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Aftermath

  • 1994
  • Not Rated
  • 30m
ÉVALUATION IMDb
5,7/10
5,9 k
MA NOTE
Pep Tosar in Aftermath (1994)
HorreurCourteHorreur corporelle

Ajouter une intrigue dans votre langueA short film wherein a man working in a morgue mutilates and defiles one of the corpses.A short film wherein a man working in a morgue mutilates and defiles one of the corpses.A short film wherein a man working in a morgue mutilates and defiles one of the corpses.

  • Director
    • Nacho Cerdá
  • Writer
    • Nacho Cerdá
  • Stars
    • Pep Tosar
    • Jordi Tarrida
    • Ángel Tarris
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    5,7/10
    5,9 k
    MA NOTE
    • Director
      • Nacho Cerdá
    • Writer
      • Nacho Cerdá
    • Stars
      • Pep Tosar
      • Jordi Tarrida
      • Ángel Tarris
    • 56Commentaires d'utilisateurs
    • 18Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 1 victoire au total

    Photos2

    Voir l’affiche
    Voir l’affiche

    Rôles principaux4

    Modifier
    Pep Tosar
    Pep Tosar
    • Forense
    Jordi Tarrida
    • Médico #2
    Ángel Tarris
    • Celador
    • (as Ángel Tarres)
    Xevi Collellmir
    • Cadáver Vin
    • Director
      • Nacho Cerdá
    • Writer
      • Nacho Cerdá
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs56

    5,75.8K
    1
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    10

    Avis en vedette

    fertilecelluloid

    Top notch horror

    Using no direct dialogue, Nacho Cerda employs pure cinematic technique to create a horror powerhouse in AFTERMATH.

    There is no plot, just a sequence of events leading up to the "rape" and desecration of a female corpse.

    Mozart's "Requiem" accompanies the imagery.

    Once again, as is common with films of this nature, sound design plays a large part in the film's effectiveness. I say "once again" because we have a pattern here. Strong, potent films by the likes of directors such as Gasper Noe (IRREVERSIBLE), Ruggero Deodato (CANNIBAL HOLOCAUST), Yasaharu Hasebe (ASSAULT JACK THE RIPPER), Augustin Villaronga (IN A GLASS CAGE), and now, Nacho Cerda, are notable for the acutely attuned, aural instincts of their highly talented creators.

    AFTERMATH is a beautiful film, a gorgeously crafted gaze into the world of necrophilia and loneliness.

    Cerda's GENESIS is equal in its technical department, but it lacks the power of its predecessor.

    The additional, non-Mozart music cues, are simply perfectly placed and emotionally fierce.
    8Ky-D

    Grisly necrophiliac opus.

    Oft lamented gore short in the same vein as 'Necromantik', though arguably a superior product.

    A coroner performers his daily duties of managing the dead, but when the day ends and all others go home the dead are his to do what he pleases.

    Timeing in at a mere 30 minutes and lacking any spoken dialogue, the film is very short on story. Aside form a couple quick bits out side of the operating room, the film doesn't concern itself with story details; it already knows exactly what it wants to show you. That being the graphic dismemberment and eventual sexual desecration of the dead. Showing as much of the process as the (very convincing) corpse effects will allow, hardly a detail is spared from view.

    The coup de grace is, of course, meant to be the ultimate act of intercourse with a gutted out body, yet that was not the scene that affected me the most. A different scene involving a more real-world process of preparing a cadaver was (to my mind) more disturbing. It was so simple, by the numbers and unemotional, and no matter what I will be there someday.

    Technically the film is outstanding. Effective camera use, perfect lighting, and a great use of both music and excellent sound effects. It could be argued that the film needs something resembling a story to further flesh out, and I would both agree and argue against it. Without a deeper story, the gory visuals do lose some emotional impact, but adding to much more would have thrown off the pace and dulled the impact of the film.

