many scenes are just like Victorian paintings, and a painting actually is made to play almost like a red thread through the film.

    The finale, although completely different from the book, makes the film dramatic enough though, and the only thing you really lack in this film version is the high intensity of the book building up a tension that makes the finale triumphant in its karmic justice.

    They say the 1982 version is better. It is to be noted that Ian Richardson plays in both versions. It will be interesting to find it somewhere.

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    Intérêts connexes

    Mia Goth and Anya Taylor-Joy in Emma. (2020)
    Drame costumé
    Jack Nicholson and Faye Dunaway in Chinatown (1974)
    Mystère
    Cho Yeo-jeong in Parasite (2019)
    Thriller

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Ian Richardson plays the same role in this and an earlier adaptation of the story: The Woman in White (1982).
    • Connexions
      Referenced in The Toxic Avenger: The Musical (2018)

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    Détails

    Modifier
    • Date de sortie
      • 1997 (United Kingdom)
    • Pays d’origine
      • United Kingdom
    • Site officiel
      • WGBH Masterpiece Theatre page
    • Langue
      • English
    • Aussi connu sous le nom de
      • 白衣女郎
    • Lieux de tournage
      • Holdenby House, Holdenby, Northamptonshire, Angleterre, Royaume-Uni
    • sociétés de production
      • Carlton Television
      • WGBH
      • British Broadcasting Corporation (BBC)
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 5m(125 min)
    • Couleur
      • Color
    • Mixage
      • Stereo
    • Rapport de forme
      • 1.33 : 1

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