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6,3/10
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Ajouter une intrigue dans votre langueOld bank robber Henry, paralyzed from a stroke, is moved from a prison hospital to a retirement home, where Carol is a nurse. She doesn't believe he's paralyzed and sees him as a way out of ... Tout lireOld bank robber Henry, paralyzed from a stroke, is moved from a prison hospital to a retirement home, where Carol is a nurse. She doesn't believe he's paralyzed and sees him as a way out of her boring life.Old bank robber Henry, paralyzed from a stroke, is moved from a prison hospital to a retirement home, where Carol is a nurse. She doesn't believe he's paralyzed and sees him as a way out of her boring life.
Irma St. Paule
- Mrs. Galer
- (as Irma St. Paul)
Rita Tuckett
- Mrs. Weiler
- (as Rita Tucket)
Rod McLachlan
- Lloyd the Cop
- (as Roderick McLachlan)
Avis en vedette
Paul Newman shines in this implausible, but highly watchable caper flick about three unlikely armored car robbers. It is hard to believe that Newman is 75. He is fitter and more energetic than most men who are fifteen years his junior. He single-handedly elevates this film from mediocrity.
The story is nothing unique. Henry (Newman) is a bank robber who is delivered to a nursing home after a debilitating stroke. His nurse (Linda Fiorentino) suspects he is not the vegetable he appears to be. After she gets him to admit his ruse, she exhorts him to knock off an armored truck with her.
Director Marek Kanievska and writer Max Frye leave numerous gaps in the story. We never discover what tips off Carol that Henry is faking. They didn't do enough character development of Carol and Wayne (Dermot Mulroney) to make it believable that they would want to become criminals, no less hatch the scheme. The idea that Carol was pretending to be the dispatcher for the armored car company from a cell phone in the truck is a flimsy concoction. Even with digital technology, most cell phones in moving vehicles sound like cell phones, and you can hear road noises and the engine running.
Still, despite a lackluster script, the film is enjoyable because of Paul Newman. Newman gives a fantastic rendition of a stroke victim, and his hardened and cantankerous portrayal was marvelous. Linda Fiorentino plays the scheming sex-kitten nurse in one of her better performances. The screen chemistry between Fiorentino and Newman is excellent with undercurrents of sexual desire constantly flaring up between them. Dermot Mulroney is relegated to a role that was essentially a fifth wheel and is adequate as Carol's loser of a husband.
I rated this film a 7/10. It is good entertainment and an opportunity to see a master at work. Newman hasn't lost a beat in a movie career that spans almost a half a century. It is worth seeing for him alone.
The story is nothing unique. Henry (Newman) is a bank robber who is delivered to a nursing home after a debilitating stroke. His nurse (Linda Fiorentino) suspects he is not the vegetable he appears to be. After she gets him to admit his ruse, she exhorts him to knock off an armored truck with her.
Director Marek Kanievska and writer Max Frye leave numerous gaps in the story. We never discover what tips off Carol that Henry is faking. They didn't do enough character development of Carol and Wayne (Dermot Mulroney) to make it believable that they would want to become criminals, no less hatch the scheme. The idea that Carol was pretending to be the dispatcher for the armored car company from a cell phone in the truck is a flimsy concoction. Even with digital technology, most cell phones in moving vehicles sound like cell phones, and you can hear road noises and the engine running.
Still, despite a lackluster script, the film is enjoyable because of Paul Newman. Newman gives a fantastic rendition of a stroke victim, and his hardened and cantankerous portrayal was marvelous. Linda Fiorentino plays the scheming sex-kitten nurse in one of her better performances. The screen chemistry between Fiorentino and Newman is excellent with undercurrents of sexual desire constantly flaring up between them. Dermot Mulroney is relegated to a role that was essentially a fifth wheel and is adequate as Carol's loser of a husband.
I rated this film a 7/10. It is good entertainment and an opportunity to see a master at work. Newman hasn't lost a beat in a movie career that spans almost a half a century. It is worth seeing for him alone.
My girlfriend took me to an advance screening of this film so we had no idea what we were in for. I had just seen Nobody's Fool so I was well prepared for the pace of the film, and Newman's sly, charming style. Fortunately, he didn't disappoint, (he's still as reliable as ever), and the film still held plenty of surprises for me. I will admit I was less than interested for the first 20 minutes, but by the end, I was impressed.