    Definitely shocking, undeniably well made, but to simple to garner more than a curiosity viewing. Genre fans only please.

    8/10
    9tom-hlavenka

    A powerful look at necrophilia

    This short film presents in graphic detail the dirty little secret of funeral services. All too often, bodies are mutilated and raped. Karen Greenlee was jailed and became nationally famous for her rampant necrophilia in the 80s. Here, Nacho Cerda presents this topic with a great attention to detail and no sensationalism. The mortician fondles, mutilates, and rapes a corpse after the viewer witnesses a very accurate autopsy. The mortician takes home some souvenirs, pictures for himself and a heart for his dog. That's it, no distractions from the reality of the subject matter. It's not filmed in such a way as to shock the viewer but to present unapologetically the very sickening reality that things like this happen more often than we'd like to believe. The realism is the most disturbing part.
    9CinemaPat

    Disturbing, Revolting Masterpiece

    What happens when you die? What was the first thing you thought of when you read that question? Most people would immediately think about whether there is a Heaven or Hell. "Aftermath", the controversial 30 minute short from Spanish director Nacho Cerdà takes a look at (in graphic detail) what happens to the body after death. This powerful film is not for the easily offended or those with a weak stomach. There is no dialogue and primarily takes place in an actual morgue. "Aftermath" will make you question how you want your body handled after death and it will open your eyes to the horror that is present in the world. Cerdà decided to make a film that covered both issues when I suppose he could have stuck to one. Although this is only 30 minutes, after the second act you will feel as if you have been watching for hours. That is if you make it to the second act. Make no mistake, this is 30 minutes of the raw, uncompromising reality of Autopsy's.

    That being said...there are some things you should keep in mind while watching in order to understand, respect and ultimately enjoy what Nacho Cerdà has put together. You have to take into account the cinematography, the fact there is no spoken dialogue, the soundtrack and the moral questions it brings out of you. Cerdà did an AMAZING job with the filming using slow moving camera work mixed with an eerie classical soundtrack. Speaking of sound, the sound effects were that of a big budget film. The clarity and realness was nearly more disgusting and frightening than the action on screen. I cringed more from the sound than the visuals at times.

    This film makes the viewer think about what happens after death. Most people may think their soul leaves them and their "temple" aka body gets laid quietly to rest. They don't think about what goes on between the time of passing and when the body is six feet under or cremated. They certainly don't think about how the autopsy will go or what will happen with their organs if they are an organ donor. The first person doing the autopsy seems to have no care in the world for the body he is mutilating; however, you later realize that he is just trying to do his job (quickly) and get out. I would be the same way. Wouldn't you? Then you're left to realize the second character, meticulously played by Pep Tosar, is really the sicko. This movie may be a lot more than most people can handle, but if you can put aside the "shock" of seeing a graphic autopsy and sickening necrophilia what you are left with is an important film that begs the viewer to confront their thoughts of what happens after you die. A powerful film.

    http://cinemapat.blogspot.com/2010/10/aftermath-nacho-cerda-1994.html
    mandaloon

    Artful, yet sickening.

    The gore is well done, the production values are top notch. Nacho Cerda is obviously a gifted filmmaker. But this movie did sicken me at the same time, because of how real they made everything look, this is definitely a movie to hide from the kids.

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    Histoire

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    Le saviez-vous

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    • Connexions
      Featured in Hagan Reviews: Aftermath/Thomas the Magic Railroad Double Review (2011)
    • Bandes originales
      Lacrimosa
      Written by Wolfgang Amadeus Mozart

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    FAQ

    • Were those real bodies?

    Détails

    Modifier
    • Date de sortie
      • juillet 1997 (Canada)
    • Pays d’origine
      • Spain
    • Langue
      • None
    • Aussi connu sous le nom de
      • После смерти
    • société de production
      • Waken Productions
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      30 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby
    • Rapport de forme
      • 1.85 : 1

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    Pep Tosar in Aftermath (1994)
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