George and Mildred

George and Mildred is one of the greatest sitcoms to come from the "70's" decade.Like Bless this house,this sitcom is a Domestic one.This feature length movie though decides to take a trip down memory lane for the couple.

Mildred decides that she and george will celebrate their anniversary of their wedding in a posh hotel.The catch is George gets himself into trouble and hilaritys pursue.

It is not up to the standards of its small screen counter-part but is still a funny and good film.

George is his usual self in this film and provides some great laughs especially with his screen time at the start and end with the fourmiles.

The original cast are still present,which is a good sound start,and some well known comic actors also are present,for example "Carry On Matron" star Kenneth Cope as the bumbling hit man.

The film though is relived on DVD, with oddly a 15 certificate (why???) and i would say is harmless family fun just like its small screen counter-part.

Its drawbacks though is that it ends pretty sharply, and i do wish the fourmiles featured a bit more.

I think if the film took a different angle such as "A holiday with the Fourmiles and George's friend in pursuit" might have fetched a better plot,but all the same it was a fair BIG screen match. (8.4/10)

By 1980 the British cinematic trend of converting filmic spin-offs from situation comedies had already run out of steam. Margaret Thatcher had entered Downing Street as PM and the British climate changed considerably. British comedy in the coming decade would see alternative comedy blast through the walls to make a mark, whilst situation comedy shows moved to a different plane to that of their heavily sexed 70s brethren.

George & Mildred was a wonderful show, itself a spin-off from the equally adorable Man About the House, the film suffers, not just as the death knell of a once proud British tradition, but also as a victim of climate change. That it bares little resemblance to what made the show popular in the first place is something used to pound down on the film with, but the production team were trying to keep up, sensing the wind of change they took two much loved characters out of the comfort zone and attempted to keep them viable. Oh it didn't work, not at all, but the will is still admirable.

It's not a great film, it's passable at best because fans of Yootha Joyce and Brian Murphy can at least enjoy their stoic performances. While there are some very good gags in the script. But ultimately it's a tired picture, the set-pieces lack zip, the plot ill advised and underwriting the Roper neighbours, the Fourmiles, is a big mistake. Joyce would die soon after the film's release, a victim to alcoholism aged 53. Sadly this film is no way to remember her, anyone interested in her work are advised to see her 1970s TV output to view a wonderful actress at work. 5/10

GEORGE AND MILDRED was a spin off from the mid 1970s sit-com MAN ABOUT THE HOUSE . Though I haven't seen the series since it was last broadcast I do remember it being fairly amusing with most of the comedy arising from the eponymous couple going to live beside the snobbish Fourmile family , a sort of LOVE THY NEIGHBOUR without the cynical racist gags .

Having seen this " big screen version of the show " I find myself asking what it's a big screen version of ? Certainly not of a popular mid 70s sit com of the same name . For some reason the movie jettisons all character interaction from the television by having George and Mildred leaving the street where they live behind and getting caught up in a plot involving some serious gangsters who want something George has inadvertently picked up and which leads to some cringe making situations and lines like:

" Did he give it to you "

" No that's the first time a man has resisted my charms "

" I meant the envelope "

You do get the impression that screenwriter Dick Sharples ( Who never wrote an episode for the original sit-com ) has never seen an episode of the source material and has got the show confused with the CARRY ON series of films . In many ways it resembles the same mistakes of the latter LOST IN SPACE movie in that it has absolutely nothing in common with the series that spawned it

George & Mildred - The Movie lacks the talents of its TV writer John Mortimer who brings the close quarter cut and thrust of George's class war with the Fourmiles alive.

The plot is cut from standard spin-off cloth - hit-man/mistaken identity - and has as little tension as there are laughs. The producers should have taken a leaf from Rising Damp, (also 1980)which was also bought to the big screen after the TV series demise, and kept much of the story in familiar setting.

Yootha Joyce died in 1980 but she should not be remembered for this creaking piece of work encumbered as she was by her illness. Mildred lacks the sharpness of her TV incarnation; cutting asides and withering looks largely directed at Georges lack of libido. George's sputtering incredulity also gets lost in the more expansive sets. This is not to say that they were much to shout about. The budget for this movies looks pathetically small; a restaurant they go to is clearly a new semi-starched house with some Christmas lights adorning the front door.

For fans of 70's British comedy or those who just want to revisit an old TV companion from their youth this film can add nothing to the experience and they should just stick to the first four TV series out now on DVD.

I've always found this film odd to watch as Yootha Joyce passed on before it's release and her last on screen moment being a wink to the camera before switching off the light heading upstairs (another series on TV was planned before her untimely death).

Sadly the plot leaves the usual TV storylines (and for the most part excludes their neighbours the Fourmiles) for a mistaken identity plot (where George is mistaken for a hitman!).

The guest cast can't help the film from being on of the worst sit-com spin-off films as well as being one of the final (with Rising Damp) damp squibs of the genre (Future feature length adaptations such as Last Of The Summer Wine and Only Fools and Horses would be TV specials).

Sadly the end of an era in so many ways.