Newman plays Henry Manning, a old thief who crosses paths with Carol Ann MacKay (Fiorentino) who is a restless nurse at a rest home. As you can guess, it's a heist film with plenty of hilarity and real suspense. Keep in mind, it's a mild hilarity and suspense, with subtle exchanges and real emotional investment. The scenes play slowly and meticulously, like a heist, waiting for the exact moment to give us the payoff. They hit the mark more often than not in both arenas of comedy and suspense,
The chemistry between the principles is strong, especially with Fiorentino and Newman, with intelligent dialogue that takes the plot through a natural progression that doesn't betray the two lead characters.
Make no mistake, Newman's presence elevates this film, as he often does, and he does it with such ease that it's a joy to watch. If you like Newman's recent work, this film will not disappoint you.
As I have indicated, it's a slow film, not too deep, not overly witty, but subtle. It works on many levels, so I have no problem recommending it to fans of Paul Newman.
Newman plays Henry Manning, a old thief who crosses paths with Carol Ann MacKay (Fiorentino) who is a restless nurse at a rest home. As you can guess, it's a heist film with plenty of hilarity and real suspense. Keep in mind, it's a mild hilarity and suspense, with subtle exchanges and real emotional investment. The scenes play slowly and meticulously, like a heist, waiting for the exact moment to give us the payoff. They hit the mark more often than not in both arenas of comedy and suspense,
The chemistry between the principles is strong, especially with Fiorentino and Newman, with intelligent dialogue that takes the plot through a natural progression that doesn't betray the two lead characters.
Make no mistake, Newman's presence elevates this film, as he often does, and he does it with such ease that it's a joy to watch. If you like Newman's recent work, this film will not disappoint you.
As I have indicated, it's a slow film, not too deep, not overly witty, but subtle. It works on many levels, so I have no problem recommending it to fans of Paul Newman.
This movie, like most caper films, builds slowly to a pretty satisfying conclusion. The three main stars are likable, and of course Paul Newman is a jewel as always. Linda is not as seductive as in some of her roles, but is,as always, a pleasure to watch. Some younger folks might find this too slow, but more mature audiences will probably enjoy it
This little movie is all about Paul Newman - it's a heist flick, not of the same caliber of The Sting, but good fun nonetheless. Ole Blue Eyes at 75 yrs old still has more charisma than the current, top 5 highest earning movie stars combined. Linda Fiorentino has great chemistry with both her co-stars - no surprise there. She's so good, it's a shame she's not given more dialogue to chew on. Dermot Mulroney is every woman's complete package - OOFA! Catherine Keener (his real-life wife) is a one happy woman. This is worth seeing on the big screen!!
Two days ago, one of the greatest actors of all time left this life. Paul Leonard Newman was best known for films like "Hud", "Butch Cassidy and the Sundance Kid" and "The Verdict". But he also starred in small, less noticed movies over the years. One example is "Where the Money Is". Newman plays an aged crook who moves into a nursing home where it becomes clear to the woman (Linda Fiorentino) running the place that he's not as disabled as he claims to be and might in fact be looking for help in pulling off another heist.
OK, so an elderly criminal going in for one last scheme is sort of a hackneyed plot. But in this role, Newman doesn't even need to talk much; it seemed to me as if his eyes functioned as actors. Not to mention that there's some great chemistry between him and Fiorentino. This might not be the most noticeable movie, but it's worth seeing, if only once. There will never be another Paul Newman.
Also starring Dermot Mulroney.
OK, so an elderly criminal going in for one last scheme is sort of a hackneyed plot. But in this role, Newman doesn't even need to talk much; it seemed to me as if his eyes functioned as actors. Not to mention that there's some great chemistry between him and Fiorentino. This might not be the most noticeable movie, but it's worth seeing, if only once. There will never be another Paul Newman.
Also starring Dermot Mulroney.
Le saviez-vous
- AnecdotesPaul Newman's final starring role in a film. His remaining film work would be in supporting roles and voice-overs.
- GaffesWhile the talk is about toaster ovens, the bank offers toasters only - the billboards clearly show a toaster and the description is 'toaster', not 'toaster oven'.
- Citations
Henry Manning: Honey, I'm playing brain dead, not brain damaged.
- Bandes originalesYou Might Think
Performed by The Cars
Written by Ric Ocasek
Courtesy of Elektra Entertainment Group
By Arrangement with Warner Special Products
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- How long is Where the Money Is?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Where the Money Is
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 28 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 5 661 798 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 2 513 530 $ US
- 16 avr. 2000
- Brut – à l'échelle mondiale
- 7 450 414 $ US
- Durée
- 1h 29m(89 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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